‘American Psycho’ Author Bret Easton Ellis Says Horror Film Didn’t Have “Courage Of Its Convictions” & He Wanted A Different Ending

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‘American Psycho’ Author Bret Easton Ellis Says Horror Film Didn’t Have “Courage Of Its Convictions” & He Wanted A Different Ending


Bret Easton Ellis is a author who is aware of a factor or two about horrific occasions in tales. The man behind the novel “American Psycho” is not any stranger to placing unimaginable quantities of terror and blood in his tales. So, you’d think about it is a one who has a delicate spot in his coronary heart for horror movies. And that’s precisely the case. However, he additionally has very specific concepts about what makes a horror movie actually work. Unfortunately, the latest hit, “Barbarian,” doesn’t essentially fall below his umbrella of nice horror. 

Speaking to Variety, Bret Easton Ellis broke down his ideas in regards to the horror style and the way that pertains to one of many breakout scary films of 2022, “Barbarian.” In Ellis’ thoughts, the perfect horror movies are those that don’t hassle with a ton of exposition or solutions in regards to the backstories of the villains. He says the heyday for that is the ‘70s with movies like “The Exorcist,” “Jaws,” and “Carrie.” 

READ MORE: ‘Barbarian’ Review: This Dark, Nasty Suburban Nightmare Will Nourish Horror Lovers

“You could go on and on with the mystery of these movies, and what made them so much more frightening was that they weren’t explained,” Ellis mentioned. “I often find now when a horror movie goes way too far into backstory, in terms of explaining why these people do what they do, or why this monster does what it does, it really minimizes the horror.”

He continued, “I think ‘The Texas Chain Saw Massacre’ is a great example. We just do not know what that family is. We get hints of what’s happened to them, but we do not get an explanation at all as to what created Leatherface. For some reason, I find that particularly scary in ways that aren’t present in other movies in the ‘Chainsaw’ franchise. The sequels explicitly detailed why things happened, and the backstories are usually just completely bonkers.”

So, what does this need to do with “Barbarian?” Well, Ellis mentioned he did “like the movie,” however he had issues with its ending. 

**Spoilers for “Barbarian” to comply with…**

“I thought it had a great, slow buildup that had that epic shock in the middle of it, and then it becomes this totally different movie,” he defined. “We’re very intrigued on how these two movies are going to merge and inform us as to why this thing has happened. I had a friend who liked it too, but also thought that in its third act it over-explains. It wasn’t scary for him anymore, and there was something about that thing, The Mother. It was more terrifying to just think that this thing is living there and goes out hunting at night.”

“Barbarian,” for many who haven’t seen it, begins with a narrative that follows a younger girl (Georgina Campbell) who finds herself in an ungainly Airbnb state of affairs. The movie abruptly transitions within the second act to comply with Justin Long’s character, a well-known actor who finds himself caught up in a sexual misconduct scandal and retreats to Detroit to maintain his affairs. The paths of each the younger girl and actor cross after they turn into imprisoned by a monster referred to as The Mother.

Ellis believes the ending for “Barbarian” ought to have gone even additional at midnight worldview by permitting Justin Long’s character to outlive as an alternative of the heroic younger girl.

“This friend, a filmmaker, told me that was when the movie also went off the rails for him, as it didn’t really have the courage of its convictions, meaning that the Justin Long character had to be punished somehow and that the girl had to live,” Ellis mentioned. “I was hoping for a slightly more pessimistic ending, because it seemed that ‘Barbarian’ was heading in that way. It seemed like a kind of throwback to ‘70s horror, and I loved the outlandishness of the monster. It was not afraid to look completely silly or dumb, and that was scary and I liked that it wasn’t CGI. It was a very scary, real, tactile, analog thing.”

While there are many individuals who would possibly agree with Ellis’ view of “Barbarian,” there’s no denying the movie actually struck a chord with movie-goers. The movie was launched with out a lot fanfare and turn into a field workplace hit, incomes greater than $40 million domestically off of an extremely small finances. Since then, the movie has lately debuted on HBO Max, the place it discovered much more followers.

And apparently, it’ll be a type of movies which might be debated for years to come back, which isn’t a foul factor. 



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