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Benjamin Benne and Mallory Jane Weiss.<\/p>\n
PORTLAND, ME.:<\/strong> Portland Stage<\/a> has introduced the winners of the 2022 Clauder Competition for New England Playwrights<\/a>. Benjamin Benne\u2019s Manning<\/em> has received the Grand Prize, and Mallory Jane Weiss\u2019s The Page Turners<\/em> has received the Gold Prize.<\/p>\n \u201cBoth of these plays are fascinating and hold a hint of magic,\u201d stated Todd Brian Backus, Portland Stage\u2019s literary supervisor, in a press release. \u201cThey offer exciting lenses into the modern American moment: asking Created in 1981 by Jeb Brooks, who continues to underwrite this system, the Clauder Competition celebrates the distinctive voices of the area\u2019s playwrights and brings their work to the eye of the better theatrical neighborhood each different 12 months.<\/p>\n Selected from greater than 170 performs penned by playwrights from throughout New England, the Clauder Grand Prize comes with a $3,000 money award, and a workshop at Portland Stage, adopted by a full-scale manufacturing on the mainstage or within the studio theatre the next season. The Gold Prize features a $1,500 money award plus a workshop at Portland Stage. Additional recognition is given to the most effective play from every of the six New England states. The 2022 state winners embrace: In The End We All Go to Providence<\/em> by Julia Jennings (Maine), I Love You Elizabeth Warren<\/em> by Laura Neill (Mass.), Quietus<\/em> by Richard Manley (N.H.), The Handless King<\/em> by Elias Harley (R.I.), and Provenance<\/em> by Todd Cerveris (Vt.). a.okay. payne\u2019s love i awethu additional<\/em> has additionally obtained a money prize and a particular commendation. (Benne\u2019s Manning <\/em>was the winner from Connecticut.)<\/p>\n As a part of the 2023 Little Festival of the Unexpected<\/a>, a staged studying of The Page Turners<\/em> will likely be offered on Friday, April 21 at 7 p.m. on the Portland Stage Studio Theatre, and a staged studying of Manning<\/em> will likely be offered on Friday, April 28 at 7 p.m. at Portland Stage Storefront Theater. Following every efficiency will likely be a talkback with the author, director, and solid of the present. Manning<\/em> may also be mounted as Mainstage Season Production in 2024. <\/p>\n Set in a fictitious, kind-of-1844-or-so, The Page Turners <\/em>is about 4 somewhat-Victorian ladies, Kipper, Mary, Sadie, and Alice, whose guide membership is decided to redeem themselves after their disgraceful displaying eventually 12 months\u2019s Book Club Conference. The Page Turners<\/em> questions learn how to form our identities as ladies not by society\u2019s guidelines however relatively by the ladies we encompass ourselves with, the alternatives that we make, and the books that we learn. Mallory Jane Weiss\u2019s performs embrace Big Black Sunhats<\/em>, Lights Out And Away We Go<\/em>, The Page Turners<\/em>, Pony Up<\/em>, and Dave and Julia are caught in a tree<\/em>. Mallory is an alumna of Clubbed Thumb\u2019s Early Career Writers\u2019 Group<\/a> (2021-2022), The COOP\u2019s Clusterf**okay (2021), Gingold Theatrical Group\u2019s Speakers Corner<\/a> (2018-2019), and Fresh Ground Pepper\u2019s BRB Retreat<\/a> (2019).<\/p>\n Manning<\/em> follows Freddy and his father, Julio, after the loss of life of Julio\u2019s mom and Freddy\u2019s grandmother, as they unfold her ashes within the backyard and an enormous zucchini sprouts in a single day. Freddy\u2019s older brother, Sebastian, quickly arrives to witness the miraculous vegetable. Can these three males develop a communal vocabulary to specific their grief with one another? Benjamin Benne<\/a> is a Playwrights\u2019 Center Affiliated Writer<\/a>, American Blues Theater Blue Ink Playwriting Award<\/a> winner, Arizona Theatre Company National Latinx Playwriting Award<\/a> winner, and KCACTF Latinx Playwriting Award<\/a> winner. His performs embrace Alma<\/em>, In His Hands,<\/em> and What \/ Washed Ashore \/ Astray<\/em>.<\/p>\n Portland Stage is one in all Maine\u2019s largest absolutely skilled, non-profit theatres and strives to supply skilled productions for audiences in a broad area of northern New England.<\/p>\n
questions about grief, masculinity, and what it means to be a woman. One of the most exciting parts of my job is adjudicating the Clauder Competition. We give feedback to each and every writer who submits to the competition and then we workshop our favorite plays. In the following season we go on to a full production of the grand prize winner. Getting to work with a playwright as they nurture their work through readings, to workshops, to a world premiere production is really why I\u2019m in this business to begin with\u2014getting to be a part of that journey.\u201d<\/p>\n