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Wayne Coyne of the Flaming Lips has opened up concerning the time screenwriter Aaron Sorkin was briefly hooked up to a musical model of 2002’s Yoshimi Battles The Pink Robots. Speaking to Yahoo, Coyne talked about how his and Sorkin’s visions didn’t precisely align, because the screenwriter needed the “Pink Robots” to characterize “the evil George Bush empire.” “The Aaron Sorkin part is… I mean, I don’t remember it all that precisely, but we did a meeting. We were in New York City — I think we were going to be on the David Letterman Show or something — and in the afternoon we were going to meet with some potential writers,” Coyne started.
He continued, noting how there was a strike on Broadway that day and the writers had “a lot on their minds”:
And right here’s my little file, they usually’re speaking about what it may very well be! We have been solely allowed to fulfill for in all probability 20 minutes or one thing. You’ve obtained to recollect, that is… not that lengthy after the World Trade Center planes, the 9/11 stuff, all occurred, and we have been nonetheless coping with George Bush Jr., who was the president.
[Sorkin] noticed the “Pink Robots” as being the evil George Bush empire. And I actually don’t know why I used to be so opinionated, however I simply stated, “Oh, I don’t really like that idea.” Not that I had a greater concept, however I simply didn’t see this music as being linked to politics and stuff, you already know?
I imply, I felt like Yoshimi Battles the Pink Robots goes to final without end, however George Bush will probably be gone in a few years, so who cares? But I feel [Aaron] was like, “Oh, so you’re going to say no to my idea?” I imply, he wasn’t imply, there was nothing unhealthy stated, however I simply obtained the sensation that he was like, “Well, that’s the way I see it. And if you don’t see it that way, see you later!”
The play, tailored by Tony-winning director Des McAnuff, first entered the dialog in 2007, 5 years after the discharge of Yoshimi. Later, McAnuff would state publicly that Sorkin had exited the mission as a result of the musical was going to be sung-through. The Yoshimi musical did finally premiere on the La Jolla Playhouse in San Diego in 2012.
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