10 Great Dark Comedy Movies From The twentieth Century: The unlikely candidate to completely summarize comedy comes within the type of the second man to set foot on the moon; Mr. Buzz Aldrin. As he explains, comedy is when the ‘real’ mixes with the ‘absurd’. I first heard this in Sacha Baron Cohen’s ‘Ali G In Da USAiiiii’ interview with Aldrin; it’s stayed with me ever since, as a result of I imagine it encapsulates the central battle in comedy. Whether it’s a mismatched duo or a personality navigating their manner by means of extraordinarily harmful and tense conditions the essence of comedy tends to return from the collision of the actual and the absurd.
In this text, we’re going to investigate one of the best examples of comedy from the sub-genre which I really feel has essentially the most perception into the human situation: Dark Comedies. Typically, folks look to comedies as escapism from their woes and shortcomings, Dark Comedies take them head-on, blurring the road between laughter and disappointment, exhibiting perception into the extra repressed comedy that lives inside us. The examples are in no specific order and, after all, are of my subjective interpretation, so please, sit again and scrutinize my takes on the next:
1. Vampire’s Kiss (1988)
In the twilight of the New York night, as darkness envelops town that by no means sleeps, we meet Peter Loew; an amoral womanizer by evening and literary agent by day. Hot-tempered, aggressive, and extremely aggressive, throughout his nocturnal perusing he encounters a girl who he sleeps with – what follows is an prolonged filmic delusion that Peter descends into, underneath the idea that the girl was truly a vampire, that she bit him…and he himself is slowly turning into one.
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The absurdity rendered by Nicholas Cage’s maximalist efficiency as Peter is so unsettling, so weird, that it distinguishes the movie from the rest within the sub-genre. Famously spawning the ‘YOU DON’T SAY’ meme (the meme-ification of Cage does the efficiency a disservice) the movie follows the descent into psychological oblivion as Peter sadistically harasses his intern, loses his grasp on goal actuality, leaps onto tables, put on plastic vampire enamel and wails into madness. Blurring the strains between humor and horror, at instances deeply uncomfortable and at all times teetering on turning into a full-on satire. Cage’s efficiency represents an iconoclastic shift from the brooding minimalism of the tactic method, in favor of a extremely animated breakdown that vaporizes conference.
2. The Full Monty (1997)
A nationwide sensation on the time of launch, later turning into one of many cheeky top-shelf VHS tapes that had been forbidden to children; The Full Monty concurrently broke UK field workplace data and was the highest-grossing movie within the UK (till Titanic dethroned it). A curious movie that finds humor in Sheffield, England, of all locations. A post-industrial metropolis within the coronary heart of the North that misplaced its sense of id when the mighty metal business was outsourced and consequently dismantled, leaving 1000’s of males with out jobs.
The movie follows Robert Carlyle as Gaz; an unemployed, well-meaning, ex-steelworker/broke dad who will imminently lose entry to his son with out rectifying his excellent baby assist payments. Desperate for money and impressed by a sold-out Chippendale stripper efficiency at a neighborhood working males’s membership (throughout a women-only evening) he decides it’s a straightforward approach to make money and recruits a band of ex-steelworkers to provide you with a strip routine and get the cash to maintain his son in his life. What ensues is a particularly cheeky and lovable comedy that touches on the darkest themes of suicide, loneliness, physique picture, divorce, and unemployment, with masterstroke sensitivity, a soulful soundtrack, and a flawless solid.
3. The Cable Guy (1996)
The movie that marred Jim Carrey’s profitable streak following the succession of The Mask, Dumb & Dumber, and Ace Ventura, this a lot maligned darkish comedy gave audiences a model of Jim Carrey they merely didn’t want to see on the time. Centered round an obsessive stalker whose true identify isn’t revealed, the Ben Stiller directed comedy tackles obsession and harassment in a 90’s fever dream of surreal social interactions and delirious moments of unflinching insanity.
The titular Cable Guy is secondary to Matthew Broderick enjoying Steven; a person transferring into a brand new house following a trial separation from his girlfriend Robin (Leslie Mann). It’s on this new property the place he encounters the Cable Guy who makes it his mission to befriend Steven in any respect prices. The movie performs out as a kind of hodgepodge of 90’s zeitgeist – from the utopian monologue across the potentialities of satellite tv for pc cable (‘YOU CAN DO YOUR SHOPPING AT HOME…OR PLAY MORTAL KOMBAT WITH A FRIEND IN VIETNAM!’) to the aspect narrative that includes a celeb trial of ‘The Two Stans’ (each performed by Ben Stiller) which mirrored the nationwide obsession of the O.J Trial – it speaks to a tradition entranced by media which produced a disaffected era, who grew up on TV, struggling to find out what’s actual and methods to relate to different folks.
4. Death Becomes Her (1992)
Marking a segway from his tough-talking motion hero typecast, we see Bruce Willis play Ernest Menville, a nervous plastic surgeon who married aspiring author Helen (Goldie Hawn) once they each attend a Broadway play starring Helen’s ‘frenemy’’ Madelyn (Meryl Streep), Ernest turns into besotted and swiftly leaves Helen to elope with Madelyn. Devastated, consequently morbidly overweight, and institutionalized, Helen plots her revenge on her ex-friend. Emerging seven years later as a ravishing and Athenian new lady, all isn’t because it appears when the 2 ladies cross paths as soon as once more, Helen appears to be like impossibly younger and youthful – Madelyn’s jealousy drives her to seek out out her outdated good friend’s secret…
Essentially a Faustian story akin to The Picture of Dorian Gray the place a ‘deal with the devil’ is made, it’s a kitsch comedy that flirts with the camp, the bizarre, and the supernatural. Combining parts of physique horror, slapstick comedy, and fairy story, Death Becomes Her is a singular anomaly throughout the comedy heritage that marinates on themes of demise, self-importance, the passage of time, cosmetic surgery, and sweetness requirements in an period that desires to protect ladies as completely youthful. It’s a movie whose commentary remains to be related, whose comedy nonetheless cuts, and whose weirdness nonetheless prevails.
5. Risky Business (1983)
Joel (Tom Cruise) is a straight-laced, all-American highschool pupil with entrepreneurial ambitions – when his dad and mom go away from the weekend he has their large, suburban home all to himself…however what to do with all of this freedom? Following the horrible recommendation of his good friend, he nervously contacts a name woman and will get greater than he bargained for when she doesn’t depart. The movie is peak 80’s, that includes a cherub-faced Cruise completely solid because the conforming however finally corruptible Joel. Rebecca DeMornay performs the sultry and darkly angelic name woman; Lana who’s being pursued by her repugnant and aggressive ex-pimp; Guido. All accompanied by a cosmic and tender OST from digital innovators Tangerine Dream.
The comedy within the movie arises from the extremity of distinction, that this sliced-white-bread overachiever finds himself profiteering from the illegitimate economic system of prostitution in his dad or mum’s home. The narrative of Lana’s entrance runs alongside Joel’s ultimate weeks in highschool and his lessons in enterprise enterprise, linking all three occasions right into a kind of unusual neoliberal coming-of-age lesson. Joel learns firsthand the cut-throat nature of capitalism, which informs his method to enterprise, all while crossing the brink into the unsure markets of maturity and accountability.
6. An American Werewolf In London (1981)
John Landis’ masterpiece follows two younger backpackers throughout the moors of Northern England, they’re accosted by a werewolf, and one in every of them is torn to shreds. Awaking in a London hospital, the survivor and our protagonist; David, finds himself haunted by the rotting ghost of his lifeless good friend as he learns he’ll change into a werewolf on the subsequent full moon. The movie is important for its efficient binding of horror and comedy, its pitch-black method to the actual assembly the absurd, and its graphic scenes of physique horror.
Moments of comedy are offset by sudden moments of somber darkness and surprising bewilderment (with one dream sequence giving a nod to Naziploitation movies) this surprisingly offers a kind of ‘shock phase’ that strains up the comedic reduction. The interaction of this stress is finished virtually by means of its use of sound, enhancing, and most importantly its particular results overseen by Rick Baker (famously, Micheal Jackson noticed the film and instantly wished to get Baker on board for the Thriller video) in order that the movie binds into a particularly nihilistic supernatural drama with moments of searing humor, an image that Edgar Wright known as “the film that changed my life.”
7. Trainspotting (1996)
This zeitgeist-encompassing movie stands in a league of its personal as a extremely kinetic, extraordinarily darkish, and subversive Scottish nightmare – tailored from Irvine Welsh’s novel, it introduces us to Mark Renton (Ewan McGregor), a 26-year-old unemployed heroin addict whose philosophy round consumerism informs his anti-society model of anarchic nihilism. With his wider band of fellow addicts, they sway by means of the times of robberies and bathroom diving in Edinburgh on this genre-bending malaise of distress and laughter.
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The movie resonated in a manner peculiar to the 90s as a counter-cultural grunge image, with off-shoots equivalent to the style motion ‘heroin chic’ discovering inspiration within the disavowal and unkempt type of the movie. It was the kind of morally subversive movie that, regardless of its surprising content material, made heroin appear impossibly ‘cool’ as if this lifetime of detrimental existence and habit was in and of itself a protest in opposition to the business excesses of mid-90s neoliberal hegemony. At instances cripplingly humorous and at others genuinely traumatic, it was the movie that skyrocketed director Danny Boyle’s fame internationally as a disruptor, a director unafraid to sort out black comedy with a canine bearing, sardonic smile.
8. Dr. Strangelove (1964)
During the peak of the Cold War, when the specter of nuclear oblivion hung heavy within the air; Dr. Strangelove was launched in cinemas, lambasting the ineptitude of a tradition that has harnessed the power to destroy itself. The movie follows the occasions instantly after the psychological breakdown of U.S Air Base Commander; General Ripper (Sterling Hayden) as he orders (with out approval) a preemptive nuclear strike on the usS.R. that can’t be reversed. This is justified by Ripper’s paranoid delusion that Russian Communists are out to get his ‘precious bodily fluids.’
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The movie is a risible sequence of expertly positioned jabs that interprets the paranoia of the 1960’s American nuclear coverage as a symptom of one thing extra primal; a worry of being attacked that justifies attacking first. Completely deadpan in its supply, we see the real-time collapse of logic from the incompetence of an administration that has unwittingly invoked the top of days. Peter Sellers masterfully navigates three separate roles while Kubrick’s course frames the tragedy in a monochrome sheen. The pitch-black darkness of the humor and material permits for the prospect of a nuclear holocaust to change into laughable…liberating in all its cowboy-riding-a-nuclear-warhead absurdity, the movie is arguably the definitive darkish comedy image of the twentieth century.
9. Harold & Maude (1971)
The most macabre but healthful love story ever informed; Harold is a nihilistic 19-year-old boy fully obsessive about demise. Hailing from a rich household who is set to see him married, he spends his days pranking his mom and servants by ‘committing suicide’ in varied methods. When he isn’t faking his personal demise, he attends funerals of individuals he doesn’t know. It’s right here he encounters 79-year-old Maude; a carjacking, piano-playing aged girl with an unstoppable lust for all times (who additionally crashes funerals). The juxtaposition of Harold & Maude’s relationship with life (and demise) is the core of the narrative.
Harold is a younger man, but he longs for demise – he fixates on the rituals, violence, ache, and shock of demise as an occasion. Oppositely, Maude is approaching demise however offers with this similar specter in a jocular and flippant manner – disregarding social norms, violating the regulation, talking freely, and residing in keeping with herself. It’s in Maude’s way of living that Harold finds worth and perspective in his personal expertise. A very gothic love story that presents essentially the most morbid packaging of optimism you’ll maybe ever see. The lovely soundtrack, fantastic course, and endearing performances make Harold & Maude a memorably weird traditional.
10. Brazil (1985)
Set in another model of the twentieth century, in a dense, darkish, and anonymous metropolis retrofitted with anachronistic gadgets, Terry Gilliam’s ‘Brazil’ is an unforgettably grandiose and completely absurd epic. The movie delivers us right into a surreal model of a society that might have been dreamt up by 1930’s futurists – however this society has been left to age, rust, and erode indefinitely. The movie sways between the goals of protagonist Sam Lowry (Jonathan Pryce) as he imagines himself as an angel flying to save lots of the girl of his goals, to his actuality as an workplace clerk on this festering mega-city that’s underneath fixed risk of terrorism.
It’s half Orwellian imaginative and prescient of a totalitarian society, half Kafkaesque bureaucratic nightmare, and half Fritz Lang’s ‘Metropolis’. The anonymous metropolis itself is a sprawling aesthetic mix of Art Deco, Modernism, and Brutalism – a steaming maze that seemingly springs out of nightmares. The movie is a sharply hilarious assault on the absurdity of company oligarchies, the irrationality of overly designed paperwork, the snobbery of excessive society, the ills of overproduction, the specter of repressive politics, the shock of home terrorism, and the atomization of society. With a vastly understated supporting solid together with Bob Hoskins and Robert De Niro (who performs a zip-lining, pistol-wielding handyman) the movie tackles darkish sociopolitical themes with a stylistic and humorous vigor, making a masterpiece of not solely darkish comedy however of cinema itself.
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