{"id":78994,"date":"2023-03-08T01:14:19","date_gmt":"2023-03-08T01:14:19","guid":{"rendered":"https:\/\/showbizztoday.com\/index.php\/2023\/03\/08\/siegfried-at-zurich-opera-seen-and-heard-international\/"},"modified":"2023-03-08T01:14:19","modified_gmt":"2023-03-08T01:14:19","slug":"siegfried-at-zurich-opera-seen-and-heard-international","status":"publish","type":"post","link":"https:\/\/showbizztoday.com\/index.php\/2023\/03\/08\/siegfried-at-zurich-opera-seen-and-heard-international\/","title":{"rendered":"Siegfried at Zurich Opera \u2013 Seen and Heard International"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div itemprop=\"text\">\n<p style=\"text-align: justify;\"><strong><span class=\"world-flags-shortcode\"><span class=\"world-flags\" id=\"wf-761880\"><img decoding=\"async\" class=\"wf-img\" src=\"https:\/\/seenandheard-international.com\/wp-content\/plugins\/world-flags\/images\/flags\/24\/ch.png\" alt=\"Switzerland\" title=\"Switzerland\"\/><span class=\"wf-text\">Switzerland<\/span><\/span><\/span> <span style=\"color: #0000ff;\">Wagner<em>, Siegfried<\/em>:<\/span><\/strong> Soloists, Philharmonia Zurich \/ Gianandrea Noseda (conductor). Zurich Opera, 5.3.2023. (MF)<\/p>\n<figure id=\"attachment_110568\" aria-describedby=\"caption-attachment-110568\" style=\"width: 490px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-110568 size-large\" src=\"https:\/\/seenandheard-international.com\/wp-content\/uploads\/2023\/03\/siegfried_ah_330_c_monika_rittershaus-500x325.jpg\" alt=\"\" width=\"500\" height=\"325\" srcset=\"https:\/\/seenandheard-international.com\/wp-content\/uploads\/2023\/03\/siegfried_ah_330_c_monika_rittershaus-500x325.jpg 500w, https:\/\/seenandheard-international.com\/wp-content\/uploads\/2023\/03\/siegfried_ah_330_c_monika_rittershaus-380x247.jpg 380w, https:\/\/seenandheard-international.com\/wp-content\/uploads\/2023\/03\/siegfried_ah_330_c_monika_rittershaus.jpg 741w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\"\/><figcaption id=\"caption-attachment-110568\" class=\"wp-caption-text\">Siegfried (r entrance, Klaus Forian Vogt) fights the dragon \u00a9 Monika Rittershaus<\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>Production:<br \/><\/strong>Director \u2013 Andreas Homoki<br \/>Set and Costumes \u2013 Christian Schmidt<br \/>Lighting \u2013 Franck Evid<br \/>Artistic cooperation set \u2013 Florian Schaaf<br \/>Video \u2013 Tieni Burkhalter<br \/>Dramaturgy \u2013 Werner Hintze, Beate Breidenbach<\/p>\n<p style=\"text-align: justify;\"><strong>Cast:<br \/><\/strong>Siegfried \u2013 Klaus Florian Vogt<br \/>Mime \u2013 Wolfgang Ablinger-Sperrhacke<br \/>The Wanderer \u2013 Tomasz Konieczny<br \/>Alberich \u2013 Christopher Purves<br \/>Fafner \u2013 David Leigh<br \/>Erda \u2013 Anna Danik<br \/>Br\u00fcnnhilde \u2013 Camilla Nylund<br \/>The Forest Bird \u2013 Rebeca Olvera<\/p>\n<p style=\"text-align: justify;\">Comparing the <em>Ring <\/em>cycle to a symphony in 4 actions, some check with <em>Siegfried<\/em> because the scherzo. As director Andreas Homoki put it, <em>Das<\/em> <em>Rheingold<\/em>, the light-footed dialog piece, and the superhuman monumental tragedy <em>Die Walk\u00fcre<\/em> are adopted by <em>Siegfried<\/em>, a comedy pushed as a lot by grotesque moments and slapstick as by scenes bordering on tragedy (all of which culminate within the \u00fcber-summary that&#8217;s <em>G\u00f6tterd\u00e4mmerung<\/em>).<\/p>\n<p style=\"text-align: justify;\"><em>Die Walk\u00fcre<\/em> ended with Wotan being compelled to go away his daughter Br\u00fcnnhilde sleeping on a rock protected by a blazing ring: \u2018He who my spearpoint\u2019s sharpness feareth shall cross not the flaming hearth!\u2019 <em>Siegfried <\/em>is all in regards to the fearless teen destined to wake and rescue Br\u00fcnnhilde. He is the free and unbiased hero, born of the incestuous love between Siegmund and Sieglinde. Having grown up in nature with Mime, he&#8217;s a real skilled on all issues fauna and flora however solely oblivious to the existence of different people \u2013 particularly those that are feminine.<\/p>\n<p style=\"text-align: justify;\">We see him turning into a youngster rebelling and aiming to interrupt free from what he senses is Mime\u2019s net of treacherous lies. From the sword fragments, Siegfried forges a contemporary Nothung and finally ends up slaying first Fafner guarding the hoard of gold after which Mime who, fearing for his personal life, had tried to poison his foster little one. Thus freed, he learns to know the Woodbird\u2019s tune, which guides him to the sleeping Br\u00fcnnhilde the place loads extra liberation is on supply for the budding hero.<\/p>\n<p style=\"text-align: justify;\">Director Andreas Homoki continues his refreshingly easy tackle this work, presenting us with the essence of the story. He places a selected deal with growing the protagonist\u2019s character far past the rowdy nature-loving boy he&#8217;s typically portrayed as. Even the severely fraught relationship with Mime shows moments \u2013 uncommon as they might be \u2013 of a young connection between the 2. Movingly so, when the adolescent sits on Mime\u2019s knee in despair, questioning whether or not all moms die when giving delivery, as did his. While steering away from this piece\u2019s wide-open clich\u00e9 traps, Homoki unleashes the total wizardry of Zurich opera\u2019s technical division. Indubitably, this dragon will set lasting requirements, and we&#8217;re handled to a life-size darling bear cub (Dominique Misteli) within the first act too. This often is the first time that the Woodbird is just not merely a voice sounding from lofty heights however is impersonated by the effortlessly participating Mexican soprano Rebeca Olvera who imparts a whiff of eroticism to <em>Siegfried<\/em>.<\/p>\n<figure id=\"attachment_110569\" aria-describedby=\"caption-attachment-110569\" style=\"width: 490px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-110569 size-large\" src=\"https:\/\/seenandheard-international.com\/wp-content\/uploads\/2023\/03\/siegfried_ah_323_c_monika_rittershaus-500x333.jpg\" alt=\"\" width=\"500\" height=\"333\"\/><figcaption id=\"caption-attachment-110569\" class=\"wp-caption-text\">Woodbird (Rebeca Olvera) and Siegfried (Klaus Florian Vogt) \u00a9 Monika Rittershaus<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">The forged is excellent, sings with impeccable articulation and brings to life the director\u2019s equally severe and playful method. The essential function\u2019s tour de pressure is embraced as a debut by the seasoned Wagner specialist Klaus Florian Vogt. Having missed essential and costume rehearsals as a consequence of a ten-day bronchitis, his efficiency was \u2013 whatever the occasional vocal weak point \u2013 really heroic. Not solely does he look the half, Vogt\u2019s singing shapes the character\u2019s a number of sides as a lot as his appearing does. What a delight it is going to be to see and listen to him when he has had just a few days\u2019 relaxation and recovered absolutely. Wolfgang Ablinger-Sperrhacke could be discovered to be aptly described as a \u2019character tenor\u2019, and Mime is simply that. Having sung the half numerous instances, he contributes his expertise and flexibility, making a determine far faraway from the antisemitic caricature Wagner inscribed into the function. The Wanderer is Tomasz Konieczny, whose gorgeous efficiency of Wotan in <em>Die Walk\u00fcre<\/em> stays unforgotten. Although of extra peripheral significance on this third night, he delivers absolutely, fulfilling all expectations together with his sonorous bass-baritone. The second debut is Camilla Nylund\u2019s Br\u00fcnnhilde: an excellent efficiency. Woken solely when Siegfried has been on stage for almost 4 hours, she modulates her seemingly infinite vocal energy between motherly gentleness and unbridled fortissimo. There have been sturdy performances too within the extra minor roles of Alberich (Christopher Purves), Fafner (David Leigh) and Erda (Anna Danik).<\/p>\n<p style=\"text-align: justify;\">On this third night of his first <em>Ring<\/em> cycle, Zurich opera\u2019s General Music Director Gianandrea Noseda continues his exploration of Wagner\u2019s <em>opus magnum<\/em> with the Philharmonia Zurich on grand type. Although right here and there the quantity was a bit too intense throughout within the first act, particularly contemplating the recovering Vogt, Noseda developed a refined studying of the rating, bringing out its readability and complexity with lightness, transparency and finely balanced precision. In February, he received the \u2018Oper!\u2019\u00a0Award as finest conductor for his earlier Zurich performances of <em>Das Rheingold <\/em>and <em>Die Walk\u00fcre<\/em>.<\/p>\n<p style=\"text-align: justify;\">Further performances are on 9, 14, 18, 22 and 26 March.<\/p>\n<p style=\"text-align: justify;\"><strong><em>Michael Fischer<\/em><\/strong><\/p>\n<\/p><\/div>\n<p>[ad_2]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Switzerland Wagner, Siegfried: Soloists, Philharmonia Zurich \/ Gianandrea Noseda (conductor). Zurich Opera, 5.3.2023. (MF) Siegfried (r entrance, Klaus Forian Vogt) fights the dragon \u00a9 Monika Rittershaus Production:Director \u2013 Andreas HomokiSet and Costumes \u2013 Christian SchmidtLighting \u2013 Franck EvidArtistic cooperation set \u2013 Florian SchaafVideo \u2013 Tieni BurkhalterDramaturgy \u2013 Werner Hintze, Beate Breidenbach Cast:Siegfried \u2013 Klaus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":78996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":{"0":"post-78994","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-theatre"},"_links":{"self":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts\/78994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/comments?post=78994"}],"version-history":[{"count":0,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts\/78994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/media\/78996"}],"wp:attachment":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/media?parent=78994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/categories?post=78994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/tags?post=78994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}