In a crowded market, Blue Lights might be the most effective new police dramas on the market
“Have you ever thought there’s maybe a different way of doing this job?”
The world is hardly crying out for brand spanking new police dramas however once they’re completed nicely, they are often onerous to withstand. Declan Lawn and Adam Patterson’s Blue Lights is unquestionably a type of – Saturday lunchtime noticed me pop on Episode 1 to see what it was like and by the tip of Sunday, I’d binged all of it and that was with me making an attempt to point out some restraint!
Set in Belfast, the present spares us nothing of the distinctive complexity of policing in such a regularly febrile surroundings. The historical past of the Troubles isn’t removed from anybody’s thoughts, the rise in organised crime is shifting energy dynamics and thru the eyes of three new recruits to the drive, there’s a propulsive vitality to the present that’s onerous to withstand.
Siân Brooke’s Grace was a social employee and is discovering outdated habits onerous to interrupt, whereas Katherine Devlin’s Annie and Nathan Braniff’s Tommy are real rookies, and this offers us a freshness of persective away from the ‘experienced detective with a past’ trope that has been a lot abused so lately. Largely paired with their very own senior officers, an actual sense of the ensemble emerges throughout the six episodes.
Grace’s reference to Martin McCann’s Stevie is nice, as her idealism comes up onerous towards his realism. And the fully inexperienced Tommy companions so nicely with Richard Dormer’s grizzled Gerry who can’t assist however slip into paternal mode. The presence of the key providers provides intrigue into what turns into a long-running storyline however the avoidance of cases-of-the-week helps keep away from a soapy tone and leads to some devastatingly efficient work in direction of the tip. Bring on the brand new sequence now already please and thanks!