Spoilers forward…
The director trusts his lead actors to convey emotions via micro-gestures – and each Kavin and Aparna Das are very good.
Right from the opening stretch of Dada, Ganesh Ok Babu publicizes that he’s an actual filmmaker. What we’re watching is mainly an “I love you” scene, however rendered with out the phrases being spoken. You see this love, you are feeling it – particularly when the contrasting background is that of a neighbouring couple screaming at one another. You know how one can hold a cherished one when they’re sleeping, and simply savour the blissful nothingness of the second? This is that scene. What makes it even higher are the light piano ripples (the rating is by Jen Martin) and the gentler dialog that follows. It entails the subject of tears, and also you suppose that is going to arrange a giant payoff scene on the climax. But no. When the payoff does occur, it’s as unassuming as this scene: we see it in an autorickshaw mirror, in the course of evening, in the course of nowhere.
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https://www.galatta.com/tamil/movie/review/dada/
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