Best Classical Easter Music: Top 20 Essential Pieces


The non secular celebration of Easter is a real dichotomy between dying and life, endings and beginnings, grief and pleasure. The Easter story has been immortalised in a number of the biggest classical works of all time, and impressed numerous others. Discover our choice of the highest 20 greatest classical music items for Easter encapsulating the ecclesiastical gravitas of the crucifixion, the poignancy of the resurrection, and the jubilation of springtime.

Listen to the very best classical Easter music on Spotify.

21: Andrea Bocelli and Celine Dion – The Prayer

“The Prayer” was initially recorded in English by Celine Dion and Italian by Andrea Bocelli for the 1998 animated musical comedy, Quest For Camelot. However, the 2 stars additionally recorded it as a duet for his or her respective solo albums, Dion’s These Are Special Times and Bocelli’s Sogno, with the duet attracting quite a few accolades and later profitable a Golden Globe (for Best Original Song) in 1999. Though not particularly about Easter, “The Prayer” nonetheless works on this context as its lyric requires peace, kindness, and steerage – and it exudes a quiet spirituality with out ever sounding overly non secular. – Tim Peacock

20: Tallis: Lamentations Of Jeremiah The Prophet

Composed as early as 1565, Tallis’ Lamentations are settings of verse from the Book Of Jeremiah, particularly the primary ‘Nocturn’ for Maundy Thursday, among the finest classical music items for Easter. Tallis opts for the decrease, darker, richer tones of male voices, which he skilfully balances in contemplative, five-part polyphony. As a results of this relentless and complicated counterpoint, these Lamentations are deeply emotional and completely entrancing.

19: Berlioz: ‘Resurrexit’ from Messe Solennelle

Berlioz’s Messe Solemnelle has a resurrection story of its personal: in 1824 the then twenty-year-old Berlioz is claimed to have discarded giant sections of his Messe Solemnelle. Thankfully for us, the entire rating was later found in 1991. The ‘Resurrexit’ motion is fantastically dramatic, with proud brass fanfares and epic choral forces reveling within the euphoria of Jesus’ resurrection in full-blown, post-Beethovenian Romanticism.

18: Monteverdi: Vespro Della Beata Vergine

Monteverdi’s Vespers For The Blessed Virgin, revealed in 1610, had been written to be carried out on Marian feast days. In its time, Monteverdi’s vocal compositional model was pioneering: the usage of figured-based, the virtuostic solo writing, the usage of dance varieties, all seen manifest in these Vespers, are just some methods wherein Monteverdi revolutionized vocal composition. These stylistic improvements would ultimately result in the invention of opera. Indeed, moments in these Vespers actually verge on the operatic, contrasted with animated, fugal passages. From items like these magnificent Vespers, it’s clear to see why Monteverdi is commonly heralded as essentially the most vital composer of the Seventeenth century.

17: Bruckner: Mass No.1 in D minor

A fervent Catholic for all his life, Bruckner’s oeuvre is plagued by sacred works. His first setting of the Mass strange, written in 1864, is a fragile and contemplative masterpiece. For this piece, Bruckner eschews his extra experimental compositional tendencies in favor of a extra conservative, straight-laced idiom, notably by way of concord. His fiery, revolutionary Romantic aptitude which is obvious in his symphonies, is balanced completely with polyphonic method, creating a really uplifting setting of the Mass strange. Perhaps a bit of Bruckner’s Romantic depth pervades into the ultimate part, the ‘Agnus Dei’ (‘Lamb of God’), which brings the piece to a tantalizing conclusion.

16: Stravinsky: Mass

As you’ll count on from Stravinsky, this setting of the Mass is not any means close to as typical as Bruckner’s. In reality, writing music for a Catholic liturgical service was inconsistent with Stravinsky’s personal Russian Orthodox religion. The piece, scored for an uncommon mixture of choir, with oboes, cor anglais, bassoon, trumpets, and trombones, is by Stravinsky’s requirements refrained, and largely unornamented. Nevertheless, a capsule definition of harmonic language evades theorists and analysts to at the present time. In its personal Stravinskian means, the unusually hypnotizing soundworld of this Mass captures the importance of spiritual festivals reminiscent of Easter.

15: Haydn: The Seven Last Words Of Our Saviour On The Cross

A sobering commemoration of the crucifixion on Good Friday, Haydn’s Seven Last Words are a meditation on Christ’s final moments in human life, within the type of 9 actions. The work was initially scored for refrain and orchestra, however later organized into an equally transformative and highly effective string quartet, and is among the greatest classical music items for Easter. The music is supremely sleek but measured, exuding the gravitas and solemnity of Christ’s last moments on the cross, within the information that in sacrificing himself, He would save all mankind.

14: Pärt: De Profundis

A musical setting of Psalm 130, De Profundis is an intriguing, mesmerizing piece, completely suited to a portentous event reminiscent of Easter. Pärt reaches deep into the decrease limits of the male vocal vary, contrasting these grave, wealthy tones with a chiming organ ostinato and ethereal tubular bells that circle all through. This piece actually gives a second of inside reflection, with mild melodies that linger and construct, virtually to breaking level, earlier than the voices pull again into blissful vocal concord.

13: Pergolesi: Stabat Mater

The Stabat Mater is a somber hymn, conveying the struggling of the Virgin Mary on the crucifixion of Christ. Pergolesi’s model was written simply earlier than his personal dying in 1736. Moments of grief, reminiscent of ‘Quando Corpus Morietur’, are contrasted with lighter moments, reminiscent of ‘Cujus Animam Gementem’, reflecting the duality that lies on the core of the Christian Easter competition. This specific setting of the Latin liturgy is probably one of the vital tender and evocative duets within the repertoire and among the finest classical music items for Easter.

12: Tavener: As One Who Has Slept

A contemporary Easter anthem, As One Who Has Slept (1996) is a musical setting of the liturgy of St Basil, written particularly to be carried out on Easter Sunday. Tavener grounds the angelic, floating voices with a drone within the bass half which is maintained all through, virtually as if to place the listener right into a trance-like, meditative state. Through heart-wrenching harmonies that lightly jar, after which resolve, Tavener creates an ethereal, timeless setting for the phrases: “As one who has slept, the Lord has risen, and rising He has saved us.”

11: Purcell: ‘When I Am Laid In Earth’ from Dido And Anaes

‘When I am Laid in Earth’, also called ‘Dido’s Lament’, from Purcell’s late Seventeenth-century opera, is a secular work that at present is mostly related to remembrance. However, the purity of emotion, and poignancy of the phrases, that ominously foreshadow dying, lend themselves freely to ecclesiastical interpretation. This lovely simplicity aria calls for supreme vocal management and delicate sensitivity from the soprano, which concurrently inflicts a profound emotional pull on the listener.

10: Messiaen: O Sacrum Convivium

This motet, written in 1937, is a setting of Latin prose that honors the Eucharist – the sacramental consumption of bread and wine in reminiscence of Jesus. Religious instructing holds that this custom started on the eve of Maundy Thursday, on the Last Supper. Messiaen’s musical providing is completely homophonic, which rises and falls with the breath. The melange of voices lingers on juicy chords, reveling in Messiaen’s distinctive musical rhetoric. The noticeable lack of harmonic decision makes this a weightless, virtually non secular, listening expertise.

9: Mozart: Mass in C minor

Or certainly the Great Mass, as historical past has rightly dubbed it – even in its partly unfinished kind. The big of classical music himself produces an equally gigantic setting of the Mass strange, with 4 soloists, double refrain, and immense orchestra. This piece appears each to custom, with the affect of Bach and Handel evident in ‘Cum Sancto Spiritu’, in addition to to innovation, with vocal pyrotechnics extra reminiscent a Mozartian opera than a sacred Mass. The compositional mastery of this piece is probably greatest exemplified by the ‘Sanctus’, the place full efficiency forces are totally unleashed.

8: Rimsky-Korsakov: Russian Easter Overture

Based completely on chants from the Russian Orthodox Church, Rimsky-Korsakov’s Easter Overture is a purely instrumental work for orchestra and among the finest classical music items for Easter. This piece is splendidly programmatic: the underlying Easter narrative is unmistakable due to the composer’s genius use of orchestration. The contemplative opening part underlines the solemnity of the Passiontide within the lead-up to Holy Sunday, earlier than transitioning into the unbridled pleasure of Easter morning.

7: Bach: Easter Oratorio

Bach is famend for his divine assortment of large-scale church music. The Easter Oratorio is cantata written particularly for worship on Easter Sunday, the narrative of which follows the invention of Jesus’ empty tomb, from the joyous, lilting opening refrain ‘Kommt, Eilet Und Laufet’, to the unhappy lament in ‘Seele, Deine Spezereien’. The textual content is non-liturgical, comprised of newly-written poetry, and contains the characters of John, Peter, Mary Magdalene, and Mary mom of James.

6: Vaughan Williams: Five Mystical Songs

The first of Vaughan William’s Five Mystical Songs from 1911 is titled ‘Easter’. Scored for baritone solo and accompanied by choir and orchestra, ‘Easter’ is an endlessly joyful setting of a poem by George Herbert. The throbbing string accompaniment creates an environment of pleasure and exultation, while the wealthy baritone solo sores above. Uplifting and jubilant all through, ‘Easter’ and the 4 different Mystical Songs, symbolize Vaughan Williams’ work at its absolute most interesting.

5: Victoria: Tenebrae Responsories

Tomás Luis de Victoria’s Tenebrae Responsories, maybe one of the vital beautiful examples of comparatively unknown early music, had been composed in 1585 for efficiency throughout Catholic providers on Maundy Thursday, Good Friday, and Holy Saturday. Comprised of eighteen motets with textual content derived from the Catholic liturgy, Victoria writes for merely 4 voices a cappella. The eighteenth responsory ‘Sepulto Domino’ is the epitome of pared-back vocal writing, with slushy suspensions and blissful harmonic progressions.

4: Bach: St John Passion

The first of Bach’s two mammoth sacred Passions, the St John Passion is an epic musical setting of the gospel. The John was first carried out throughout service on Good Friday in 1724, it has remained a core a part of the liturgical canon ever since and is among the greatest classical music items for Easter. Scored for soloists, refrain, and orchestra, John Passion is intense, dramatic, and evocative all through. Perhaps essentially the most breath-taking moments belong to the Evangelist, for whom, as narrator, Bach writes astounding recitative passages that border on the divine.

3: Bach: St Matthew Passion

The St Matthew Passion is a sacred masterpiece on a scale even grander than its John counterpart. Again, carried out by refrain, orchestra, and the Evangelist narrator, the Matthew is arguably the head of Bach the church musician, and among the finest classical music items for Easter. If you’ve received the stamina, the total three hours of the Matthew Passion are effectively value your undivided consideration, notably at Easter.

2: Mahler: Symphony No 2, ‘Resurrection’

Mahler’s second symphony, nicknamed ‘Resurrection’, is the composer’s personal meditation on rebirth and afterlife, themes harking back to Easter. Radical for its fusion of each vocal and orchestral genres on an unprecedented scale, the ‘Resurrection’ symphony is scored for an extra-large orchestra, full choir, organ, and church bells. Mahler wrote the textual content himself. The fifth motion specifically is explosive but poignant, starting with a passage often called the “cry of despair” and ending with the phrases, “Die shall I in order to live/Rise again, yes, rise again.”

The last moments of the ‘Resurrection’ symphony will fairly merely blow your socks off, punch you within the face, and break your coronary heart within the area of 5 minutes.

1: Handel: Messiah

Handel’s Messiah is a mainstay of choral society singing, among the finest classical music items for Easter, and one of the vital enduring choral works of all time. This oratorio is synonymous with Easter, with the scriptural textual content of the King James Bible set to Handel’s dramatic and emotive music. Best recognized for the well-known ‘Hallelujah’ refrain, the remainder of the Messiah is equally lovely, that includes beautiful arias reminiscent of ‘Ev’ry Valley Shall Be Exalted’. In a phrase? Iconic.

Recommended Recording

Trevor Pinnock’s 1988 recording of Handel’s Messiah with the English Concert and Choir is among the most interesting variations obtainable to supply genuine devices and full of life, embellished singing that’s idiomatic to the Baroque interval. The soloists are soprano Arleen Augér, contralto Anne Sofie von Otter, countertenor Michael Chance, tenor Howard Crook, and bass John Tomlinson. BBC Music Magazine described Trevor Pinnock’s recording of Handel’s Messiah as, “One of the freshest and most exciting Messiahs on CD reconciling ‘authentic’ practice with the work’s undoubted scope for grandeur. Superb soloists.”

Trevor Pinnock’s recording of Handel’s Messiah could be purchased right here.


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