Interview: From Picket Line To Stage

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Interview: From Picket Line To Stage


Writer Tracy Ryan on Strike!

Stike! tells the true story of the Dunnes Stores Anti-Apartheid Strike which happened in Dublin from 1984 to 1987. It is unbelievable to consider how one small act of defiance may turn into one thing a lot larger, however that’s precisely what occurred. And now the story is coming to the stage at Southwark Playhouse through the pen of Tracy Ryan.

As if the story itself wasn’t sufficient to seize our curiosity, the present is from Ardent Theatre Company, who we’ve championed prior to now for the work in supporting rising actors. It actually meant we couldn’t not let this one go us by with out grabbing a while with Tracy to seek out out extra.


What is it that made you write a play about an Irish strike?

I heard one of many Strikers, Mary Manning, on RTE Radio, and I used to be curious to study extra. I used to be conscious of apartheid and anti-apartheid actions in England and elsewhere. Still, the Dunnes Store Strike was new to me. As I learn extra, I knew I needed to create a bit of theatre about their motion.

My first name was to Mandate the Union. They mentioned I ought to contact Brendan Archbold, the Union Organiser for the Strike. It took some time to seek out Brendan, however after I did, we agreed to fulfill. He was nice in setting the context of the Strike, sharing his archive materials and introducing me to the Strikers. I felt then, as I do now, that what they did was inspirational as a bunch of younger working-class store employees. They stood as much as their bosses, the Church and the Government of their refusal to deal with South African items and in doing so contributed to the banning of South African items in Ireland. Their solidarity as a bunch and with others many thousand miles away in South Africa demonstrated the facility of collective motion not solely in Dublin but in addition internationally to problem energy and finish injustice.

The story is kind of unbelievable and had repercussions world wide. Still, additionally it is in regards to the bravery of a handful of store employees – so what do you focus your play upon then when there are clearly so many choices obtainable?

I’ve centered on the journey of the Strikers via their preliminary walkout in step with the Union directive to not deal with SA items, the place they admit their motivation was to bother the bosses to their rising political consciousness of the vicious apartheid system in South Africa. On this journey, I used to be fascinated by their relationship with Nimrod Sejake (who was in exile in Ireland and had been energetic within the freedom motion in his nation). This relationship, together with others they met on the road and their rising confidence of their motion finally modified them endlessly.

The play has been round since 2010, however that is the primary full manufacturing, did you ever suppose it could get to the stage after so lengthy, or did you’ve gotten occasions you nearly gave up on it?

It was first staged in Dublin for a brief run in 2010 (produced by Helen Ryan); nevertheless, it has developed and considerably modified over time. When Ardent took an curiosity within the play in late 2015, they supplied house and funding to work on the textual content via dramaturgical help with Shelley Troupe, then Andrew Muir from Ardent, workshops and readings, which has been invaluable in creating the play to its present type. It was envisaged the manufacturing might occur in 2020, however clearly, everyone knows what occurred. Through coivid, Ardent and I continued to work on the play, and we are actually just a few weeks away from opening.

And what made you wish to work with Ardent Theatre in bringing it to the stage eventually?

I enormously respect Ardent’s work and mission to ‘bring outsiders in.’ They have been extremely enthusiastic in regards to the story of the Strikers and eager to inform their story. They had been dedicated to the massive forged and by no means requested me to chop down on forged dimension, which might have meant shedding a few of the Strikers. I felt strongly they need to all be represented as all of them walked the road on Henry Street Dublin for practically three years. Ardent supported this all through, and it’s unbelievable that the corporate has fund-raised and is staging the present with such a big forged.

You have talked about chatting with a few of the strikers, what have their reactions been to seeing their story portrayed within the play?

I’ve from the start. Firstly Brendan Archbold who was massively beneficiant and supportive. I interviewed the Strikers early on; in addition they noticed the primary staging and have contributed to readings, spoken with actors and been amazingly supportive of each sharing. They will all be on the Press Night with Brendan’s household, as Brendan handed away in 2015.

The play has had various staged readings; did these help you work on the script additional?

When you hear a play learn, it’s so informative for the author. Even as we’ve gotten it up with our improbable forged and director, Kirsty Patrick Ward, there are modifications and edits.

So how does it really feel to lastly be seeing this play staged after so lengthy? Is there going to be an actual sense of completion come the opening evening?

It is nice, and though I’ve been with the play for a very long time, I’m nonetheless extremely moved and impressed by the motion the Strikers took and honoured to inform their story.

And lastly, are there plans to take the play over to Ireland in any respect?

Yes, subsequent 12 months is the fortieth anniversary of the Strike, and Ardent has already begun to attach with Unions, together with Mandate (the Strikers Union), venues, and others, to see if this could occur.


Our because of Tracy for chatting to us. Strike! involves Southwark Playhouse from 13 April to six May. Further data and bookings may be discovered right here.

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