Ana de Armas Is No Bond Girl in No Time to Die

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Ana de Armas Is No Bond Girl in No Time to Die


With No Time to Die now streaming on Prime Video for no further payment, now’s the right time to look again at Ana de Armas as Paloma, who’s not the stereotypical Bond lady.


Hailed as Daniel Craig’s last look as James Bond and marking the twenty fifth movie within the 007 franchise, No Time to Die had rather a lot to reside as much as. When the movie lastly launched after numerous pandemic pushbacks, No Time to Die delivered on its promise and introduced rather a lot to the desk. A brand new 007 in Nomi (Lashana Lynch), a terrifying villain, Safin (Rami Malek), and to Bond’s shock, a daughter that shares his unmistakable putting blue eyes. But among the many new plotlines, bloodlines, and characters, one key participant stood above the remaining: CIA agent Paloma, performed by Ana de Armas.

COLLIDER VIDEO OF THE DAY

First alluded to by Felix Leiter (Jeffrey Wright), as his CIA contact in Cuba, Bond will get the possibility to satisfy her in particular person when he arrives to crash a Spectre gathering. After solely seeing transient footage of Paloma all through the quite a few trailers for the movie, it’d be straightforward to imagine Ana de Armas would painting the spy as a no-nonsense badass with no time for enjoyable and video games. But from the second we meet her in Cuba, her bubbly persona is a nice shock. She is overflowing with pleasure as she eagerly tells Bond it’s her “first big mission.” Her enthusiastic power enjoying off Bond’s typical cool and reserved demeanor solely enhances her persona.

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It would possibly seem from de Armas’ glamorous look that she is simply the brand new Bond lady for No Time to Die, however Paloma shortly places such ideas to relaxation as she rejects Bond’s advances and palms him a tux as an alternative. Despite her restricted display screen time, de Armas does monumental work to defy the Bond lady trope by her efficiency. After reiterating that she is new to the commerce, having solely three weeks coaching, Paloma proceeds to mop the ground with a swarm of Spectre brokers, wanting not even a bit of shaken or stirred afterward. It’s a be aware to each viewers and Bond himself that, effervescent persona apart, Paloma is greater than able to holding her personal.


A Unique Chemistry

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Image Via Sony Pictures Releasing

Honing their distinctive chemistry from Knives Out, Ana de Armas and Daniel Craig show as soon as once more to be the right dynamic duo for any style. While Craig once more finds himself within the extra skilled, quasi-mentor function in No Time to Die, it turns into obvious that de Armas doesn’t want a lot assist, constantly shocking him together with her capabilities and resourcefulness.

In Knives Out, Marta (de Armas) is attempting to cowl her tracks from Detective Benoit Blanc (Craig) though she is aware of she is harmless. This makes for fairly the intriguing dynamic as Blanc desires Marta to be his Watson in the course of the investigation. As a outcome, Marta winds up attempting to bury the lede of the very thriller she helps Blanc to unravel. During this investigation we see the identical flare of resourcefulness and quick-thinking that Paloma demonstrates when she captures Valdo Obruchev (David Dencik) by ramming a automotive into the wood platform he’s on, collapsing it and securing Obruchev within the aftermath. Both Bond and Blanc are stunned by de Armas’ character’s actions however impressed nonetheless. This results in the reclusive, personal mentor determine (Bond/Blanc) opening up, little by little, to Paloma/Marta and forming a “bond” if you’ll.

Different Perspectives of the Same Story

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Image by way of United Artists Releasing

What makes their dynamic so compelling is that we get to see two views of the identical story. Through Craig’s eyes, we see the details and the knowledge as they’re given. Cold and calculating. An older and extra skilled viewpoint. From de Armas’ perspective, we see the scenario by brighter eyes. An optimistic viewpoint with out naïveté that may deal with something thrown her approach. Paloma and Marta are nice companions to their respective Craig characters as a result of they maintain the skilled and sometimes cocky Bond/Blanc humble. While Craig’s characters are licensed professionals of their subject, they understand a factor or two might be discovered from their mentee (Paloma/Marta). It is that this revelation that makes for such a powerful and genuinely pleasant relationship.

It must be reiterated that Paloma isn’t a subordinate or a lover in relation to Bond, she’s an equal. If you comb by the previous 4 Craig Bond movies chances are you’ll discover the feminine characters fall into both of the 2 classes and on some events, each. Ana de Armas crafts Paloma right into a superspy equal to Bond. After tackling their designated horde of enemy brokers and nonetheless amid the swirl of chaos, Paloma and Bond pause for a fast drink. It’s a humorous scene and one thing you’d solely discover in a Bond movie, however regardless it gives a second of recognition for the 2 as they admire the opposite’s work.

After Paloma and Bond have secured Obrachev and escaped from the Spectre bloodbath fiasco, Paloma bids Bond farewell and good luck to which he replies with a agency handshake, stating, “You were excellent.” Bond’s respect isn’t simply gained as we have now come to know but when anybody is deserving of it, it’s Paloma. As Bond leaves Cuba to proceed the mission, one has to marvel what’s subsequent for Paloma. De Armas’ efficiency as Paloma was so fascinating that regardless of solely being in a single scene of the almost three-hour Craig Bond finale, she grew to become a significant spotlight of the movie and a fan-favorite character. De Armas crafted Paloma into one thing new for the 007 model. In a world the place motion film heroes like James Bond, John Wick, and Jason Bourne reign as field workplace kings, it’s solely potential {that a} star as charismatic as de Armas might ditch the Bond title solely and information Paloma into an motion franchise of her personal.

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