“I love it. Why not? It’s fun,” Gilroy says. “You’d have to be wrapped pretty tight to not want to do that.”
The New York native lately grew to become conscious of what was occurring whereas touring round Los Angeles for a collection of For Your Consideration screenings and Q&As for Andor, which is hoping to show its crucial acclaim into Emmy nominations.
“They showed me the TikToks when I was out there. I was like, ‘Holy cow,’” he says. “The first one someone sent me was of a woman DJ, and it’s bright and sunny. There’s a guy who’s got short shorts on, and a rainbow blanket, and he’s dancing. Then I showed that to somebody, and they go, ‘Oh my God. There’s nine more….’”
Gilroy started encouraging Lucasfilm to make it simpler for followers to remix the music by providing up the separate audio parts of the monitor. “I’m hoping that they’re working out the legality of getting the stems out to, if not everybody, at least a certain number of DJs who they approve of, who can mess with it,” he says. “It really could be a gas.”
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“A gas” is just not what this marriage ceremony scene initially represented. Gilroy supposed it to underscore Mon Mothma’s desperation and isolation, whilst she operates in public as a robust political chief and socialite.
“The only people who know what she’s going through are her and you in your living room. There are hundreds of people in that ballroom—nobody else has any clue what’s happening,” Gilroy says. “It binds you to her, in a way. You’ve been through something together that no one else has seen.”
To the onlookers at that galactic marriage ceremony, her dance simply appears to be like like exuberance. “They think, ‘Oh, that’s the mother of the bride, and she’s having a great day. Too much to drink. Isn’t that fun? Let’s party on!’” Gilroy says. “And that is so not what’s happening.”