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It’s a beloved trope to redeem the asshole character. To rework them from a fully despicable villain to a fan-favorite in an excellent redemption arc that by no means fails to shock us all. We’ve seen this improvement occur in iconic characters reminiscent of Steve Harrington from Stranger Things, Severus Snape from Harry Potter, and Negan from The Walking Dead, to call just a few. However, with all these sympathetic villains and redemption arcs on the market, we have to ask ourselves: does each asshole genuinely deserve it? Barbarian solutions this query with a convincing no.
The critically acclaimed movie follows the story of Tess (Georgina Campbell), a younger girl who discovers her Airbnb has been double-booked with a person, however unbeknownst to her, the home harbors a darkish secret. To be honest, the movie has greater than its fair proportion of assholes — Frank (Richard Brake), the cops, and even Keith (Bill Skarsgård) to some extent (significantly, who insists on taking a look at a creepy rape dungeon as a substitute of getting the hell out of dodge?) However, our full focus right here can be on AJ (Justin Long), arguably one of the vital detestable assholes of contemporary horror.
Has AJ Been Unfairly Demonized?
When we’re first launched to AJ, he looks like a happy-go-lucky type of man, singing alongside to the radio, having fun with life, and hey, you type of already like him as a result of, nicely, it’s Justin Long. Most horror followers already maintain a good bit of affection for the actor. But his carefree persona is straight away dashed as AJ is met with accusations of sexual misconduct. AJ seems simply as shocked as we, the viewers, are by these claims. And with the way in which AJ vehemently denies these accusations and seems to be really affected by the so-called “slander,” we virtually start to really feel dangerous for him. He’s clearly going to be one of many movie’s essential protagonists — perhaps the claims really are false? Barbarian units our expectations to be that AJ will finally be redeemed from the get-go. The trope is so frequent these days it is pretty simple to select up on. AJ is charming, humorous, charismatic — and he’s Tess’ solely hope in escaping the Mother. We want him to be the great man. The savior.
However, at every nook, AJ’s completely curated persona begins to unravel. Even as he so sincerely tries to persuade us (and himself) that he’s the great man, we see the cracks. After all this time he’s spent making an attempt to persuade everybody of his innocence, he admits to his buddy that he did have sexual relations along with his co-worker, solely it took her some “convincing,” one thing that he appears to snort off. It’s clear that AJ took his coercion as consent. And he even addresses his buddy utilizing the “F” slur as a foolish nickname. AJ goes from asshole to straight-up reprehensible — the type of character that doesn’t even deserve redemption at this level. He’s too far gone.
His asshole-ish habits turns into comical at this level, and we virtually begin to really feel a bit silly for ever anticipating somebody like him to be redeemable. The man is so pushed by greed, his solely thought upon discovering the creepy intercourse dungeon below his home is “score, more square footage!” The solely modicum of disgust he reveals is when he sits on the stained mattress and realizes some filth seeped into his trousers. Greedy, useless, deplorable — AJ is by no measure the great man he needs us to consider. And but, as he too is captured by the Mother, he turns into the only real backup Tess has on this messed-up scenario. He’s a villain pressured right into a hero’s position. It’s arduous to not hope he might have a change in character.
AJ Has a Chance For Redemption
This thought of his redemption is furthered as AJ discovers Frank down within the dungeons. As we all know, Frank was the proprietor of the home earlier than AJ, a loathsome previous serial rapist and the curator of the intricate dungeon tunnel system. It’s an vital second for AJ’s character to confront this man, to see the videotapes of the horrors Frank enacted upon numerous ladies. He is understandably horrified, and this might have been a turning level for AJ’s redemption. A confrontation of his personal crimes, to just accept his guilt and disgrace over his actions. A revelation.
At this level within the movie, AJ does appear to have taken some type of flip. Though he does by chance shoot Tess when she comes to avoid wasting him, he helps her escape with him. He helps her all the way in which to the homeless man’s hideout and tries his greatest to are inclined to the wound he precipitated. To patch her up the identical method he needs to fix his personal character flaws. While AJ is simply too far gone to be totally redeemable, we begin to count on some type of hero-sacrifice on his behalf. A second of readability the place he realizes the enormity of his actions and tries his greatest to make amends. Like Steve Harrington taking the nail-bat to the Demogorgon. But AJ is not any hero.
As Tess and AJ run to the highest of the water tower to flee the Mother, we see the cogs handing over AJ’s thoughts. They are trapped; will this be the second he redeems himself? But as a lot as we would like AJ to alter, as a lot as AJ himself needs to be the great man, Barbarian proves there isn’t a technique to change who you’re on the core. His nature overrides his hero fantasy and AJ behaves precisely just like the scumbag he really is inside. He sacrifices Tess to avoid wasting his personal disguise, all of the whereas insisting he is an effective man that made a foul alternative. In his thoughts, he doesn’t need to die for another person.
But Then You Realize AJ Could Never Change
The extra you assume on it, the extra you come to comprehend AJ by no means modified and by no means may change. He is a textbook narcissist. Even as Tess lies groaning in ache after her fall off the water tower, AJ does little to assist her. He solely anxiously makes an attempt to persuade Tess that she slipped, and he couldn’t save her in time. His sense of self-importance and self-preservation outweigh any hope AJ had of being the great man. His second with Frank, one that might have been such a revelation for AJ, went proper over his head. AJ has himself so nicely satisfied that he’s a great particular person. AJ fell sufferer to the everyday thought strategy of abusers — in his perspective, he and Frank don’t have any similarities, he’s not some sick serial rapist who videotapes his abuse and lives in a dank dungeon, he’s merely a person that made a easy mistake. He is basically unable to acknowledge that he and Frank, on some stage, are the identical. And due to this innate incapability to just accept any type of accountability, AJ proved himself irredeemable. Barbarian reveals us that assholes are generally simply that — assholes.
We spend the entire movie ready for AJ to be redeemed. But he by no means modifications. Most abusers don’t. He spends the complete movie satisfied he’s the hero preventing again towards the world. That his life, his world, his perspective, is a very powerful factor in want of saving. And that’s what’s really terrifying.
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