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Chloe Domont is a author and director whose brief movies “Haze” and “All Good Things” have been included within the Official Selection of BAMcinemaFest, AFI FEST, LA Film Festival, and AFI DOCS, amongst others. She’s written and directed on the hit HBO present “Ballers” and has directed episodes of “Shooter” for Netflix and “Billions” for Showtime.
“Fair Play” is screening on the 2023 Sundance Film Festival, which runs from January 19-29.
W&H: Describe the movie for us in your personal phrases.
CD: “Fair Play” is a thriller about energy dynamics. It follows a relationship put to the check when an surprising shift in energy happens. This shift exposes true natures, and on a bigger stage, the unsettling hyperlink between feminine empowerment and male fragility.
W&H: What drew you to this story?
CD: I needed to reckon with some unresolved emotions I had from my private experiences prior to now, particularly experiences courting males who had been threatened by me ultimately. The solely method I may deal with that was by making myself small — in a determined bid to guard these relationships.
Over time this response grew to become regular, second nature, daily. I simply accepted it and didn’t discuss it as a result of I couldn’t admit that the dynamic was actual. It was additionally complicated and arduous to course of as a result of these males adored me for the exact same issues that frightened them.
That’s why I began scripting this story — to sound the alarm and to shine a light-weight on one thing that I consider many people battle with, however are too afraid to speak about and even admit.
W&H: What would you like folks to consider after they watch the movie?
CD: I’d like to depart the viewers with sure questions that hopefully begins a dialog. For one, how can ladies embrace their success with out fearing that it’s going to harm them? How can we demystify the position that males are raised to assume they’re speculated to fill? It’s okay in the event that they’re not the primary breadwinners. Success just isn’t a zero-sum recreation.
W&H: What was the most important problem in making the movie?
CD: Getting to the primary day of filming. As with each manufacturing, you’re continuously getting hit with obstacles that threaten your imaginative and prescient and the lifetime of the film. It was about studying take care of forces that had been exterior my management, determining pivot rapidly in order that we may reside to struggle one other day.
I used to be assured that when we began filming issues would stream, however till you truly begin, it at all times feels prefer it may collapse at any second.
I’m very grateful that I had an incredible group of individuals round me, supporting me via each impediment and who had been decided to make this movie as a lot as me.
W&H: How did you get your movie funded? Share some insights into how you bought the movie made.
CD: MRC funded the movie via an rising filmmaker label that’s run by T-Street.
W&H: What impressed you to grow to be a filmmaker?
CD: My love of flicks, love of tales, love of drama. When I used to be younger, my father confirmed me movies that moved me in ways in which fully modified my life. It impressed me to start out writing tales of my very own once I was eight and I haven’t stopped since. It’s a drug. I can’t get sufficient. It’s the best problem and the best pleasure.
W&H: What’s the most effective and worst recommendation you’ve obtained?
CD: The greatest recommendation was from my mom who instructed me to double down in who I used to be. To be sincere and compassionate, but in addition, unapologetic.
The worst recommendation was from folks giving me unsolicited recommendation like they know me and know what I need. Also giving me recommendation like I’m only a statistic.
W&H: What recommendation do you may have for different ladies administrators?
CD: Tell tales that solely you’ll be able to inform. Be clear together with your imaginative and prescient for these tales. And discover individuals who will get behind that imaginative and prescient and aid you carry your story to life.
W&H: Name your favourite woman-directed movie and why.
CD: “Toni Erdmann” by Maren Ade. Because it’s unpredictable and messy and ugly and heartbreaking and hilarious. It entertained me and gutted me and there’s simply by no means been a father- daughter story prefer it.
W&H: What, if any, duties do you assume storytellers must confront the tumult on this planet, from the pandemic to the lack of abortion rights and systemic violence?
CD: I believe it’s important to deal with huge points, however there needs to be a private purpose for it and a private method in. For one thing to be common and join with folks, it must be particular and singular.
W&H: The movie business has a protracted historical past of underrepresenting folks of coloration onscreen and behind the scenes and reinforcing — and creating — detrimental stereotypes. What actions do you assume should be taken to make Hollywood and/ or the doc world extra inclusive?
CD: I believe the business must commit to creating the casting course of extra inclusive on their productions and really meet these commitments. Also, rent extra filmmakers of coloration. Finance their tales. Make their motion pictures.
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