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- Coming quickly: The Galatta Plus Round Table 2022
- Interview: Suresh Krishna (‘Baba’ re-release)
- Readers Write In #526: A ‘nauseating’ historical past, a memoir
- Interview: SJ Suryah, Pushkar-Gayathri, Andrew Louis (Vadhandhi)
- Prithvi Konanur’s excellent ‘Hadinelentu (Seventeeners)’ opened the Indian Panorama part at IFFI; it’s a couple of leaked intercourse tape, and is a scalpel-sharp dissection of caste
- Prasun Chatterjee’s Dostojee is a shifting, lyrical drama a couple of childhood that struggles to transcend communal tensions
- Jeo Baby’s terrific ‘Sree Dhanya Catering Service’ is a funnier, extra free-flowing tackle ‘The Great Indian Kitchen’, with males doing the cooking this time
- Readers Write In #525: Jaya Jaya Jaya Jaya Hey- An obscene class narrative masquerading as gender rights story
- Readers Write In #524: A translation of Jeyamohan’s ‘Sivam’
- Anjali Menon’s intermittently efficient ‘Wonder Women’, on SonyLIV, is finest loved as an experiment in narrative method
- Senna Hegde’s ‘1744 White Alto’, with Sharaf U Dheen, is a type of stoner comedy the place some jokes land big-time whereas others really feel pressured
- R Kaiser Anand’s ‘Anel Meley Pani Thuli’, starring Andrea Jeremiah as a rape survivor, on SonyLIV, is a powerful story that wanted stronger writing
- Interview: Vetri Maaran, Andrea Jeremiah, Kaiser Anand (Anel Meley Pani Thuli)
- Readers Write In #523: How fiction and non-fiction complemented one another in constructing my politics
- More than sufficient
- Interview: Abhishek Bachchan (Breathe: Into the Shadows)
- Vasan Bala’s ‘Monica, O My Darling’, on Netflix, with Rajkummar Rao and a prime forged, is a really fulfilling ‘retro’ murder-mystery, propelled by a super-retro rating
- Abhinav Sunder Nayak’s ‘Mukundan Unni Associates’, with a perfectly forged Vineeth Sreenivasan, is a scrumptious, deadpan, darkish comedy
- Interview: Udhayanidhi Stalin (Kalaga Thalaivan)
- 10 Questions: Bosco Martis (choreographer, director of ‘Rocket Gang’)
- Interview: Vasan Bala, Rajkummar Rao, Huma Qureshi, Radhika Apte (Monica, O My Darling)
- Pradeep Ranganathan’s ‘Love Today’ has an important theme that’s let down by the writing, which settles for straightforward jokes and simple sentimentality
- Happy birthday, Kamal Haasan
- Interview: Janhvi Kapoor (Mili)
- Readers Write In #522: Classics on YouTube #6 – Fallen Angel (1945)
- Readers Write In #521: The Elephant within the Room
- Mathukutty Xavier’s ‘Mili’, with Janhvi Kapoor, exhibits that even a pure ‘genre film’ may be elevated by means of excellent writing
- Interview: Anjali Menon (Wonder Women)
- Interview: Aishwarya Rajesh (Driver Jamuna)
- Interview: Pradeep Ranganathan (Love Today)
- Maju’s ‘Appan’, with Sunny Wayne and Alencier Ley Lopez, now on SonyLiv, is an fascinating drama that’s higher with characters than plot
- 10 Questions: Anurag Kashyap
- Indra Kumar’s ‘Thank God’, with Ajay Devgn and Sidharth Malhotra, is a boring and shallow dramedy a couple of man who faces his sins
- Abhishek Sharma’s tedious ‘Ram Setu’, with Akshay Kumar as an atheist archaeologist, is an journey solely in title
- Readers Write In #520: PS1 review- Too many flaws to cowl up
- Tanglish Talks: Happy Deepavali
- Readers Write In #519: Classics on YouTube #5 – Made for Each Other (1939)
- Liju Krishna’s ‘Padavettu’, with Nivin Pauly and Aditi Balan, is a powerfully cinematic story of an unlikely saviour
- Readers Write In #518: My two cents on ‘serious’ literature
- Vysakh’s ‘Monster’, with Mohanlal and Honey Rose, is a pulpy thriller that entertains till it begins to clarify itself
- Readers Write In #517: The Impossibility of A Uniform Civil Code
- Readers Write In #516: Social work, advocacy and activism
- Anudeep KV’s ‘Prince’, with Sivakarthikeyan and Maria Ryaboshapka, applies the ‘Jathi Ratnalu’ components to a love story and falls flat
- PS Mithran’s ‘Sardar’, with Karthi and Raashi Khanna, is a fascinating spy thriller that sticks near the style
- Charukesh Sekar’s ‘Ammu’, on Amazon Prime Video, with Aishwarya Lekshmi and Naveen Chandra, is a partly efficient domestic-abuse drama
- Interview: Bhuvan Bam (Taaza Khabar, BB Ki Vines)
- Readers Write In #515: Book Review : The Anarchy by William Dalrymple
- Readers Write In #514: R.I.P. ‘Anjali’ (a Mani Ratnam movie)
- Readers Write In #513: The Bollywood Crisis and the largest star in Mumbai as we speak
- Our mainstream auteurs vs. mainstream cinema’s must-haves