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Kate O’Flynn and Kristin Hutchinson lead the haunting storytelling of Lula Raczka’s GREY MAN: A Stage and Screen Experiment
“You know why he’s grey, don’t you?
You know why he’s grey?
She turned him grey…”
Any alternative to see Kate O’Flynn ought to instantly be taken up so it’s completely remiss of myself to have left it this lengthy to catch GREY MAN: A Stage and Screen Experiment, out there to look at now for an additional week. Lulu Raczka’s Grey Man is a monologue first seen in 2016 however on this digital manufacturing by Liminal Stage Productions, director Robyn Winfield-Smith splices it between two performers.
Kate O’Flynn and Kristin Hutchinson thus each play Maya, a girl whose older sister advised the very best scary tales, so scary they virtually appeared actual… The creepy enjoyable of city legends is gothically evoked however as is so typically the way in which, the kernel of fact upon which they are often primarily based slowly works its approach to the floor right here. What secrets and techniques can tales conceal? What truths can they conceal in plain sight?
The intelligent factor about Grey Man is that no straight-forward reply is given. Winfield-Smith’s path makes a powerful case that problems with psychological well being are very a lot at play right here, however the way in which that the older and youthful model of Maya intersect don’t level in the direction of a neat decision, significantly as the anomaly of the ending defies expectations. Complex however partaking, it actually engages the curiosity.
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