15 Rock Covers That Surpassed (or Met the Challenge of) the Original

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15 Rock Covers That Surpassed (or Met the Challenge of) the Original


Who would not take pleasure in an excellent old school, well-constructed checklist? Especially, when it pertains to rock n’ roll music. My newest guide, 50 Rock Lists + Surprise Twists, manages to focus equally on the anticipated and the sudden.

And since rock is far-reaching stylistically, numerous musical floor is roofed inside: traditional rock, steel, punk, funk, different, thrash, grunge, guitar shredders, new wave, soul, glam, prog, hip-hop, and experimental. Undoubtedly, slightly one thing for all the household to take pleasure in!

In this unique excerpt, the main focus is rock cowl tunes that by some means improved (or at the very least met the excessive normal of) the unique model. [Note: A few tunes have been bypassed since they were included in an earlier list in the book, such as Talking Heads’ “Take to the River” and CCR’s “Heard It Through the Grapevine”]

Let’s checklist…


15. Primus: “Making Plans for Nigel”
[XTC]

Primus’ cowl would not essentially show superior to XTC’s quick-pop unique, however the addition of Les Claypool’s fretless bass provides an intriguing sonic factor on the trio’s 1992 rendition – which surprisingly, has hardly ever been carried out stay.


14. Queens of the Stone Age: “Precious and Grace”
[ZZ Top]

This early ZZ Top traditional was considered one of their heaviest tunes (off 1973’s Tres Hombres). But it grew to become even heavier, leaner, and meaner when QOTSA teamed up with ZZ’s Billy Gibbons (who trades off vocal traces with the late/nice Mark Lanegan) for this obscure 2005 “bonus monitor” on the UK and Japanese variations of Lullabies to Paralyze.


13. Living Colour: “Memories Can’t Wait”
[Talking Heads]

There was nothing flawed with the Talking Heads’ unique rendition of this tune (penned by David Byrne and Jerry Harrison, and included on their 1979 LP, Fear of Music). But when Living Colour took it on for his or her 1988 debut, Vivid, it grew to become extra funky, soulful, and rocking – even including an element in direction of the top the place the underside drops out of the tune from apparently nowhere (to nice impact).


12. Nirvana: “Lake of Fire”
[Meat Puppets]

Perhaps greatest recognized by its opening line/query, “Where do unhealthy of us go after they die?”, Nirvana provided up a stark acoustic take of this punk traditional by the Meat Puppets on their MTV Unplugged look in 1993 (launched a yr afterward MTV Unplugged in New York) – with a pair of Puppets guesting.


11. Metallica: “Am I Evil?”
[Diamond Head]

Although Iron Maiden and Def Leppard had been the one New Wave of British Heavy Metal acts to actually break by means of on an enormous scale globally, there have been just a few that got here shut and/or had been embraced by the UK press – reminiscent of Diamond Head. But DH lastly acquired some correct recognition when Metallica started masking their tunes – together with providing up a killer cowl of their epic, “Am I Evil?” (as a b-side for his or her 1984 “Creeping Death” EP).


10. Jethro Tull: “Bourée”
[Johann Sebastian Bach]

A tune that encompasses a flute enjoying the primary eight bars of Johann Sebastian Bach’s “Bourrée in E minor” didn’t sound just like the recipe for achievement throughout the realm of rock music circa 1969. But it by some means all provides up on this early Tull tune off Stand Up (which along with spotlighting Ian Anderson’s fancy flute, additionally highlights Glen Cornick’s bouncy bass).


9. Soundgarden: “Girl U Want”
[Devo]

Judging from Soundgarden’s fondness for heaviness, you would not essentially assume they had been admirers of latest wave greats Devo. But certainly they had been – paying tribute with a studying of this standout monitor from Devo’s 1980 LP, Freedom of Choice. First launched as a b-side (however ultimately reappearing on the Echo of Miles comp), the ‘gardens decelerate the tempo and loosen the herky jerky really feel of the unique – leading to an important consequence.


8. Ace Frehley: “New York Groove”
[Hello]

The choice that might make Russ Ballard one of many main go-to “songwriters for rent” for radio-friendly rock was a tune he composed however was first lined by the obscure UK glam band Hello (who scored a top-10 hit of their homeland with the tune in 1975). But the model that’s greatest recognized – and performed at seemingly each NY-area sporting occasion – was the model that unique Kiss lead guitarist Ace Frehley cooked up on his traditional self-titled solo effort, from ’78.


7. Aerosmith: “Train Kept A-Rollin'”
[Tiny Bradshaw]

Originally recorded as a jump-blues quantity by bandleader/singer/multi-instrumentalist Tiny Bradshaw, “Train Kept A-Rollin'” would go on to be recorded by Johnny Burnette and the Yardbirds, and carried out stay by Led Zeppelin (early of their profession and on their last-ever tour). But it wasn’t till Aerosmith made it their very own in 1974 that we had been granted the definitive “guitar jam” model. Bonus factoid: When I interviewed the late Dick Wagner in 2013 for Songfacts, he declared that neither Joe Perry nor Brad Whitford provided guitar solos on the tune – that is Steve Hunter soloing firstly and Wagner soloing on the finish!


6. Cream: “Crossroads”
[Robert Johnson]

Similar to Zeppelin’s tackle “When the Levee Breaks” (extra on that tune in a bit), considered one of rock’s all-time nice trios, Cream, took an acoustic blues traditional, Robert Johnson’s “Cross Road Blues,” amplified it and rocked out stay (taped on March 10, 1968 on the Winterland Ballroom in San Francisco). The end result? One of the nice guitar jam tunes of all-time – due to Eric Patrick Clapton.


5. Jeff Buckley: “Hallelujah”
[Leonard Cohen]

By the time of this guide’s launch, there isn’t any escaping “Hallelujah” – as evidenced by its fixed placement in films, commercials, and seemingly sung by each bloody singing hopeful on a TV expertise present. Although penned by Leonard Cohen, it was Jeff Buckley’s extraordinary model (whose construction was modeled after an obscure John Cale cowl of the tune) that proves to be the goosebump-inducing/definitive one.


4. Joan Jett And The Blackhearts: “I Love Rock n’ Roll”
[Arrows]

An argument could be made that Joan Jett relied a bit an excessive amount of on cowl songs throughout her profession (which is a bit befuddling, as she had no hassle co-penning such classics as “Cherry Bomb,” “Bad Reputation,” and “I Hate Myself for Loving You”). But there isn’t any query that her rendition of this tune (penned by Alan Merrill and Jake Hooker, and first recorded by UK rockers the Arrows) was the suitable transfer.


3. Led Zeppelin: “When the Levee Breaks”
[Memphis Minnie and Kansas Joe McCoy]

Early of their profession, Led Zeppelin appeared to make a foul behavior of “borrowing” songs from different artists, and initially, not awarding correct writing credit score to the unique authors (living proof, “Dazed and Confused”). But at the very least after they remodeled Memphis Minnie’s acoustic blues into an electrified gonzo-rocker on their traditional fourth LP, her title was credited alongside Plant, Page, Jones, and Bonham’s.

Extra particular bonus factoid: Just how did Bonham create the tune’s now-classic opening drum sound? Don’t fear, Gregg Bissonette recalled a dialog he had with LZIV engineer, Andy Johns, within the guide Bonzo: 30 Rock Drummers Remember the Legendary John Bonham. “I stated, ‘How about any of these drum sounds you bought with John Bonham?’ He stated, ‘First of all, do not put something inside your kick.’ He took a Sennheiser 421 and dangled it inside slightly gap, soldered it, and that 421 was dangling inside there. He close-mic’d the drums, however he mic’d the drums a lot from far-off. He ran the drums by means of a PA system. He stated when he walked within the room and heard Zeppelin play ‘When the Levee Breaks,’ he walked as much as the highest of the stairwell of this fort that they had been rehearsing in, and he heard that [sings opening drum part] and he captured that.”


2. Jimi Hendrix Experience: “Hey Joe” and “All Along the Watchtower” (2-way tie)
[Billy Roberts and Bob Dylan]

It was darn inconceivable to resolve between these two Jimi classics…so, a tie was allowed on this particular case. Both originals – by Billy Roberts and Bob Dylan, respectively – are stark voice/acoustic guitar renditions (with Dylan’s additionally that includes harmonica). But when the best rock guitarist of all-time lined them, they had been remodeled right into a showcase for his extraordinary guitar work (the previous) and a dreamy/psychedelic pop gem (the latter).


1. Van Halen: “You Really Got Me”
[The Kinks]

How the heck do you enhance on an already good rock tune? Somehow, a younger n’ hungry Van Halen achieved the darned close to inconceivable – after they valiantly took on this proto-punk/proto-metal traditional by the Kinks. Yet one other bonus factoid: When I spoke with the Kinks’ Mick Avory for AllMusic in 2023, he was complimentary regarding VH’s cowl – “At least they did not simply copy it, and did their very own factor to it.”


Greg Prato is a longtime AllMusic contributor. 50 Rock Lists + Surprise Twists is his forty third guide general, and is out there as paperback, hardcover, and Kindle variations.



50 Rock Lists

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