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History buffs will immediately recognise Lady Emma Hamilton as an everlasting determine who’s a present to any dramatist. Born in 1765 she grew to become a hostess to the nice and good in Georgian society. But her notoriety was assured when she grew to become the mistress of Lord Horatio Nelson. The liaison was below the nostril of husband Sir William Hamilton who served as Envoy to the Kingdom of Naples. April De Angelis has common a compact two-act play that delves into the machinations of a lady who was each mesmerising and enigmatic. Three generations of ladies populate the narrative and shed new gentle on a blacksmith’s daughter who began life as Amy Lyon.
The story begins in 1798 and the unique climes of Naples. Lady Emma Hamilton (Rose Quentin) anxiously awaits the arrival of her beloved Horatio Nelson. She is much less enthused by the return of her mom Mrs Cadogan (Caroline Quentin), who has trudged throughout Europe to see Emma’s love youngster. She feels a twinge of guilt because the product of a earlier tryst lives a lonely existence. But Mrs Cadogan despairs on the route her daughter’s life has taken. Emma pays little heed to her mom who’s seemingly relegated to the position of housekeeper. The years roll by and we discover Emma in center age dreaming of previous glories and misplaced youth. Her spartan environment are shared with Horatia Nelson; the illegitimate daughter of Lord Nelson who craves freedom and recognition of her heritage.
Review by Brian Penn
Rating: ★★★★
Seat: E5 | Price of Ticket: £35/£31 concessions