“Strong people don’t need strong leaders: the emphasis was on the organizing,” civil rights activist Jennifer Lawson tells us in “Lowndes County and the Road to Black Power,” Geeta Gandbhir (“Black and Missing”) and Sam Pollard’s (“Mr. Soul!”) documentary recounting the battle for Black suffrage and political justice within the Georgian county throughout mid-century America. Lawson right here alludes to the ethos of bottom-up organizing endorsed by Ella Baker, a distinguished architect of the American civil rights motion who co-founded the Southern Christian Leadership Conference (SCLC), led by Martin Luther King, Jr, and paved the best way for the Student Nonviolent Coordinating Committee (SNCC).
Baker’s insistence on group organizing is the via line of “Lowndes County,” which revisits archival footage and interviews frontline organizers of the grassroots battle for Black voting rights and consultant authorities within the Sixties. As one SNCC member expresses within the doc, “If you wanted to end the brutality of the sheriff, you needed to become the sheriff. If you wanted better education, you needed to control the mechanisms of education.”
The movie retraces this uphill battle led by the SNCC and Lowndes County Freedom Organization (LCFO) – the precursor to the Black Panther Party – that facilitated the democratic participation of Black Americans. More than a historical past lesson, “Lowndes County” pays tribute to the unsung sacrifices made by the courageous group members, and allies, who risked their lives at a time of mindless violence in opposition to freedom fighters by white supremacist establishments and detractors.
In the ‘60s, Lowndes County boasted an 80 percent Black population, a disenfranchized majority, with zero locals registered to vote in an area governed by white political officials. With the high rates of white violence against Black folks to maintain segregation, the region earned the nickname “Bloody Lowndes” for the “unrelenting violence [that arises] if you’re making an attempt to get Black rights,” explains Judy Richardson, an early participant of SNCC and a protégé of Baker. The filmmaker provides, “I’m amazed that Black folks […] still organized, still tried to vote, and still did all the things that are about being a vital part of this democracy.”
“Lowndes County” resurrects and offers due credit score to an oft uncared for chapter of American historical past, a monumental marketing campaign that preceded even the 1965 Selma to Montgomery march. “What happened in Lowndes is the model for much of the organizing that happens today around these issues,” Gandbhir informed us, revealing that she, too, had not beforehand heard of the organizing in Lowndes County. “Martin Luther King and the SCLC weren’t involved, so it doesn’t fit in with the more traditional narrative of the civil rights movement — so it’s been underrepresented in American history.”
Those in energy are additionally these with narrative management. “Lowndes County” reminds trendy audiences the which means of Black Power as outlined by the forerunners of the motion, separate from the bastardized idea propagated by white newspapers on the time. Archival footage sees Andrew Young of the SNCC reflecting on the distortion of Black Power by the media and basic public: “When white Americans heard Blacks say Black Power and clench their fist, in their mind, Blacks were now going to do to them all the evil things that whites had done to Blacks in the last 200 years,” he says. According to Young, such extremism wasn’t harbored by even essentially the most militant of freedom fighters. Instead, “Black Power meant for them the right to determine their own destiny.”
Beyond the “triumph, sorrow, and rage” that the movie will elicit in viewers, Gandbhir informed us that she needs the historical past of Lowndes County to ignite in modern audiences the identical urgency for political reform that fueled the SNCC and LCFO. Although greater than a half-century aside, the director hopes that viewers will borrow from the knowledge of our forebears within the ongoing campaign for racial and political justice. “We are living in a really difficult time where our democracy hangs in the balance, and we want people to be able to leave with tools and to help them mobilize in their own communities,” she defined. “The people of Lowndes County and the SNCC organizers, and what they did during a time where it was literally life or death, I think should inspire anyone to believe that in this day and age, they can do the same.”
“Lowndes County and the Road to Black Power” is now in theaters and accessible on VOD. The doc premiered at this yr’s Tribeca Film Festival and is a Critics Choice Documentary Awards nominee.