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The Thursford Christmas Spectacular actually is a one-of-a-kind present. The nearest comparability is to the Andre Rieu live shows, besides Thursford makes Rieu look uninteresting by comparability. And in case you’ve ever seen a Rieu live performance you’ll know that takes some doing! Some might discover the considerably enforced jollity of a Rieu live performance cloying, however at Thursford the entire present is wrapped up in such a glowing expertise proper from the second you enter the location – music enjoying by the fairy-lit bushes and Dickensian-dressed characters providing a heat welcome – that you just’d be onerous pushed to take care of any Scrooge-like sensibilities by the point the present itself begins.
Returning as host is Kev Orkian, performing that uncommon trick of being humorous for an viewers that, largely, haven’t come to see him. He’s additionally a gifted musical expertise, doing a little intelligent and witty musical parodies.
The orchestra/band is giant and versatile. Their Dixieland-style model of Maria Carey’s All I Want for Christmas was impressed. Whilst Hairspray’s You Can’t Stop the Beat was highly effective and vibrant. My solely quibble is that this quantity, when taken out of the context of its unique present, fails to make the purpose it’s written for – particularly about racial integration. Similarly, Everything’s Coming Up Roses, from Gypsy, is on one degree an incredible Broadway commonplace. In context, as Ethel Merman biographer Brian Kellow notes, “It’s a chilling illustration of blind ambition blended with megalomania.”
This was solely my second ever Thursford expertise and I used to be notably impressed that, a number of conventional components apart, it appeared to me a completely new manufacturing. Yes, the essence and the format stay the identical, however costumes, choreography, music – even Ken Orkian’s jokes – have been all new for this yr. I believe I’m all Christmassed-out for this yr now!
Review by John Charles
Seat: Stalls N10 | Price of ticket: £45