Netflix Announces New Movie with ‘Eternaut’ Star Ricardo Darín

Netflix has unveiled a brand new movie with “The Eternaut” lead Ricardo Darín, Argentina’s greatest star, and one other by standard director Marcos Carnevale (“Elsa and Fred”), starring Oscar Martínez (“Official Competition”).

“Lo dejamos acá” stars Darín and Diego Paretti, one other huge Argentine participant, in a film a couple of pragmatic psychoanalyst (Darín) who begins to mistrust conventional psychological strategies, crossing moral strains along with his sufferers. Everything appears to work – till a creatively blocked author (Peretti) enters his follow. 

Produced by Darín’s label Kenya Films, in a pedigree artistic bundle “Lo dejamos acá” is helmed by Hernán Goldfrid, who directed Darín in field workplace hit “Thesis of a Homicide” and co-directed “Caught” in addition to one in all HBO Latin America’s greatest sequence ever, “The Bronze Garden.” It is written by Emanuel Diez, who co-wrote Juan José Campanella’s “The Envoys” and Mariano Cohn and Gastón Duprat’s “El Encargado” (“The One in Charge”) and “Nada,” co-starring Robert De Niro.

Written and directed by veteran helmer Carnevale, behind field workplace hits reminiscent of “Elsa and Fred” (2005) and Corazón de Leon (2013), his subsequent, “El Último Gigante,” activates a charismatic tour information who’s unexpectedly reunited with estranged father Julián, who deserted him 28 years in the past. 

“Through tense and emotional encounters, the two explore past wounds, resentment, and the possibility of forgiveness,” a Netflix logline runs. 

“El Último Gigante” stars Martínez and Matías Mayer, together with Inés Estévez, Luis Luque, Silvia Kutika, and Yoyi Francella. It is produced by Leyenda Films and Kuarzo International Films.

Both new options provoke manufacturing this month. The two new films be part of the beforehand introduced “Parque Lezama,” from Argentinian Oscar-winner Juan José Campanella (“The Secret in Their Eyes”). 

Set up at his Buenos Aires label 100 Bares Producciones, it stars Luis Brandoni and Eduardo Blanco in an unlikely buddy story of two aged gentleman, one a lifelong communist, the opposite apolitical, who spend the day speaking on a bench in Lezama Park in Buenos Aires, as they negotiate battle with different park customers and their very own households. “Parque Lezama” is predicated on Campanella’s personal stage play starring Brando and Blanco, a 3 season smash hit, broadly “I’m Not Rappaport,” a stage play by Herb Gardner, which initially ran on Broadway over 1985-88, successful Tony Awards for greatest play, lighting design and actor (Judd Hirsch).

Netflix has additionally ordered a brand new documentary, at present in post-production, explores the notorious case of serial killer Yiya Murano. Alejandro Hartmann directs. It is produced by Haddock Films and Vanessa Ragone — which backed “The Photographer and the Postman: The Crime of Cabezas” and “Carmel: Who Killed María Marta?”.

With the brand new movies, Netflix is “doubling down” on its dedication to Argentine storytelling, it introduced Sunday, unveiling

The two new film bulletins come after Argentina has scored two world No. 1 non-English-language TV sequence hits within the house of simply over a month: Crime thriller “Caught” (“Atrapados”), starring “The Secret’s” Soledad Villamil and an Argentine makeover of Harlan Coben’s novel of the identical identify, which topped Netflix’s world charts over March 24-30.

Sci-fi sequence “The Eternaut: Season 1,” shot in its first week to the streamer’s No. 1 world present berth and remained right here for 2 week’s working over April 28 to May 11. One of Netflix’s greatest and boldest swings ever in Latin America, the large-scale sequence activates hallowed nationwide IP – an iconic Argentinian graphic novel – consistent with Brazil’s “Senna” and Colombia’s “One Hundred Years of Solitude.”    

 With some 20 tasks underway, together with sequence, documentaries and movies, Netflix Content VP for Latin America, Francisco Ramos introduced final August,  Argentina’s film-TV business has a brand new white knight, at the least for a number of dozen tasks. As Argentina’s INCAA film-TV company has pulled out of Argentina’s substantial state-sector movie funding of the final twenty years, Netflix is pulling in. 

“Our commitment to Argentina is unwavering. We are passionate about being part of the audiovisual creation of this incredible country, promoting its cinema both within and beyond its borders. We will continue offering the highest-quality entertainment to our members and showcasing the best of Argentina through its films, which are unique and globally acclaimed,” mentioned Ramos. 

He added: “I’m especially proud to strengthen our collaboration with Ricardo Darín, with Kenya Films and with Juan José Campanella, with whom we are already working on two projects. We hope they find a home at Netflix.”