Review: The Art of Illusion, Hampstead Theatre (Downstairs)

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Review: The Art of Illusion, Hampstead Theatre (Downstairs)


The Art of Illusion gained a number of awards when it opened in Paris in 2014. Now it will get its London premiere on the Hampstead Theatre however will this play about magic and phantasm conjure up some English awards?

Martin Hyder  Kwaku Mills  Norah Lopez-Holden & Rina Fatania in The Art of Illusion_credit Robert Day smll

Martin Hyder, Kwaku Mills, Norah Lopez-Holden & Rina Fatania in The Art of Illusion, Hampstead Theatre Jan 2023. Photo: Robert Day

It is a play with two timelines. In 1984 a person named December (Brian Martin) meets a lady named April (Bettrys Jones) in a restaurant to return her bag, which he ‘discovered’.

He tells her how he was obsessive about magic as a toddler and the well-known nineteenth Century illusionist Jean-Eugene Robert-Houdin. They got down to discover what would have been Houdin’s basement theatre.

Then within the second timeline, we observe the story of Houdin’s life, profession and what adopted at his theatre. 

We change between the tales at an more and more speedy tempo on a regular basis with unsubtle reminders about phantasm and actuality. But there are additionally questions on probability and destiny. The coincidence of December and April assembly and each being named after months is simply the tip of a really massive iceberg.

Bettrys Jones and Brian Martin in The Art of Illusion_credit Robert Day smll

Bettrys Jones and Brian Martin in The Art of Illusion, Hampstead Theatre Jan 2023. Photo: Robert Day

There is an inherent Frenchness to the play and performances with a dose of the absurd and clown-like. There can also be some magic which is sweet to see shut up in Hampstead Theatre’s bijou studio house. 

I notably loved watching Rina Fatania; she introduced amusement to just about each character she performed.

The drawback with the Art of Illusion is other than some bodily humour, the comedy is misplaced in translation. While the historical past of phantasm as a type of leisure is attention-grabbing, the weaving timelines begin to change into chaotic.

The reveals do not land with any shock, and regardless of the quick tempo, the story begins to tug in direction of the tip.

It has moments of attraction, silliness and amusement however does not maintain it sufficiently.

I’m giving it ⭐️⭐️⭐️

The Art of Illusion, Hampstead Theatre (Downstairs)

Directed by Tom Jackson Greaves

Written by Alexis Michalik, translated by Waleed Akhtar

Running time: One hour and 40 minutes with out an interval

Booking till 27 January, for extra particulars and to purchase tickets, go to Hampstead’s web site.

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