Spoilers forward…
But the scares aside, there isn’t a emotional depth. And the movie doesn’t present something now we have not seen in earlier tales about exorcism.
There are instances Ashwin Saravanan’s Connect seems to be a COVID-era homage to The Exorcist. Here, too, now we have a single mom, performed by a gritty Nayanthara, alternating religion and worry. Here, too, now we have a teenage daughter, performed very properly – no less than from the few scenes she is “normal” – by Haniya Nafisa. Here, too, the daddy is absent – somewhat, he’s useless. And he’s changed by each the Father from the native Church in addition to God, the final word Father. And lastly, there may be the triumph of faith over science, which has failed to save lots of mankind from a lethal outbreak. The demon that possesses the daughter, subsequently, might be seen as a manifestation of the virus itself, which – like in The Exorcist – solely religion can destroy. Then once more, you don’t should go to date and “read” this movie in any respect. As an informal moviegoer, you possibly can merely say you might be strapping your self right into a scare-dispensing machine – and on that stage, Connect does a reasonably respectable job.
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