Interview with Miami Singer-Songwriter Le Poodle

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Earlier this yr, when Natalie Foucauld gained her Best of Miami as town’s “Best Pop Act” for her music undertaking Le Poodle, New Times known as her out about the lengthy spans between her releases. But Foucauld has an excellent cause for it.

“I’m like, ‘The tabloids are coming for me!'” she says, laughing in regards to the comment.

Music, sadly, is not Foucauld’s full-time job. In reality, Dr. Foucauld is a board-certified doctor assistant who additionally occurs to show as an assistant professor in medical training.

“Being an artist was not an choice for me,” Foucauld says of her upbringing. Growing up as a second-generation immigrant, she felt the strain of pursuing a extra conventional profession path that assured monetary stability.

While the 31-year-old singer-songwriter is flourishing in her medical profession, Le Poodle provides her an outlet to precise herself creatively. And music is not only a mere interest for her. Foucauld admits to being fascinated by pop songs’ buildings and the way they work. As a younger woman, she idolized pop stars like Britney Spears, Mariah Carey, and Christina Aguilera.

Despite her unsteady circulation of releases, Foucauld’s newest EP, Opinions From My Bedroom, was conceived effectively earlier than the pandemic shut the whole lot down in 2020. And in the course of the lockdown, she discovered herself writing so much. (Despite being on-call as a primary responder in the course of the pandemic, Foucauld says the state by no means reached out to her.)

“I needed to sift by means of like 160 Abelton classes,” she explains. “Some of them had been loops, others had been precise songs, and a few had been simply concepts.”

With the EP taking three years to finish, “Whales” was the one observe Foucauld labored on early on, with the remainder of the tracks coming collectively comparatively not too long ago. She attributes that to the author’s block she suffered whereas at residence. It wasn’t till the start of 2022 that she observed a shift and began to work by means of the obstacles to finish the undertaking.
“At the start of this yr, there was some shift and I began ending issues,” she says of the report. “I simply stored recording and sifting by means of what I had.” Foucauld additionally sought enter from her closest confidantes to offer their sincere opinion of the route she was heading. “I stay alone, so typically it is laborious to have an goal view of your music once you’re simply listening to it 24/7.”

Foucauld hoped to finish the EP earlier than her look at III Points final month, however on the similar time, she was cautious to not really feel like she was speeding into issues. “It’s a mistake I’ve finished prior to now: speeding it and never feeling happy with what I’m placing out and never having the vitality to market it as a result of I’m already not feeling it,” she provides.

Out of the self-imposed deadline got here Opinions From My Bedroom, a seven-track providing of bed room pop. Foucauld’s vocal supply remains to be as assured as ever, with the manufacturing veering into lo-fi territory with out sounding like an unfinished demo. Highlights embrace the sultry “Hold Me Closer,” the folky “Heavyweight Champion,” and the choice R&B reduce “Should We Chill?”

The report was self-produced by Foucauld with assist from her former Cloud Solo band member Richy B. “Sometimes I might convey [Richy] within the studio to see if he may add something,” she says. “He’s good at the whole lot, however what he is actually good at are piano and guitar.”

The EP’s title additionally got here from Foucauld’s isolation from the world in the course of the pandemic. “It spawned from folks being so daring of claiming issues so casually on-line,” she explains. “That idea was very attention-grabbing to me, how our egos tackle this loopy, harmful persona due to know-how.” For Foucauld, folks’s audacity on-line comes from a spot of concern and deflection of sitting alone with one’s ideas.

The title additionally stems from her ideas of her bed room serving as an area away from her mother and father and college. It was the one space the place she may anticipate her privateness to be revered and served as a spot of each consolation and ache. “[The record] has numerous themes of heartbreak, introspection, and vulnerability,” she notes.

While her day job would not permit her to take her music on the street for an prolonged interval, Foucauld nonetheless hopes to do a couple of extra music pageant appearances and maybe journey to the South by Southwest to community. “Honestly, if I do have a chance and I’m capable of assist my life, I might be an artist full-time,” she says.



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