Slam (1998) Film Revisit | Movie-Blogger.com

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Slam 1998 film still

Marc Levin’s Slam was digitally restored as part of the Sundance Institute’s Archives & Collection program to rejoice the twenty fifth anniversary of the movie. We revisited and reviewed the movie as a part of the 2023 Sundance Film Festival.

The uncooked actuality of road life and road individuals has been typically explored in fashionable cinema. It is normally set because the premise for characters who by some means discover a approach out, and find yourself being circumstances of success in movies that aren’t normally real looking in the long run. Life isn’t a fairytale, and arcs aren’t cookie-cutter variations of what occurs in actuality. The fact is rather more harsh and gritty, identical to Slam exhibits from starting to finish. Happy endings aren’t at all times glad. Sometimes they’re simply variations of destiny.

In Marc Levin’s Slam, Raymond Joshua is a younger man residing within the South space of Washington D.C. He lives (or survives) within the streets, in the course of violence, warmth, and medicines. His love for rapping is intense, his lyrics resonate on this neighborhood, and other people really like listening to him. However, a drug deal gone flawed places him in jail. He’s one other imprisoned black man in a system that places plea offers over justice any time. When he’s provided a type of offers, he places the reality above all the things.

In jail, his loyalty to himself is put to the take a look at. He maintains his integrity by staying true to his ideas of no snitching, or just accepting doing time for unfair issues. Prison turns into a harmful place after he doesn’t settle for the presents, however there’s a haven within the type of a writing class taught by somebody who admires Raymond. This is the place he begins exploring poetry as a approach to cope, even after he’s unexpectedly launched and should once more face the realities of road life and being redeemed beneath surprising circumstances. 

Slam was proven in Sundance in 1998 and gained the Grand Jury Prize. It spoke and resonated amongst audiences who anticipated the identical outdated gritty movie about thug life however received a extra profound expertise in regards to the significance of artwork and the way it transcends as a useful resource for humanity in probably the most brutal of locations. Today, Slam continues to be a central piece within the dialogue of how it may be a possible software for undiscovered artists who’re sadly immersed in a world that isn’t truthful or forgiving. 

This is a fairy story, nevertheless it isn’t structured to comply with the formulation for soiled movies that get clear after a personality finds justice or redemption. In truth, the arc in Slam doesn’t conclude as we anticipated. Justice isn’t precisely delivered and freedom is relative. Ray’s journey has ended, or maybe it’s simply begun.

Slam made me bear in mind two fashionable movies which are really very completely different from one another. Steps, starring the very underrated actor Rob Morgan, was a profound expertise about life within the streets and redemption beneath harsh circumstances. Its rawness is the same as the impact of a tremendously carried out position for Morgan who’s accountable for the complete movie. And additionally P.E.N.S. (Poetic Energy Needed in Society), a documentary about city poetry and an inventive universe we merely don’t know sufficient about. 

Those two movies are very useful in understanding the ultimate message about Slam, a movie that also after 25 years of its launch, holds an natural energy that’s not current in movies in the present day however was very related throughout the 90s. Sometimes, revisiting these movies turns them into classics. Not due to who made them, or the occasions they had been made in, however due to the story they inform and the way related they’re in the present day.

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Federico Furzan

Founder of Screentology. Member of the OFCS. RT Certified Critic

Dog dad.



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