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If you\u2019re of a sure age, you may in all probability keep in mind the origins of dubstep, this tremendous wonky style with a slower tempo and pitched and distorted synths popping out of the UK. Almost twenty years later dubstep has developed into one of the vital common genres in dance music on either side of the pond (extra on that later.) We obtained the possibility to speak with UK dubstep veteran FuntCase<\/strong>. Hailing from Bournemouth, the DJ\/producer James Hazell<\/strong>, higher referred to as FuntCase, has been a mainstay on Flux Pavilion\u2019s Circus Records<\/strong>, maybe the UK\u2019s premiere bass music label.<\/p>\n Earlier this 12 months, FuntCase launched his first ever music video for his tune \u201cFlames.\u201d This was one thing of a shock for his followers, because it strayed from his normally filthy dubstep sound. But, as we mentioned, James will not be a person to be tethered to at least one style. James and I chatted about longevity as an artist, his DPMO model, new music, and his newly found talent as a gamer.<\/p>\n \u201cYeah, 14th year as FuntCase now which is honestly pretty insane. Not a lot of artists make it beyond a certain shelf life or even manage to stay consistent so I\u2019m eternally grateful. So, ever since I can remember, my mum had been DJing and I was always around listening to the stuff she played, which was pretty much mostly drum n bass. Until I was 18, I didn\u2019t even like the genre, let alone try my hand at DJing. But before I got into it, I was always messing with this music making program on the playstation called \u2018music\u2019. I would emulate tracks I liked, like \u2018song 13\u2019 by Blur and other tracks. I made my own tracks here and there but I preferred copying tracks. One day, my mum had met this new guy who was also a DJ and we went round his house one day and he introduced me to reason. This was pretty mind blowing at the time because the playstation games were extremely restricted and reason was huge in comparison and free to make anything I wanted\u2026and from there the rest is history.\u201d<\/em><\/p>\n \u201cIt was always a dream of mine to own a clothing label and my own record label, so it\u2019s always been a goal but it properly started forming in 2017 when we released not only the first clothing label season but the first DPMO compilation, which was born out of the idea that there was so much good music from new artists that it needed a home. After talking to my management and Circus, we felt like a compilation was a great idea for this, much like the compilation Andy C had in drum n bass called \u2018Nightlife\u2019. We really felt like there wasn\u2019t a dubstep version of this and we decided to kick start it off, as I had so much ridiculously good music from artists that just weren\u2019t finding homes. The label itself was fully launched at the end of 2020 with a collaboration EP with a bunch of artists I really liked the style of. The timing was great as we felt like there was enough talent out there that we could contribute properly, without being a direct competition to other labels in our category.\u201d<\/em><\/p>\n \u201c\u2018Flames\u2019 for me was really a COVID times inspired track. I was writing a lot of musical stuff during those times as we DJ\u2019s had no shows to play, therefore any of the angrier energetic stuff we weren\u2019t able to test out in the clubs and gauge if they worked. Was an amazing track to work on, something different for me and something I really enjoyed having Dia Frampton on as she\u2019s such an amazing singer and person. Right now I\u2019m working on a bunch of new stuff of all different types of styles. I am working to finish two EPs, one will be a solo EP and one collaboration EP for DPMO. My solo EP will actually have three dubstep, one bass house and one drum n bass track on, so I\u2019ve been really enjoying working with all different types of styles.\u201d<\/em><\/p>\n \u201cIt\u2019s kind of known as the \u2018Dubstep Superbowl\u2019 and that\u2019s honestly so true. The crowd there, are there for pretty much the whole line up, so everything tends to be perfect musically. Also artists like myself went there, even when we weren\u2019t playing, just so we could hang out and network and watch some amazing new talents. In terms of US to UK crowds I\u2019ve said this a lot and it rings fairly true these days, but the USA crowds are a lot more about the image of things so they dress up and almost have headbanging competitions on rails, which is awesome. The UK is a bit more stripped back and the crowds dance to themselves, but when a track goes off it REALLY goes off and they demand rewinds and go mad, which is some of my favourite memories in the scene as a whole.\u201d<\/em><\/p>\n \u201cRampage as a brand is just perfect and we should all be grateful for its existence quite honestly. I\u2019ll be playing a Drum n Bass set there as something different but also it\u2019s in a new city for the brand. Rampage as a whole is just a European mecca for dubstep and drum n bass and everyone should dream to go there at least once if they haven\u2019t already.\u201d<\/em><\/p>\n \u201cSo, over COVID I basically became a full-time twitch streamer and it was awesome. I\u2019ve been a gamer since I can remember but my recent go to games are Rocket League and League of Legends\u2026I play a whole heap of games but those are my main go to. I also backed a game on kickstarter years back called \u2018Prodeus\u2019 which is basically a modernised run and gun style game like the classic \u2018Doom\u2019. The game has a level designer in it too and over COVID i decided to try to learn it and make levels and now i design levels properly on it! The first map I made on there was actually \u2018Peach\u2019s Castle\u2019 from Mario64 and it\u2019s now the highest downloaded community-made map on the game!\u201d<\/em><\/p>\n \u201cThank you from the bottom of my heart for supporting me all this time and keeping me around for this long. I hope in time I can grow to a level where I can bring you some super amazing unique shows and beyond!\u201d<\/em><\/p>\nHey James! Thanks for chatting with us. You\u2019ve been on the UK bass scene for over a decade. Tell us the way you first obtained into making music, how the scene\u2019s modified through the years, and the way you\u2019ve modified with it?<\/h4>\n
DPMO has all the time been your model, however you correctly launched a label again within the coronary heart of the pandemic. Tell us what made it the fitting time to launch a label and what\u2019s it like working a label?<\/h4>\n
What sort of new music are you engaged on proper now? I do know you branched out into extra melodic territory with \u201cFlames.\u201d What are you drawing inspiration from now?<\/h4>\n
I do know you simply performed Lost Lands, which is in fact the mecca for bass music right here within the States. What makes that occasion so particular and what differentiates the US crowd from the UK crowd?<\/h4>\n
Speaking of European festivals, I do know you\u2019ll be enjoying Rampage in Amsterdam (November 4-5). Tell us what followers can count on and clarify to an American like me what makes that gig so particular?<\/h4>\n
I heard you\u2019re an enormous gamer too! What do you play and inform us concerning the on-line gaming neighborhood that you simply\u2019ve grow to be part of?<\/h4>\n
Thanks James! Any phrases or recommendation for the followers?<\/h4>\n