In 1987, author Barry Michael Cooper went to Harlem\u2019s legendary Apollo Theater to interview then-20 12 months previous Teddy Riley in regards to the new R&B sound the younger producer had been largely liable for \u2013 a sound which Cooper dubbed, for the aim of the article<\/strong><\/a> \u2013 New Jack Swing.<\/p>\n New Jack Swing is sonically outlined as R&B with manufacturing components extra historically related to hip-hop; tempo and rhythm (the \u201cswing\u201d), programmed drums, and sampling, It was a hybrid that had been effervescent because the mid-\u201980s, pioneered by the writing and manufacturing groups of Jimmy Jam and Terry Lewis and LA Reid and Babyface.<\/p>\n Teddy took the sound and added Harlem\u2019s taste to it: The power of hustlers, gangsters, fly ladies, and people hoping to both be \u2013 or be with \u2013 any of the above. Uptown was a land of favor, flash, shine\u2026and events. It was aspirational; the supply from which Uptown Records founder Andre Harrell<\/strong><\/a> coined the time period \u201cghetto fabulous,\u201d and the inspiration for the label\u2019s ethos. The majority of the earliest artists, producers and figures who formed New Jack Swing tradition, together with Riley, Harrell, Keith Sweat, Riley\u2019s fellow Guy members Aaron and Damien Hall, Al B. Sure and Heavy D., had been all from uptown, and by extension the style and power of from the streets was inseparable from the sound. \u201cFor gangsters and their facsimiles,\u201d Cooper wrote of Riley in 1987, \u201chere\u2019s the new jack talisman, warding off the evil of poverty, failure and longevity\u2026This is about living now, money, and living large.\u201d<\/p>\n Celebrate the historical past of New Jack Swing with our playlist on Spotify<\/a>.<\/strong><\/p>\n New Jack Swing rapidly expanded past music into tv, movie, and vogue. It additionally reshaped the music business; each by creating house for brand spanking new, younger executives with a recent perspective; and by making hip-hop extra accessible to a wider viewers, opening the door for rap\u2019s growing mainstream presence.<\/p>\n This checklist was chosen and ranked primarily based not simply on the general high quality of the music, however how impactful the observe was to the style and the tradition. It contains foundational tracks from Jimmy Jam and Terry Lewis and LA and Babyface; key Teddy Riley productions; songs from important New Jack-era motion pictures; and even one hit wonders that merely encapsulate the whole lot that defines New Jack Swing. Enjoy these jams that prompted us to decorate in our best, dance our hardest, and chill the coldest. \u2013 Naima Cochrane<\/p>\n Weaponized synth hooks mixed with hard-hitting drum machine beats had been Teddy Riley\u2019s hallmark and he didn\u2019t disappoint with the super-funky \u201cIs It Good To You,\u201d the keyboardist\/producer\u2019s collaboration with sweet-voiced Tammy Lucas. The music made No. 50 within the US R&B charts and appeared on the soundtrack to the film Juice<\/em> in 1992. \u2013 Charles Waring<\/p>\n Hailing from New Jersey, Today had been a quartet fronted by singer Lee Drakeford and had been prot\u00e9g\u00e9s of Teddy Riley collaborator Gene Griffin, the producer of the group\u2019s third Top 10 US R&B hit, \u201cWhy You Get Funky On Me.\u201d Featured within the 1990 hit film House Party<\/em>, starring rappers Kid N\u2019 Play, the music exudes a Riley-esque swagger with its seamless fusion of R&B and hip-hop. \u2013 Charles Waring<\/p>\n The development of completely curated Black film soundtracks within the 90s began with New Jack City<\/em>, written by Barry Michael Cooper, the Village Voice<\/em> author who coined \u201cNew Jack Swing.\u201d One of the standout tracks alongside NJS mainstays like Johnny Gill and Christopher Williams was the playfully risque and instantly catchy debut from R&B group Color Me Badd. \u201cI Wanna Sex You Up\u201d topped the charts within the US, after which unfold across the globe, spurring mutliple remixes and solidfying CMB\u2019s place in 90s nostalgia annals. \u2013 Naima Cochrane<\/p>\n Ohio vocal trio LeVert had been already a longtime soul music act with a No. 1 hit to their title when the New Jack Swing phenomenon despatched seismic shockwaves by the R&B world within the late 80s. Quick to adapt, they served up their very own tackle the swingbeat sound with the contagious \u201cCasanova,\u201d which blended silky vocals with a tricky beatbox groove, giving the group their second US R&B chart-topper. \u2013 Charles Waring<\/p>\n Signed to Motown and pitched as a New Jack Swing model of the label\u2019s iconic woman group, The Supremes, Los Angeles trio The Good Girls hit the bottom working when their catchy debut single \u201cYour Sweetness\u201d stormed into the US R&B Top 10 in 1989. Stylistically, its harmonized vocal hook and chord modifications drew inspiration from Teddy Riley\u2019s work with Guy. \u2013 Charles Waring<\/p>\n The godson of soul music large Barry White<\/strong><\/a>, California-born Booker introduced a smoother, West Coast sensibility to the swingbeat sound together with his chart-topping US R&B single, \u201cTurned Away,\u201d in 1989. Taken from the Los Angeles multi-instrumentalist\u2019s 1989 debut album, the one \u2013 a meditation on romantic rejection \u2013 showcased Booker\u2019s svelte vocals gliding over glistening keys and a fluid groove. \u2013 Charles Waring<\/p>\n When it involves boy bands, Khiry, Tajh, Hakim, and Bilal Abdulsamad ought to be the blueprint for each group that got here after them. The Boys helped recenter Motown as a outstanding trendsetter in R&B because of their teenybopper lyrics, outsized fits, and bubbly personalities. Their debut single launched the group to stardom on the time, however \u201cDial My Heart\u201d is a type of songs that transcends age and genres. \u2013 Tatyana Jenene<\/p>\n When you consider the 1991 movie Strictly Business<\/em>, Jeff Redd\u2019s \u201cYou Called And Told Me\u201d ought to be one of many first issues that come to thoughts. This easy cult basic is for the actual R&B heads. \u2013 Tatyana Jenene<\/p>\n A standard theme for artists throughout the New Jack Swing period was the need to search out actual love. Heavy D and the Boyz may need been first with the late \u201980s hit \u201cSomebody For Me.\u201d The obese lover was weak however saved his cool as he tried to discover a actual one. \u2013 Tatyana Jenene<\/p>\n Born Albert Brown III in Boston, Massachusetts, Al B Sure! sang background vocals for Heavy D & the Boyz earlier than debuting with the one, \u201cNite and Day,\u201d in 1988, which topped the US R&B charts for 3 weeks. The music\u2019s mild mix of angelic vocals and a romantic theme supplied a recent tackle New Jack Swing, firming down the model\u2019s masculine aggression. \u2013 Charles Waring<\/p>\n Karyn White was the quintessential it woman throughout the 80s and 90s and proved her hit-making skills with the Top 10 music \u201cSecret Rendezvous.\u201d While \u201cSuperwoman\u201d would be the beloved ballad, \u201cSecret Rendezvous\u201d is a superb music excellent for each event. \u2013 Tatyana Jenene<\/p>\n B-Fine, Bowlegged Lou, and Paul Anthony may need been banned from Play\u2019s get collectively in House Party<\/em>, however their music, \u201cAin\u2019t My Type of Hype\u201d turned the unofficial theme music of the 1988 movie because of the enduring dance-off between Tisha Campbell, AJ Johnson, and Kid \u2018N Play. \u2013 Tatyana Jenene<\/p>\n This hypnotic Top 20 debut single from a Harlem rap trio whose line-up included Teddy Riley\u2019s youthful brother Markell, noticed the group waxing lyrical in regards to the New Jack Swing model, describing it as \u201cdope beat medicine.\u201d Propelled by a groove that samples James Brown<\/strong><\/a> and Parliament, the music additionally name-checks different New Jack Swing artists, together with Keith Sweat, Al B Sure! and Guy. \u2013 Charles Waring<\/p>\n Father MC is bored with the courting sport and proves that casanovas need love too on \u201cTreat Them Like They Want To Be Treated.\u201d With a then-unknown Okay-Ci and Jojo Hailey on background vocals, the fellas proved that love and affection go each methods whereas courting. \u2013 Tatyana Jenene<\/p>\n People don\u2019t instantly affiliate Janet Jackson<\/strong><\/a>\u2019s title with New Jack Swing, however 1989\u2019s Rhythm Nation 1814<\/em> was one of many early tasks within the style from Jimmy Jam and Terry Lewis. \u201cMiss You Much,\u201d because the album\u2019s lead single, served as a solution for followers ready for one more Control<\/em>, and kicked the Rhythm Nation 1814<\/em> period off with a multi-chart No. 1. \u2013 Naima Cochrane<\/p>\n When Whitney Houston insisted on making an R&B album, Clive Davis referred to as writing and manufacturing duo LA Reid and Babyface. They crafted a jam to push the pop star into an edgier, funkier house, but additionally a extra relaxed efficiency (regardless of the tongue-tying, fast pace bridge, which Whitney famously knocked out in a single take). \u201cI\u2019m Your Baby Tonight\u201d was Whitney from Newark. \u2013 Naima Cochrane<\/p>\n Los Angeles quartet Portrait had been by no means capable of emulate the success of their playful debut single, \u201cHere We Go Again!,\u201d which rose to No. 3 within the US R&B charts in 1992. A self-written tune which highlighted New Jack Swing\u2019s meld of hip-hop angle with R&B slickness, the one blended jazzy chords and harmonies over a handclap-heavy backbeat. \u2013 Charles Waring<\/p>\n A bona fide four-piece band from Buffalo, New York, Joe Public had been the primary R&B act to look on MTV\u2019s Unplugged<\/em> sequence after breaking into each the US pop and R&B Top 5 in early 1992 with their catchy debut single, \u201cLive & Learn.\u201d Written and co-produced by the group, the one welded heat soulful vocals to an irresistible swingbeat rhythm. \u2013 Charles Waring<\/p>\n Bristling with indignation at being misunderstood, \u201cI\u2019m Not Soupped\u201d is an indignant riposte to a girlfriend who has accused her lover of being immodest. Co-written by Troop\u2019s foremost singer, Steve Russell, with producers Zack Harmon and Christopher Troy who present a turbo-charged rhythm observe, the music raced into the US R&B Top 20 in 1989. \u2013 Charles Waring<\/p>\n With his rugged however soulful baritone voice, the Bronx-born Christopher Williams (the nephew of jazz singer Ella Fitzgerald<\/strong><\/a>) lower a clutch of charting New Jack Swing-flavored singles between 1989 and 1995, essentially the most profitable of which was \u201cI\u2019m Dreamin\u2019.\u201d With a manufacturing sound indebted to Teddy Riley, the music appeared on the soundtrack to the 1991 film, New Jack City<\/em>, and climbed to pole place within the US R&B charts the identical 12 months. \u2013 Charles Waring<\/p>\n Following his departure from Teddy Riley\u2019s group Guy in 1991, gospel-reared singer Aaron Hall bounced again a 12 months later by scoring a US R&B No. 1 with \u201cDon\u2019t Be Afraid.\u201d Sounding just like the Gap Band beefed-up on steroids, this basic swingbeat juggernaut was co-produced by Public Enemy<\/strong><\/a>\u2018s sonic mastermind Hank Shocklee and brought from the soundtrack to the Omar Epps and Tupac-starring film, Juice<\/em>. \u2013 Charles Waring<\/p>\n It\u2019s a daring transfer to open your debut single with an acapella model of \u201cWho\u2019s Lovin\u2019 You,\u201d but it surely labored for these 4 funky divas from Oakland. \u201cHold On\u201d turned a refreshingly swanky hit that proved New Jack Swing wasn\u2019t only a boy\u2019s membership. The music merged hip-hop and R&B like an ideal PB&J sandwich. \u2013 Tatyana Jenene<\/p>\n If The Boys had been New Jack Swing\u2019s cookie-cutter boy band, then ABC was the street-smart, G-rated boy band of the period. \u201cPlayground\u201d is a music that may go from the child\u2019s celebration to the nightclub. It\u2019s infectious, enjoyable, and stuffed with power, identical to the New Jack Swing period. \u2013 Tatyana Jenene<\/p>\n Johnny Gill<\/strong><\/a> was recognized largely for his full, dramatic runs and riffs till he burst onto our TV screens with leather-clad dance mixtures for the lead single of his 1990 self-titled solo album. \u201cRub You the Right Way\u201d is what\u2019s scientifically often called \u201ca jam,\u201d and the R&B chart topper nonetheless conjures up Johnny\u2019s degree of pumping, stepping, and possibly even gyrating when that beat drops. \u2013 Naima Cochrane<\/p>\n Produced by swingbeat wunderkind Teddy Riley and powered by looped beats and James Brown samples, the infectious \u201cWe Got Our Own Thang\u201d took the New York rap group led by Jamaican-born Heavy D into the US R&B Top 10. The centerpiece of Big Thyme<\/em>, the group\u2019s chart-topping 1989 album, the one additionally supplied a vivid instance of how New Jack Swing solid nearer ties between hip-hop and R&B. \u2013 Charles Waring<\/p>\n \u201cDon\u2019t Walk Away\u201d was a sassy and candy music with sufficient bass to blow out the audio system in your Mercedes W126 500. The trio introduced the round the best way woman subsequent door look to the music video with field braids and crop tops that stay vogue inspirations immediately. \u2013 Tatyana Jenene<\/p>\n When New Edition<\/strong><\/a> went on hiatus to pursue solo (and trio) careers, Tresvant set the bar excessive together with his debut single \u201cSensitivity.\u201d The music stood out from different New Jack Swing songs as a result of it was slower in tempo, but it surely was nonetheless quick sufficient to allow you to get your two-step on. Plus, Tresvant delivers 4 bars of fireside throughout a brief rap verse that confirmed his versatility. \u2013 Tatyana Jenene<\/p>\n After tasting chart success producing singer Keith Sweat in 1987, Teddy Riley confirmed his position as New Jack Swing\u2019s principal architect together with his group Guy, which broke into the US R&B Top 5 a 12 months later with their third single, \u201cTeddy\u2019s Jam.\u201d Fronted by vocalist Aaron Hall, the tune, with its mix of hip-hop swagger and soulful sophistication, is mostly a car for Riley\u2019s distinctive manufacturing sound outlined by layered synths, samples, and heavy drum machine beats. \u2013 Charles Waring<\/p>\n Their title an acronym for Total Respect Of Other People, Pasadena\u2019s Troop introduced some Californian sunshine to the New Jack Swing aesthetic with 1990\u2019s Chuckii Booker written-and-produced \u201cSpread My Wings,\u201d a warmly harmonized groove ballad whose theme was trying to find real love. Taken from the 1989 album, Attitude<\/em>, the tune was the primary of three US R&B chart-topping singles by the vocally assured quintet. \u2013 Charles Waring<\/p>\n The King of Pop\u2019s 90s replace was led by a New Jack-era dream workforce: maestro Teddy Riley to convey the sound present, Boyz within the Hood<\/em> director John Singleton for the music video, plus hip-hop dancer and frequent New Jack video choreographer Fatima Robinson for the strikes. The finish end result: an epic fruits of 90s popular culture, with one of many flyest dance breaks in historical past. \u2013 Naima Cochrane<\/p>\n If you needed to choose a music that greatest describes pet love, it could be \u201cI Like the Way (The Kissing Game).\u201d The Teddy Riley-penned and produced observe walks the advantageous line of being candy and cute with out being corny. \u2013 Tatyana Jenene<\/p>\n Under the administration of New Edition\u2019s Mike Bivins, Boyz II Men<\/strong><\/a> got here into the sport with cardigans, bow ties, and vocals that helped them turn out to be some of the profitable teams of the 90s. Their excessive power debut single paid homage to their hometown and R&B capital, Philadelphia, in addition to the basic Motown sound, all whereas staying true to the New Jack Swing period because of manufacturing by Dallas Austin. \u2013 Tatyana Jenene<\/p>\n The Oakland trio of Tony! Toni! Tone! proved that New Jack Swing wasn\u2019t simply an East Coast factor with \u201cFeels Good.\u201d The music is a melting pot for music genres with bluesy riffs, a percussion-focused instrumental, and a pattern of Lyn Collins\u2019 \u201cThink (About It).\u201d If you\u2019re not out of your seat dancing to this one, you may wish to verify your pulse. \u2013 Tatyana Jenene<\/p>\n The king of R&B, Bobby Brown, couldn’t be contained on or off the stage, which led to his departure from New Edition. As he started to garner the fame of R&B\u2019s unhealthy boy, Brown clapped again on the critics with \u201cMy Prerogative.\u201d The No. 1 hit solidified Brown\u2019s spot as a legend and paved the best way for a number of generations of R&B unhealthy boys. \u2013 Tatyana Jenene<\/p>\n With the Bubblegum Pop hits like \u201cCandy Girl\u201d and \u201cMr. Telephone Man\u201d of their rearview, New Edition reintroduced themselves to the world as males with 1988\u2019s \u201cIf It isn\u2019t Love.\u201d The Jimmy Jam and Terry Lewis-penned\/produced hit introduced New Edition again to the limelight and ushered in a brand new grownup sound for the group. \u2013 Tatyana Jenene<\/p>\n \u201cI Want Her,\u201d Keith Sweat\u2019s ode to the beauties males fall in love with from throughout the membership, was not solely the primary hit New Jack Swing single, however turned the highest R&B music of 1988 \u2013 a 12 months following its launch. The observe, created in Teddy Riley\u2019s St. Nick tasks condominium, kicked off a string of hits, driving 1987\u2019s Make It Last Forever<\/em> to multi-platinum gross sales. That gave Riley a stamp of legitimacy as a producer exterior of New York, and put New Jack Swing on the map, formally. \u2013 Naima Cochrane<\/p>\n Ricky, Mike, and Ronnie didn\u2019t have the solo pursuits of fellow New Edition members Bobby, Ralph, and Johnny, liberating them to take dangers, however when \u201cPoison\u201d was first launched, it carried out reasonably \u2013 till the video dropped. The darkish, slick however gritty \u201cPoison\u201d clip gave a a lot wanted illustration of BBD\u2019s \u201cmentally hip-hop, smoothed out on the R&B tip with a pop feel appeal to it\u201d imaginative and prescient. Most importantly, the warning to \u201cnever trust a big butt and a smile,\u201d stays sound recommendation, a long time later. \u2013 Naima Cochrane<\/p>\n This Thank-God-it\u2019s-Friday anthem is certainly one of a number of Teddy Riley tasks in 1987 and 1988 that set the stage for New Jack Swing to shift from a brand new sound in R&B to a full-on cultural motion. Johnny Kemp initially wrote the music for Keith Sweat, however as an alternative the observe launched his 1988 album Secret of Flying<\/em>. \u201cJust Got Paid\u201d is infused \u2013 as all early New Jack Swing is \u2013 with a distinctively Harlem power and ethos: you probably have your cash proper and your model tight, the world is yours. \u2013 Naima Cochrane<\/p>\n Bobby Brown\u2019s seminal LP is without doubt one of the first full New Jack Swing albums, and whereas many think about the Riley-produced \u201cMy Prerogative\u201d the definitive album observe, the LA Reid and Babyface-helmed title observe and opener is a 6:48 masterpiece. \u201cDon\u2019t Be Cruel\u201d creates an ideal stability of easy Bobby, full-power Bobby, even rapping Bobby, and maybe an important aspect of Bobby Brown: the \u201cKing of Stage.\u201d The once-nicknamed \u201cBad Boy of R&B\u201d had an excessive amount of swagger and braggadocio for conventional R&B, and \u201cDon\u2019t Be Cruel\u201d set the tone for Bobby Brown to stretch his star energy to multi-platinum success. \u2013 Naima Cochrane<\/p>\n If you wish to clarify New Jack Swing to new listeners in a single observe, level them to \u201cGroove Me.\u201d The second single from Guy\u2019s self-titled debut, \u201cGroove Me\u201d is a sonic illustration of the hip-hop and R&B hybrid style discovering its\u2026effectively, groove. But extra importantly, \u201cGroove Me\u201d is the power<\/em> of New Jack Swing \u2013 it\u2019s a celebration. Teddy\u2019s New Jack Swing sound was cultivated in Harlem\u2019s St. Nicholas tasks and may very well be heard in vehicles cruising by the Harlem streets and nightspots earlier than the world at giant caught on. It channeled the approach to life of the uptown NYC streets. The \u201cGroove Me\u201d video drives this residence, with early Dapper Dan fashions, uptown dance crews, and the celebratory power that dominated dancefloors of the period. \u2013 Naima Cochrane<\/p>\n New Jack Swing is, by definition, a subgenre of tempo and rhythm. But the New Jack Swing period additionally produced a few of fashionable R&B\u2019s most enduring ballads. Those who spent their youth throughout New Jack Swing\u2019s peak had no scarcity of slower gems for mixtapes, lyrics for handed notes, music beds for varsity dances, and materials to impress your crush at expertise reveals. In celebration of the times once we referred to as in radio dedications and left songs on answering machines, listed here are simply 5 of one of the best New Jack Slow Jams. \u2013 Naima Cochrane<\/p>\n \u201cMake it Last Forever\u201d is a contender for biggest R&B duet of all time, a late 80s and early 90s first dance basic, and (nonetheless) a karaoke favourite. Though Sweat\u2019s catalogue is deep with ballads, credit score for this music\u2019s endurance belongs to Jacci McGhee and her unbelievable advert libs. \u2013 Naima Cochrane<\/p>\n We all know the reality a few \u2018roni, and we\u2019ll possible sing it on the high of our lungs if given an opportunity. The Bad Boy of R&B\u2019s ode to tenderonis is a basic sweetheart anthem. \u2013 Naima Cochrane<\/p>\n This is one other candidate for the best R&B duet of all time. Aaron Hall and Tammy Lucas promote the unhappy longing of accepting {that a} relationship is over even whereas there\u2019s nonetheless love there \u2013 they usually\u2019re superbly dramatic about it. Perfect for the hyper-dramatic breakups of adolescence. \u2013 Naima Cochrane<\/p>\n There\u2019s a motive Boyz II Men selected this music when auditioning for Mike Bivens. We sang it from the underside of our hearts in class too. The sing-along choices are plentiful (which is a part of what we love about New Edition). So whether or not you selected to be Johnny on the verse, Ralph on the pre-chorus, Ricky on the adlibs, or Mike on the \u201clet\u2019s go get wet,\u201d likelihood is you\u2019ve had a full \u201cCan You Stand the Rain\u201d second of your personal. \u2013 Naima Cochrane<\/p>\n Even individuals who weren\u2019t born on the time this music was launched know the intro chords and opening \u201cNayhooooooo\u201d of this Jackson 5<\/strong><\/a> remake. Troop\u2019s rendition of \u201cAll I Do Is Think Of You\u201d invitations immediate nostalgia. Of butterflies. Of daydreams. Of the easy, uncomplicated days of \u201cDo you like me? Check Yes. No. Maybe.\u201d \u2013 Naima Cochrane<\/p>\n40: Teddy Riley & Tammy Lucas \u2013 Is It Good to You<\/h2>\n
39: Today \u2013 Why You Get Funky on Me<\/h2>\n
38: Color Me Badd \u2013 I Wanna Sex You Up<\/h2>\n
37: LeVert \u2013 Casanova<\/h2>\n
36: The Good Girls \u2013 Your Sweetness<\/h2>\n
35: Chuckii Booker \u2013 Turned Away<\/h2>\n
34: The Boys \u2013 Dial My Heart<\/h2>\n
33: Jeff Redd \u2013 You Called and Told Me<\/h2>\n
32: Heavy D and the Boyz \u2013 Somebody For Me<\/h2>\n
31: Al B. Sure! \u2013 Nite and Day<\/h2>\n
30: Karyn White \u2013 Secret Rendezvous<\/h2>\n
29: Full Force \u2013 Ain\u2019t My Type of Hype<\/h2>\n
28: Wreckx-N-Effect \u2013 New Jack Swing<\/h2>\n
27: Father MC \u2013 Treat Them Like They Want To be Treated<\/h2>\n
26: Janet Jackson \u2013 Miss You Much<\/h2>\n
25: Whitney Houston \u2013 I\u2019m Your Baby Tonight<\/h2>\n
24: Portrait \u2013 Here We Go Again! \u2013 Radio Edit<\/h2>\n
23: Joe Public \u2013 Live and Learn<\/h2>\n
22: Troop \u2013 I\u2019m Not Souped<\/h2>\n
21: Christopher Williams \u2013 I\u2019m Dreamin\u2019<\/h2>\n
20: Aaron Hall \u2013 Don\u2019t Be Afraid (Juice<\/em> Soundtrack Edit)<\/h2>\n
19: En Vogue \u2013 Hold On<\/h2>\n
18: Another Bad Creation \u2013 Playground<\/h2>\n
17: Johnny Gill \u2013 Rub You The Right Way<\/h2>\n
16: Heavy D and the Boyz \u2013 We Got Our Own Thang<\/h2>\n
15: Jade \u2013 Don\u2019t Walk Away<\/h2>\n
14: Ralph Tresvant \u2013 Sensitivity<\/h2>\n
13: Guy \u2013 Teddy\u2019s Jam<\/h2>\n
12: Troop \u2013 Spread My Wings<\/h2>\n
11: Michael Jackson \u2013 Remember The Time<\/h2>\n
10: Hi-Five \u2013 I Like the Way (The Kissing Game)<\/h2>\n
09: Boyz II Men \u2013 Motownphilly<\/h2>\n
08: Tony! Toni! Tone! \u2013 Feels Good<\/h2>\n
07: Bobby Brown \u2013 My Prerogative<\/h2>\n
06: New Edition \u2013 If It Isn\u2019t Love<\/h2>\n
05: Keith Sweat \u2013 I Want Her<\/h2>\n
04: Bell Biv DeVoe \u2013 Poison<\/h2>\n
03: Johnny Kemp \u2013 Just Got Paid<\/h2>\n
02: Bobby Brown \u2013 Don\u2019t Be Cruel<\/h2>\n
01: Guy \u2013 Groove Me<\/h2>\n
Best New Jack Swing Songs: The Slow Jams<\/h3>\n
Keith Sweat and Jacci Mcghee \u2013 Make It Last Forever<\/h4>\n
Bobby Brown \u2013 Roni<\/h4>\n
Guy \u2013 Goodbye Love<\/h4>\n
New Edition- Can You Stand the Rain<\/h4>\n
Troop \u2013 All I Do Is Think of You<\/h4>\n