Beyoncé gained her first profession Album of the Year award and Kendrick Lamar’s “Not Like Us” took Song, Record and Rap Song of the Year tonight on the 67th annual Grammy Awards, in a night devoted to these affected by the L.A. wildfire tragedies final month.
The win for Cowboy Carter, which additionally took Country Album of the Year, added to Queen Bey’s file profession haul — her thirty fifth Grammy general and third of the evening. “I’d like to thank and acknowledge and praise all of the firefighters for keeping us safe,” Beyoncé stated in accepting the highest award. “I just feel very full and very honored.” Watch her full speech right here:
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Earlier, Lamar known as out Los Angeles and plenty of of its neighborhoods upon profitable the Record prize. “I can’t give enough thanks to these places that I rolled around since high school, and most importantly to the people and the families out in the Palisades and Altadena.” Watch his Song and Record of the Year speeches right here:
Lamar went 5-for-5 tonight, profitable each class for which he was nominated. He was double-nominated for Best Rap Song and Best Music Video. It marked fairly a departure from final 12 months, when Music’s Biggest Night turned Ladies Night as girls swept the 4 marquee classes of Album, Record and Song of the Year and Best New Artist, with Taylor Swift taking Album of the Year a file fourth time, for Midnights.
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Swift, who gained Best Country Album two years in the past, offered this 12 months’s award to Beyoncé for Cowboy Carter, her first stab at that style. Onstage, the singer — who regarded genuinely stunned by the win — stated, “I think genre is a code word to keep us in our place as artists and I just want to encourage people to do what they’re passionate about.” Here’s her speech in full.
Taylor Swift presents the Best Country Album Grammy to Beyoncé
Getty Images
The Beyoncé-Swift second onstage reminded most of the 2009 MTV Video Music Awards, when Swift took Best Female Video for “You Belong with Me” and had her acceptance speech hijacked by Kanye West, who complained that Beyoncé ought to have gained for “Single Ladies (Put a Ring on It).”
Earlier Sunday, Bey — who got here into the night with a number one 11 nominations — introduced the long-awaited Cowboy Carter Tour.
Chappell Roan gained Best New Artist, and made an impassioned speech. “I told myself, if I ever won a Grammy and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off of artists would offer a livable wage and health care, especially to developing artists.” It drew a standing ovation, and she or he acquired one other when she closed with, “Labels — we got you, but do you got us.”
Host Trevor Noah opened the televised present by saying: “Just a few weeks ago, we weren’t sure tonight that this show would even happen. You don’t need me to tell you this, this city has just beenthrough one of the largest natural disasters in American history. … Tonight we’re not just celebrating our favorite music, we’re also celebrating the city that brought us so much of that music.”
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With that he launched Dawes, who performed the native anthem “I Love L.A.,” by native Angeleno and seven-time Grammy winner Randy Newman. You may need heard of a few of the people who backed the band: John Legend, Sheryl Crow, Brad Paisley, Brittany Howard and St. Vincent. Near the tip of the evening, Noah stated greater than $7 million had been raised by viewers alone.
Sabrina Carpenter gained Best Pop Vocal Album for Short n’ Sweet. When Anthony Kiedis and Chad Smith of L.A. band Red Hot Chili Peppers took the stage to current the class, they teamed on the important thing opening verse from their breakout hit “Under the Bridge”: “Sometimes I feel like I don’t have a partner/Sometimes I feel like my only friend/Is the city I live in, the City of Angels/Lonely as I am, together we cry.”
The first winner through the telecast was Doechii, who took Best Rap Album for Alligator Bites Never Heal. The Tampa native famous from the stage that solely two girls had gained earlier than her for the reason that class was launched in 1989: Lauryn Hill and Cardi B, who offered the award.
As for these performances, an annual Grammy spotlight, the large shock was The Weeknd, who carried out “Timeless.” It was his first Grammy efficiency since he started a boycott of the awards present in 2020. Back then, he posted on social media, “Collaboratively planning a performance for weeks to not being invited? In my opinion zero nominations = you’re not invited!”
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Earlier, the second efficiency of the evening was from L.A. native Billie Eilish, who performed her Song and Record of the Year nominee “Birds of a Feather” on a set resembling a country scene from the native mountains. Carpenter later performed her Record of the Year candidate “Espresso,” which already had picked up some {hardware} through the preshow. And Charli XCX did an underwear-laden “Guess.”
The Grammys opted to function the entire Best New Artist nominees in efficiency.
Category winner Roan carried out her “Pink Pony Club,” backed by dancers with a rodeo-clown theme and typically sitting atop a 6-foot-high horse of that colour. Khruangbin later did a bares-bone model of “May Ninth.”
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That New Artist nominee showcase continued with Benson Boone, who preformed “Beautiful Things” — full with a wild dismount from atop the piano. Doechii performed an elaborately choreographed “Denial Is a River,” adopted by Teddy Swims doing a dramatic “Lose Control,” backed by strings.
Next up was Shaboozey and the largest music of 2024: “A Bar Song (Tipsy),” which spent a record-tying 19 weeks atop the Billboard Hot 100. He completed with a fast, “We love you, L.A.,” earlier than handing off to Raye, who carried out a hovering model of “Oscar Winning Tears” backed by elegantly dressed band and dancers.
After the New Artist award was offered, there was a gut-wrenching montage that confirmed the unthinkable devastation wrought by the Los Angeles wildfires final month. Along with scenes of destruction have been testimonials by individuals who misplaced the whole lot — however have been trying forward.
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It additionally was adopted by Lady Gaga and Bruno Mars performing a duet on the L.A.-centric traditional “California Dreamin’,” half mournful, half celebratory and all in.
That pair later had an onstage mutual-respect second onstage after they gained Best Pop Duo/Group Performance for “Die with a Smile.” Gaga then reminded the viewers that “trans people are not invisible.”
Shakira scored her fourth profession Grammy, this time Best Latin Pop Album for Las Mujeres Ya No Lloran. Later, she took the Grammy stage for the primary time since 2007, enjoying a high-energy medley that had most of the VIPs on the world ground up and dancing.
Returning to an awards-show stage for the primary time since “The Slap,” Will Smith launched a tribute to the late music legend Quincy Jones. Herbie Hancock accompanied Wicked star Cynthia Erivo on “Fly Me to the Moon,” from the Grammy-winning 1964 Frank Sinatra & Count Basie LP It Might as Well Be Swing, which Jones organized. Lainie Wilson then carried out “Let the Good Times Roll,” earlier than Stevie Wonder joined Hancock onstage for a harmonica- and piano-fueled instrumental salute.
The two then shared some intimate reminiscences of Jones, together with a glance again at and efficiency of the groundbreaking 1985 famine-relief monitor “We Are the World,” which Jones produced. Wonder and Hancock have been backed by a big refrain of younger singers carrying matching “Heart LA” outfits, who have been from two colleges that have been destroyed within the fires.
The tribute wrapped with Janelle Monáe channeling Michael Jackson on the Jones-produced No. 1 traditional “Don’t Stop Til You Get Enough.” A 28-time Grammy-winning producer, arranger, movie and TV composer, arranger, conductor and trumpeter, Jones died in November at 91.
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Chris Martin carried out his band Coldplay’s “All My Love” through the In Memoriam phase. Among these honored have been Liam Payne, Kris Kristofferson, Angela Alvarez, Steve Albini, Cissy Houston, John Mayall, Dickie Betts, Angela Bofill, Joe Bonsall, Fatman Scoop, Sandra Crouch, Richard Sherman, Joe Chambers, Jack Jones, Duane Eddy, Hank Cicalo, Frankie Beverly, Eric Carmen, Abdul Kareem “Duke” Fakir, Kinky Friedman, Egidio Cuadrado, David Sanborn, Steve Lawrence, DJ Clark Kent, Mary Martin, Sam Moore, Tito Jackson, Marianne Faithfull, Ben Vaughn, Sergio Mendes, DJ Homie Quan, Phil Lesh, Bob Newhart, Seiji Ozawa, Ella Jenkins, Wayne Osmond, Alfa Anderson, Richard Perry, Lani Simmons, JD Souther, Roy Haynes, John Titta, Rico Wade, Garth Hudson and Toby Keith.
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Among these not talked about within the phase have been Peter, Paul and Mary’s Peter Yarrow, Brenton Wood, Mike Pinder of the Moody Blues, Greg Kihn, Dick Asher, “Screamin’ Scott” Simon of Sha Na Na, early Bee Gees drummer Colin Peterson, Moby Grape’s Jerry Miller and Mojo Nixon.
During the pre-telecast Premiere present, Beyoncé gained her thirty third Grammy, for Best Country Duo/Group Performance for her and Miley Cyrus’ “II Most Wanted” from Cowboy Carter, her first nation album. She comes into the day with a number one 11 nominations, which give her a file 99 in her profession.
Also within the early ceremony, Sierra Ferrell swept the Americana classes with Song, Album and Performances wins to nab a number one 4 Grammys, whereas Kendrick Lamar landed three of a attainable seven for his smash “Not Like Us” (in Rap Song, Performance and Music Video). Also scoring three was St. Vincent, with Alternative Album, Song and Performance wins.
Jon Batiste and his American Symphony, Carpenter and Charli XCX gained twice every, whereas Charli XCX’s album Brat additionally gained for Best Recording Package. Key Carpenter songsmith Amy Allen additionally took Songwriter of the Year (Non-Classical), whereas Roan and Olivia Rodrigo producer Daniel Nigro gained Producer of the Year (Non-Classical).
Other notable winners within the preshow included a posthumous Grammy for Jimmy Carter for Last Sundays in Plains: A Centennial Celebration within the Best Audio Book, Narration, and Storytelling Recording class, and Dave Chappelle’s The Dreamer for Best Comedy Album. It was Chappelle’s sixth profession win within the class, placing him one behind Bill Cosby’s file seven. In a Mini-British Reinvasion, The Beatles — additionally up for Record of the Year tonight — gained Best Rock Performance for “Now and Then,” whereas The Rolling Stones gained Best Rock Album for Hackney Diamonds.
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Among the movie, TV and theater classes, Hans Zimmer gained for his Dune: Part Two rating, whereas Bradley Cooper picked up a Compilation Soundtrack Grammy alongside the London Symphony Orchestra and Yannick Nézet-Séguin for Maestro: Music by Leonard Bernstein from Cooper’s Oscar-nominated 2023 Bernstein biopic Maestro. Alicia Keys’ Hell’s Kitchen gained Best Musical Theater Album.
This 12 months’s Lifetime Achievement Award recipients are Prince, The Clash, Frankie Valli, Frankie Beverly, Dr. Bobby Jones, Taj Mahal and Roxanne Shante. The 2025 Trustees Award recipients have been Erroll Garner, Glyn Johns and Tania León. The 2025 Technical Grammy Award honoree is Dr. Leo Beranek, whose early work in acoustics helped lay the groundwork for contemporary engineering.
Alicia Keys was offered with the Grammys’ Global Impact Awards. Here is her speech:
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Here are the winners on the 2025 Grammy Awards, together with the Premiere preshow, which you’ll be able to watch on the backside of this publish:
Album of the Year
Cowboy Carter – Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diamant & Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri & Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius “The-Dream” Gesteelde-Diamant, Dave Hamelin, S. Carter & Raphael Saadiq, songwriters; Colin Leonard, mastering engineer
Song of the Year
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Record of the Year
“Not Like Us” – Kendrick Lamar
Sean Momberger, Mustard & Sounwave, producers; Ray Charles Brown Jr. & Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer
Best Pop Duo/Group Performance
“Die with a Smile” — Lady Gaga & Bruno Mars
Best Latin Pop Album
Las Mujeres Ya No Lloran — Shakira
Best New Artist
Chappell Roan
Best Country Album
Cowboy Carter — Beyoncé
Best Pop Vocal Album
Short n’ Sweet — Sabrina Carpenter
Best Rap Album
Alligator Bites Never Heal — Doechii
Best Contemporary Classical Composition
Ortiz: Revolución Diamantina — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
Best Classical Compendium
Ortiz: Revolución Diamantina — Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Best Arrangement, Instruments and Vocals
“Alma” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter)
Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water” — Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
Best Musical Theater Album
Hell’s Kitchen — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast)
Best Spoken Word Poetry Album
The Heart, The Mind, The Soul — Tank and The Bangas
Best Classical Solo Vocal Album
Beyond The Years – Unpublished Songs Of Florence Price — Karen Slack, soloist; Michelle Cann, pianist
Best Classical Instrumental Solo
“Bach: Goldberg Variations” — Víkingur Ólafsson
Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance” — Caroline Shaw & Sō Percussion
Best Choral Performance
“Ochre” — Donald Nally, conductor (The Crossing)
Best Opera Recording
“Saariaho: Adriana Mater” — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
Best Orchestral Performance
|“Ortiz: Revolución Diamantina” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Instrumental Composition
“Strands” — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)
Best Immersive Audio Album
i/o (In-Side Mix) — Hans-Martin Buff, immersive combine engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
Producer of the Year, Classical (A Producer’s Award. Artist names seem in parentheses. S stands for Single, T for Track and A for Album)
Elaine Martone
Bartók: String Quartet No.3; Suite From ‘The Miraculous Mandarin’ (Franz Welser-Möst & The Cleveland Orchestra) (A)
The Book Of Spells (Merian Ensemble) (A)
Bruckner: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Divine Mischief (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble) (A)
Joy! (John Morris Russell & Cincinnati Pops) (A)
Prokofiev: Symphony No. 6 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Schubert: The Complete Impromptus (Gerardo Teissonnière) (A)
Stranger At Home (Shachar Israel) (A)
Tchaikovsky: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Best Engineered Album, Classical
Bruckner: Symphony No. 7; Bates: Resurrexit — Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Best New Age, Ambient, or Chant Album
Triveni — Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
Best Reggae Album
Bob Marley: One Love – Music Inspired By The Film (Deluxe) — (Various Artists)
Best Global Music Album
Alkebulan II — Matt B Featuring Royal Philharmonic Orchestra
Best African Music Performance
“Love Me JeJe” — Tems
Best Global Music Performance
“Bemba Colorá” — Sheila E. Featuring Gloria Estefan & Mimy Succar
Best Contemporary Instrumental Album
Plot Armor — Taylor Eigsti
Best Alternative Jazz Album
No More Water: The Gospel Of James Baldwin — Meshell Ndegeocello
Best Latin Jazz Album
Cubop Lives! — Zaccai Curtis
Best Large Jazz Ensemble Album
Bianca Reimagined: Music for Paws and Persistence — Dan Pugach Big Band
Best Jazz Instrumental Album
Remembrance — Chick Corea & Béla Fleck
Best Jazz Vocal Album
A Joyful Holiday — Samara Joy
Best Jazz Performance
“Twinkle Twinkle Little Me” — Samara Joy Featuring Sullivan Fortner
Best Engineered Album, Non-Classical
i/o — Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
Best Song Written For Visual Media
It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Best Score Soundtrack for Video Games and Other Interactive Media
Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer
Best Score Soundtrack For Visual Media (Includes Film And Television)
Dune: Part Two — Hans Zimmer, composer
Best Compilation Soundtrack For Visual Media
Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
Best Alternative Music Album
All Born Screaming — St. Vincent
Best Alternative Music Performance
“Flea” — St. Vincent
Best Rock Album
Hackney Diamonds — The Rolling Stones
Best Rock Song
“Broken Man” — Annie Clark, songwriter (St. Vincent)
Best Metal Performance
“Mea Culpa (Ah! Ça ira!)” — Gojira, Marina Viotti & Victor Le Masne
Best Rock Performance
“Now and Then” — The Beatles
Producer of the Year, Non-Classical (A Producer’s Award. Artist names seem in parentheses. S stands for Single, T for Track and A for Album)
Daniel Nigro
“Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds & Snakes)” (Olivia Rodrigo) (S)
Chappell Roan The Rise and Fall Of A Midwest Princess (Chappell Roan) (A)
“girl i’ve always been” (Olivia Rodrigo) (T)
“Good Luck, Babe!” (Chappell Roan) (S)
“so american” (Olivia Rodrigo) (T)
“stranger” (Olivia Rodrigo) (T)
Best Historical Album
Centennial — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver’s Creole Jazz Band And Various Artists)
Best Album Notes
Centennial — Ricky Riccardi, album notes author (King Oliver’s Creole Jazz Band & Various Artists)
Best Boxed Or Special Limited Edition Package
Mind Games — Simon Hilton & Sean Ono Lennon, artwork administrators (John Lennon)
Best Recording Package
Brat — Brent David Freaney & Imogene Strauss, artwork administrators (Charli xcx)
Best Audio Book, Narration, and Storytelling Recording
Last Sundays in Plains: A Centennial Celebration — Jimmy Carter
Best Comedy Album
The Dreamer — Dave Chappelle
Best Children’s Music Album
Brillo, Brillo! — Lucky Diaz And The Family Jam Band
Best Traditional Pop Vocal Album
Visions — Norah Jones
Best Music Film
“American Symphony” — Jon Batiste
Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
Best Music Video
“Not Like Us” — Kendrick Lamar
Dave Free & Kendrick Lamar, video administrators; Jack Begert, Sam Canter & Jamie Rabineau, video producers
Best Rap Song
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Best Melodic Rap Performance
“3” — Rapsody Featuring Erykah Badu
Best Rap Performance
“Not Like Us” — Kendrick Lamar
Best R&B Album
11:11 (Deluxe) — Chris Brown
Best Progressive R&B Album (tie)
So Glad to Know You — Avery*Sunshine
Why Lawd? — NxWorries (Anderson .Paak & Knxwledge)
Best R&B Song
“Saturn” — Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Traditional R&B Performance
“That’s You” — Lucky Daye
Best R&B Performance
“Made For Me (Live On BET)” — Muni Long
Songwriter of the Year, Non-Classical
A Songwriter’s Award. (Artists’ names seem in parentheses.) (S) stands for Single, (T) stands for Track
Amy Allen
“Chrome Cowgirl” (Leon Bridges) (S)
“Espresso” (Sabrina Carpenter) (S)
“High Road” (Koe Wetzel & Jessie Murph) (S)
“Please Please Please” (Sabrina Carpenter) (S)
“run for the hills” (Tate McRae) (S)
“scared of my guitar” (Olivia Rodrigo) (T)
“Selfish” (Justin Timberlake) (S)
“Sweet Dreams” (Koe Wetzel) (S)
“Taste” (Sabrina Carpenter) (S)
Best Tropical Latin Album
Alma, Corazón y Salsa (Live at Gran Teatro Nacional) — Tony Succar, Mimy Succar
Best Música Mexicana Album (Including Tejano)
Boca Chueca, Vol. 1 — Carín León
Best Latin Rock or Alternative Album
¿Quién trae las cornetas? — Rawayana
Best Música Urbana Album
Las Letras Ya No Importan — Residente
Best Contemporary Blues Album
Mileage — Ruthie Foster
Best Traditional Blues Album
Swingin’ Live at The Church in Tulsa — The Taj Mahal Sextet
Best American Roots Performance
“Lighthouse” — Sierra Ferrell
Best Country Song
“The Architect” — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best Country Duo/Group Performance
“II Most Wanted” — Beyoncé Featuring Miley Cyrus
Best Country Solo Performance
“It Takes A Woman” — Chris Stapleton
Best Roots Gospel Album
Church — Cory Henry
Best Contemporary Christian Music Album
Heart Of A Human — DOE
Best Gospel Album
More Than This — CeCe Winans
Best Contemporary Christian Music Performance/Song
“That’s My King” — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks & Jess Russ, songwriters
Best Gospel Performance/Song
“One Hallelujah” — Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters
Best Regional Roots Music Album
Kuini — Kalani Pe’a
Best Folk Album
Woodland — Gillian Welch & David Rawlings
Best Bluegrass Album
Live Vol. 1 — Billy Strings
Best Americana Album
Trail Of Flowers — Sierra Ferrell
Best American Roots Song
“American Dreaming” — Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
Best Americana Performance
“American Dreaming” — Sierra Ferrell
Best Remix Recording
“Espresso (Mark Ronson x FNZ Working Late Remix)” — FNZ & Mark Ronson, remixers (Sabrina Carpenter)
Best Dance Pop Recording
“Von dutch” — Charli xcx
Best Pop Solo Performance
“Espresso” – Sabrina Carpenter
Best Dance/Electronic Album
BRAT — Charli xcx
Best Dance/Electronic Recording
“Neverender” — Justice & Tame Impala