When the world feels chaotic, trying by means of a telescope has at all times supplied a way of consolation for Diana Cardiff. The veteran Seattle dance artist nonetheless treasures a decades-old photograph of the moon that her dad took of their yard.
“When I look up to the sky, I feel a sense of wonder, fable, magic, curiosity, and hope,” Cardiff says.
Those emotions from childhood at the moment are propelling Cardiff’s newest mission: Space 50. Co-produced by Cardiff and her 30-year collaborator Sara Jinks, this dreamy selection present attracts from human curiosity about outer house, as represented in popular culture, mythology, science, and extra.
The manufacturing contains Robert Lawson singing Lost in The Stars, and several other movie and multimedia initiatives led by Cardiff and Jinks in collaboration with varied artists. But dance is the connective tissue by means of this theatrical night. Read on for a sneak peek of the dance items within the present, as instructed by the choreographers.
Joyful destruction
Set to Kate Bush’s tune Hello Earth, Jenny May Peterson will wreak havoc on a prop cityscape, addressing the thought of Earth as “other.” Peterson’s collaborators embrace Julie Mack Boyce (scenic design), Kaitlin McCarthy (choreography), and Annie McGhee (fellow performer).
“The last few years especially–I’ve been feeling–not super enthusiastic about Earthlings and their doings,” Peterson says. “I just think we could be doing a much better job. If the past few years have taught me anything, it is to be able to sit comfortably with disappointment. So in a way, this piece is my indulgent and hopefully a little bit funny way of destroying everything so we can start over. Bye-bye humans, now you are literally stardust?!”
Tiny beams of sunshine within the darkness
Becca Blackwell is bringing her work as a stage supervisor and lighting designer into a brand new movement-based solo. The foremost supply of lighting for Blackwell’s piece are her gloves, which include small battery-operated lights.
“After not dancing throughout the pandemic, I am using this solo and the reentry back to performance as an opportunity to discover what my relationship with dance is now. I am very curious to see what the outcome will be. The song I am using starts out with saying, ‘Ladies and gentlemen, we are floating in space,’ which is what I’ve been doing since 2020: rolling with the punches and floating in space.”
Traditional Japanese dance, mythology
Rather than making a mashup of classical Japanese and modern-dance, Gabrielle Kazuko Nomura Gainor’s duet with Truong Nguyen gives particular moments of each traditions. Created with steerage from Japanese dance artist Kazuko Yamazaki, Nomura Gainor reimagines the Shinto solar and moon deities, a married couple, by means of Twenties gangster (yakuza) tradition.
“This piece explores the duality of energies, including masculine and feminine or light and dark, that exist within us. Ultimately, in this story at least, the sun goddess comes out on top, and the moon god is pushed out of her orbit, forced to follow her across the sky. In the West, the feminine Asian body is seen as exotic—disposable even—existing for the pleasure and service of others. This piece is a dramatic, juicy drama that will hopefully be as fun to watch as it is to perform. But we, the two dancers you see onstage, are also speaking to people like us: Asian women, femmes, and queer folks. The title of the piece (in the beginning, woman was the sun) is also the title of a historic feminist text from Japan.”
‘We’d prefer to make a contact with you’
Diana Cardiff will revamp her piece Calling Occupants of Interplanetary Craft that premiered at Ten Tiny Dances in 2015. In this humorous solo carried out on a 4’ by 4’ platform, Cardiff dons a tinfoil helmet and brandishes a lightsaber
“Space 50 is a love letter dedicated to my dad, Ed Cardiff. It is through his eyes and mind that I developed my appreciation for the beauty of science and the universe. Outer space is infinite and my wish is that this show touches on some aspect of outer space that resonates with each audience member.”
Extraterrestrial duet
In Space 50, Eric Pitsenbarger and Wade Madsen star within the movie Two Little Men In a Flying Saucer. The married couple are additionally making a duet to be carried out reside between Pitsenbarger and Hendri Walujo.
“We are SO intrigued by the possibility of aliens. In preparation for this show, we’ve been watching all the ‘documentaries’ of sightings, autopsies, and more—reliving our own encounters (really!). We’ve been influenced by America’s 1950’s-style secrecy and government profiling, as well as the ‘sacred cows’ of modern dance. Hendri has been so game to join in and help raise the bar.”
A slammin’ Carl Sagan tribute
In Amy J Lambert’s ensemble piece, the choreographer honors a science icon utilizing a treasured hip-hop tune from 90s childhood.
“Personified by seven different dancers in red turtlenecks, Carl Sagan takes an opportunity to jam out to one of his ‘favorite’ songs that didn’t make it on the ‘Golden Record.’ Since the first time I watched the movie Apollo 13, I’ve been a big fan of outer-space. Creating Carl “Space Jam” Sagan didn’t really feel like a tough attain after years of admiration, and I’d prefer to assume he’d be tickled by the over-the-top enthusiasm showcased within the dance.”
Cosmic dancers
Karen Garrett de Luna selected the tune “Cosmic Dancer” by T-Rex for her duet with Alex Goldstein. A Buddhist, de Luna loves how the tune alludes to the 4 sufferings (delivery, previous age, illness, loss of life) by remembering how lengthy we’ve been dancing. The whimsical feeling connects totally different threads of delivery, play, and loss of life all through.
“My reality is that at almost 50 years old, life isn’t what I imagined it would be in my 20s. I’m glad that there are parts of me that are softer and more compassionate. And there are parts of me that are still overcoming fears and learning new things. I still want the art I create to be good, relevant, insightful, beautiful and acknowledged. But more than that, I am happy that I continue to create things. It is a miracle that this culture, which doesn’t intrinsically value art, hasn’t killed my dreaming self.”
Space 50 performs April 28, 29, 30 & May 1 at The Erickson Theatre. Tickets are $30 and may be bought on Stranger Tickets at https://bit.ly/3AzkRky. In the case that the final admission ticket charge is price prohibitive, please contact the manufacturing group at buttcrackerseattle@gmail.com to discover volunteer alternatives and/or to obtain a particular low cost code.