Lou Yanong fulfills dream to get to do motion scenes

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Lou Yanong fulfills dream to get to do motion scenes


Lou Yanong and Andre Brouillette. STORY: Lou Yanong fulfills dream to get to do action scenes

Lou Yanong and Andre Brouillette (Photo by GABRIEL PABICO LALU / INQUIRER.web)

Model-actress and former “Pinoy Big Brother” housemate Lou Yanong welcomed with glee her position in “The Iron Heart” because it supplied her the prospect to do motion routines.

As Rea, the top of safety of Dimples Romana’s character Selene, Yanong will get to dabble in motion scenes, one thing she likes to the hilt.

“I am so excited about that. Sobrang saya ako na doon ako napunta. (I am so happy that I got there). I always manifested that role. Ito ang gusto ko. (This is what I want). Gusto ko may baril (I want that there is guns),” Yanong mentioned throughout our second set go to to the sequence’ location in Cebu.

Yanong revealed that she tagged alongside along with her dad when he was gun firing which was why she loved immensely the army problem they as soon as had contained in the Big Brother home.

“I enjoyed it because I am boyish. I was nine years old when I tagged along with my dad during his firing sessions,” she mentioned.

“Ang hindi alam ng tao (What people don’t know is that) I am very boyish. What I show online is how I model and how I am so feminine. But they don’t know about me is am very boyish also. Growing up, we are three girls and ang dad ko feeling ko wala siyang lalaki (I feel that he doesn’t have a son). So I stepped out, naawa ako sa dad ko. (I took pity on my dad). I told him, you need company when you do firing. You need someone when you practice it,” she recalled.

With this, she completely loved a scene within the sequence the place she needed to interact in gun battle to guard Romana’s character.

“It’s empowering,” she mentioned concerning the scene. I needed to shield Selene. So, parang nasa gitna ako, nakikipagbarilan (It was like I used to be within the center, gun preventing),” she recalled.

She credit the motion crew of “The Iron Heart” for the seamless motion and combat scenes.

“They are so detailed and they will not stop until it is perfect. And it’s a teamwork really. They will not move on until it’s perfect,” she mentioned.

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