{"id":61464,"date":"2023-02-05T15:48:39","date_gmt":"2023-02-05T15:48:39","guid":{"rendered":"https:\/\/showbizztoday.com\/index.php\/2023\/02\/05\/a-new-look-at-high-fidelity-music-the-rise-of-dolby-atmos-and-spatial-audio-national\/"},"modified":"2023-02-05T15:48:39","modified_gmt":"2023-02-05T15:48:39","slug":"a-brand-new-have-a-look-at-excessive-constancy-music-the-rise-of-dolby-atmos-and-spatial-audio-national","status":"publish","type":"post","link":"https:\/\/showbizztoday.com\/index.php\/2023\/02\/05\/a-brand-new-have-a-look-at-excessive-constancy-music-the-rise-of-dolby-atmos-and-spatial-audio-national\/","title":{"rendered":"A brand new have a look at excessive constancy music: The rise of Dolby ATMOS and Spatial Audio – National"},"content":{"rendered":"

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VAN NUYS, CALIFORNIA \u2014 Just off the freeway within the Valley is the Sound City Complex, a horseshoe-shaped constructing in the midst of an industrial zone. The web site as soon as featured the famed Sound City recording studios the place everybody from Fleetwood Mac to Nirvana to Johnny Cash made among the world\u2019s well-known data. Across the car parking zone is one other studio, however it\u2019s dedicated to one thing totally totally different.<\/p>\n

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I\u2019m right here on the invitation of Will Kennedy and Mike Wallace, a few audio alchemists whose present job is popping stereo mixes into one thing larger and grander. Why have simply two channels of audio when you possibly can have 13?<\/p>\n

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\n\t\t\tRead extra: <\/span>
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\n\t\t\tA chat with Merck Mercuriadis, the Canadian spending billions on buying tune catalogues\t\t\t<\/a>\n\t\t<\/p>\n

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The fundamental room of the studio is roofed in carpets on the ground and partitions. A small console sits close to the center, surrounded by a tall steel construction that holds 4 audio system on the prime pointing down on the ground. The console, which options little greater than a keyboard and a few screens, is completely surrounded by extra audio system. Everything operates from a wild laptop interface. This is the place Will and Matt work on Dolby ATMOS and Spatial Audio variations of songs.<\/p>\n

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Story continues under commercial<\/p>\n<\/p><\/div>\n

\u201cListen to this,\u201d says Will, poking on the keyboard. \u201cWe completely dismantled Love Shack by The B52\u2019s and rebuilt it into an ATMOS mix. I know you\u2019ve heard it a million times, but just listen.\u201d<\/p>\n

The tune begins \u2014 and it sounds nothing like I anticipated. Fred Schneider\u2019s lead vocal comes from someplace within the centre. The shut harmonies of Cindy Wilson and Kate Pierson are clear and barely to the left. The bassline has a definition that I\u2019d by no means observed earlier than. A guitar line, buried within the stereo combine out of the blue seems and provides melodic heft to the midrange. And it seems that the celebration sounds that we hear in numerous locations within the tune truly run by way of your entire tune. With sound coming in any respect angles, I felt fully immersed within the music. It was \u2026 wild.<\/p>\n