Austria Hindemith, Cardillac: Soloists, Chorus and Orchestra of Vienna State Opera / Cornelius Meister (conductor). Livestreamed (directed by Jasmina Eleta) from Vienna State Opera, 13.11.2022. (JPr)
Production:
Production – Sven-Eric Bechtolf
Stage designer – Rolf Glittenberg
Costume designer – Marianne Glittenberg
Lighting designer – Jürgen Hoffmann
Chorus director – Thomas Lang
Cast:
Cardillac – Tomasz Konieczny
Cardillac’s daughter – Vera-Lotte Boecker
The Officer – Gerhard A. Siegel
The Gold Dealer – Wolfgang Bankl
The Cavalier – Daniel Jenz
The Lady – Stephanie Houtzeel
Provost marshal – Evgeny Solodovnikov
I doubt Paul Hindemith’s 1926 Cardillac has ever been skilled very a lot within the UK and I can solely discover an aria was sung at a 1964 BBC Prom and the New Opera Company gave the primary staged performances in 1970 at Sadler’s Wells. In Vienna this was the fifteenth outing for Sven-Eric Bechtolf’s 2010 manufacturing and Cardillac was first placed on there in 1927 when one of many set designers was none aside from Alfred Roller, a previous collaborator there with Gustav Mahler. Cardillac is one thing of a psychological thriller with an antihero as its central character (assume, Berg’s Wozzeck, Shostakovich’s Lady Macbeth of the Mtsensk, Britten’s Peter Grimes). Hindemith’s opera is predicated a personality in E.T.A. Hoffmann’s Das Fräulein von Scuderi, the good goldsmith Cardillac. As within the novella he’s valuable concerning the items he makes – principally gold chains it appears – and is reluctant to half with them and so reclaims them by murdering his excessive society purchasers in seventeenth-century Paris.
Bechtolf – together with designers Rolf Glittenberg (stage) and Marianne Glittenberg (costumes) – updates the story to the Twenties and there’s the milieu of German expressionist cinema of the early a long time of the 20 th century. Influences embrace I might assume, Robert Wiene’s The Cabinet of Dr Caligari, F.W. Murnau’s Nosferatu and Fritz Lang’s Metropolis. There are two-dimensional lopsided buildings, and the threatening crowd are all in black with whitened faces with the boys in prime hats and the ladies with pilgrim-style bonnets. Three small homes additionally cross the stage. Singing ‘Murderer! Amongst us, with us!’ anybody who stands out from the gang is in peril from their vengeance searching for.
The Provost seems and calms the gang by saying the ‘Burning Chamber’ has been set as much as carry the assassin to justice and that is hauntingly prescient of what the Nazis will rise up to in coming a long time. He is accompanied by two briefcase carrying dignitaries who may both be regarded as goose-stepping or from the Ministry of Silly Walks. We quickly see how a lot Cardillac is revered earlier than we think about two fan-bearing grotesque popinjays and watch the pursuit of the Lady (blonde and tiaraed) by the Cavalier along with his white trousers. She sings how ‘Paris is groaning under the excess of crime’ but nonetheless calls for ‘the most beautiful piece that Cardillac has ever made’ and the Cavalier is keen to get her the jewelry so he can rush to her mattress.
The Vienna Cardillac is carried out with out an interval so there’s now an interlude with the curtain down. It rises on a scene exhibiting some crimson drapes opening within the centre with the Lady ready for the Cavalier on a black plinth singing of how she desires to be beneath him. Behind a display screen there’s the silhouette of the Cavalier tempting the Lady with the gold chain; they may swop with the Cavalier now onstage and we see the define of the Lady taking her robe off. She then joins him and after Hindemith’s obvious homage to ‘The Dance of the Seven Veils’ they begin to make love. The shadow of Cardillac looms massive and the Cavalier is stabbed extra within the pounding music we hear than on stage.
After a pause there’s extra violent music and Cardillac is at his work bench with a golden cupboard behind him as he sings how “What I create belongs to me’. He is confronted by the Gold Dealer who has his suspicions about Cardillac. Already there was a lot stylised motion in Bechtolf’s staging and his daughter in white along with her braided crimson hair enters and accompanied by solo violin walks Coppélia-like as an automaton. The cupboard opens revealing a tumble of white chairs and a child doll (presumably Cardillac’s grandchild we hear about?) that she is going to forged apart. She loves the Officer and needs to flee with him however is reluctant to go away her father regardless that she sings ‘Why do you caress your gold and not me?’ Then there’s an odd scene when the king (right here as a baby) enters the workshop wanting one thing from Cardillac. He is accompanied by his daughter (a younger pirouetting ballerina) and their vampire-like retainer (Murnau’s Nosferatu). They depart and the Officer returns and calls for ‘the most beautiful thing you have ever created’. The Officer throws cash at Cardillac and regardless of the menace he poses buys a gold chain (cue extra tumultuous music). Cardillac, in full Jack the Ripper guise, will follows him to get again what belongs to him.
With an enormous prime hat outlined in lights in the back of the stage, Cardillac’s try and kill the officer fails and he’s denounced (‘Cardillac was the culprit!’) to the gang by the Gold Merchant who was spying on him. In an try to save lots of him the Officer takes the blame whereas the gang takes it out on the service provider for accusing Cardillac with everybody shifting in gradual movement. Cardillac’s daughter – after a lot shuffling and emoting – reveals she is aware of he’s responsible. The music ramps up much more while Cardillac refuses to call the killer and the gang threaten his home. An unrepentant Cardillac lastly confesses to the murders and the mob – shifting robotically – kill him earlier than it’s proclaimed that ‘He was the victim of a holy delusion’. Now he’s lifeless Cardillac is proven as a statue on a plinth with gold hat, gold face and gold chain and honored (‘A hero has died!’) as if he has been sanctified throughout this ‘Night of death’.
Hindemith’s music is kind of accessible, if somewhat angular, schizophrenic, demonic, filled with nervous vitality and march-like by turns and infrequently at odds with the voice-shredding vocal traces. As heard by way of loudspeakers – and having nothing to check it with – the genial Cornelius Meister (who carried out the brand new Bayreuth Ring this summer season) drew an engrossing account of the rating from his incomparable Vienna State Opera Orchestra and he was supported by the fully-committed, stentorian refrain. Bass-baritone Tomasz Konieczny sang Wotan at Bayreuth and along with his wealthy, assured and characterful tones introduced Cardillac to life as Hindemith’s murderous Hans Sachs, as a lot a grasp with leather-based as his character is with gold. Vera-Lotte Boecker was the clingy daughter torn between the love of her father and the Officer and had some good moments, particularly her duet with Cardillac close to the tip of the opera. Tenor Gerhard A. Siegel because the Officer turned growing sorely examined by the tessitura of what he needed to sing, Wolfgang Bankl’s vignette because the nervy Mime-like Gold Dealer appeared one other Hindemith homage to Wagner. Stephanie Houtzeel was mightily spectacular because the Lady awaiting her Cavalier and the character will get a few of the finest music to sing. As the Cavalier and Provost respectively, Daniel Jenz and Evgeny Solodovnikov gave stable performances.
Perhaps Cardillac will not be an opera I might rush to see and listen to once more however I discovered my consideration by no means wandered throughout Sven-Eric Bechtolf’s gripping manufacturing.
Jim Pritchard