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ELOINA’s Week 1 hit HIGH STEAKS returns to shut out the VAULT Festival
“What about the outside?”
I missed the award-winning HIGH STEAKS in VAULT’s first week this yr, so the chance to catch its return in its ultimate week was one I discovered onerous to withstand after some sturdy suggestions. Truth be instructed, the thought of a present about labia-shaming and beauty labiaplasty hadn’t actually appealed to me, a sure squeamishness creeping in for this fully unexplored space for me.
But the place else are you going to check your boundaries however at midnight and dank areas underneath Waterloo Station and since I noticed a present with a unadorned man final week, it’s solely proper to stability the books. And as with Adam Scott-Rowley’s work, the nudity is simply so matter of reality, simply one other a part of the clowning arsenal right here, that it turns into no massive deal.
You by no means fairly neglect it in HIGH STEAKS although, as queer, feminist performance-artist and clown ELOINA’s work relies on encouraging us to reassess our relationship with our our bodies, particularly the intimate components, and specfically right here the vulva. Whilst rattling off surprising statistics in regards to the beauty procedures out there and brought up, she calls as an alternative for a celebration of our variations.
Recorded excerpts from interviews with a large cross-section of individuals opens out the scope, while contributions from ELOINA’s mom additionally makes it intensely private. The hanging strips of steak are eye-opening within the excessive (there’s my squeamishness once more) however to their huge credit score, ELOINA and director Louise Orwin domesticate an environment of actual inclusiveness by which to probably a complete new method of seeing one’s personal physique, whether or not you have got labia or not.
Running time: 60 minutes (with out interval)
HIGH STEAKS is reserving at VAULT Festival till nineteenth March
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