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Canadian filmmaker Sarah Polley received the Best Adapted Screenplay award final night time for “Women Talking,” her fourth feature-length movie. The award was her second Oscar nomination and first win— she was nominated for Best Adapted Screenplay earlier than for her feature-length debut, “Away From Her” in 2008. So she’s been down this highway earlier than, and this isn’t her first awards season rodeo. But nonetheless, one thing have to be totally different about this go-round doing the Oscar campaigning circuit, because the actor-turned-writer/director mentioned the expertise has marked her a lot she’s now creating a venture primarily based on her 2022/2023 awards season.
READ MORE: ‘Women Talking’: Director Sarah Polley On Forgiveness & The Guiding Principles Of Her Acclaimed New Drama
“I’ve been developing a project based on my experiences going through awards season — I’m not kidding,” she instructed Deadline on the crimson carpet final night time. “I know all of your names, and I have all of your numbers; you will be hearing from me,” Polley mentioned, referring to the media, the circus, and the vultures that encompass the circuit.
Polley mentioned she inadvertently workshopped the concept just by speaking to different nominees on the award circuit competitors. “I’ve had basically a hotline with all the filmmakers and writers in the race, who text and email me things as they happen all night long — I have this informal writers’ room which has been amazing.”
“Women Talking” was nominated for 2 awards, together with Best Picture, however clearly, “Everything Everywhere All At Once” hoovered up almost each main award final night time.
Polley ruminating on a brand new venture can be heartening information to her followers. Due partially to a concussion that took her out of motion for 3 years, there was a ten-year hole between her final movie, “Stories We Tell” (2012), and “Women Talking” (2022; although let’s not neglect she did direct the TV collection, “Hey Lady” in 2020, however it was eight, five-minute episodes and did write the collection, “Alias Grace” in 2017).
Still, Polley looks like an enormous display presence, and “Women Talking,” that includes the spectacular forged of Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, and Frances McDormand, proves that loads of A-list expertise are dying to work along with her. So, if she’s discovered her muse on the awards circuit spectacle—perhaps a satire in regards to the superficiality of all of it—hey, go together with god, and we’ll take it.
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