The unthinkable has occurred: Pedro Almodóvar, maybe probably the most profitable and important Spanish filmmaker in cinema historical past, has forsaken his mom tongue. Twenty-two options into his illustrious profession, the auteur has lastly acquiesced to the unglamorous international lingua franca and made The Room Next Door, his first feature-length movie in English. He joins a pantheon of different legendary administrators who’ve left acquainted nationwide confines and crossed borders and oceans in pursuit of nice cinema: Kurosawa going to Russia to make Dersu Uzala, Wim Wenders crafting an indelible imaginative and prescient of America in Paris, Texas, and Werner Herzog’s complete profession…