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B\u00edborka<\/strong>: Welcome to PUHA podcast, which stands for Performative Unity within the Hungarian Arts, produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. We\u2019re your hosts, Zsofi and Biborka.<\/p>\n Here we go. So, welcome to the seventh episode of PUHA. The subject at present is autobiography. Do you wish to say your identify and your career\u2014what you think about your self\u2014and anything you wish to share? Just as an introduction spherical. Do you wish to go this fashion?<\/p>\n Judit Tarr:<\/strong> Okay. My identify is Judit Tarr. I\u2019m an actress. I’m a member of a little bit firm known as E-Mancik Sz\u00ednh\u00e1zi Manufakt\u00fara the…<\/p>\n B\u00edborka<\/strong>: Manufacture.<\/p>\n Judit<\/strong>: Yeah. Yeah, that\u2019s it.<\/p>\n Zs\u00f3fi<\/strong>: Okay.<\/p>\n L\u00e1szl\u00f3 G\u00f6nd\u00f6r<\/strong>: Hi, my identify is Laszlo Gondor. I\u2019m a performer and director, little bit, and I don\u2019t have my very own firm, however I’ve my very own individuals who I wish to work with. But I\u2019m at all times open to discovering new folks in Hungary, particularly Budapest. But I additionally work internationally typically with different corporations. So I\u2019m a theatrical creator; theatremaker.<\/p>\n Panni N\u00e9der<\/strong>: I\u2019m Panni Neder and I\u2019m residing in Berlin for eleven years. Basically, I\u2019m a stage director however writer for my items or initiatives and performer as effectively. And I\u2019m doing autobiographical theatre for eight years.<\/p>\n Krist\u00f3f Kelemen<\/strong>: My identify is Kristof Kelemen. I\u2019m a playwright, dramaturg, and theatre director and a little bit bit performer, additionally, I can say. And I\u2019m working in an unbiased and likewise within the state theatre subject as a dramaturg and director.<\/p>\n Zs\u00f3fi<\/strong>: Thank you. Cool. So, we like to start out the dialog with this one little harmless query, which is: What is efficiency or efficiency artwork to you?<\/p>\n B\u00edborka<\/strong>: Try to reply it in a single transient sentence. We realize it\u2019s difficult, however that\u2019s a part of the deal.<\/p>\n Zs\u00f3fi<\/strong>: It may be only one phrase.<\/p>\n Panni<\/strong>: Okay. To me, efficiency, it may be two issues: one is to attain one thing, to do a objective in a efficiency, or it may be a present, just like the performance-performance.<\/p>\n L\u00e1szl\u00f3<\/strong>: What first got here to my thoughts\u2014it was good to chill out\u2014one thing I used to be considering quite a lot of was one thing like being playful with a selected objective.<\/p>\n B\u00edborka<\/strong>: Interesting.<\/p>\n Krist\u00f3f<\/strong>: Maybe it\u2019s fascinating that in Hungarian language efficiency is one of these artwork items like what made Marina Abramovic or these sort of folks. But within the English, it has what solely talked about that there are two completely different meanings or ranges of this phrase. So I believe in Hungarian, in case you are seeing \u201cperformance,\u201d everyone who is aware of the artwork subject a little bit, they\u2019re fascinated with this experimental kind of theatremaking.<\/p>\n Panni<\/strong>: But what Marina Abramovic did, I imply she at all times needed to objective to attain, and I believe that\u2019s why it was efficiency.<\/p>\n L\u00e1szl\u00f3<\/strong>: But it needs to be known as efficiency artwork. That\u2019s the official identify of that and efficiency is the overall time period for all the things that’s theatrical or performative.<\/p>\n Judit<\/strong>: For me, it\u2019s making reference to the viewers and that\u2019s true if we’re speaking about performing artwork and performances as effectively, I believe.<\/p>\n Zs\u00f3fi<\/strong>: For me that\u2019s sort of what I might say now. The reference to the viewers and the neighborhood.<\/p>\n Judit<\/strong>: Yeah.<\/p>\n Zs\u00f3fi<\/strong>: You wish to reply? You haven\u2019t answered it for some time.<\/p>\n B\u00edborka<\/strong>: Yeah, at all times. So every time we report this, we additionally reply it, however we by no means gave the 2 similar solutions in an episode. So at present for me, efficiency is, I might, say being conscious of what you do and the way you do it.<\/p>\n Panni<\/strong>: And problem for me as effectively.<\/p>\n B\u00edborka<\/strong>: So, autobiography, we guess it\u2019s participating with part of your life in a technique or one other utilizing some performativity or theatricality. So what a part of your life have you ever engaged with on this method and will you say some related initiatives or items that you’ve got had or perhaps you’re at present engaged on?<\/p>\n Panni<\/strong>: Okay. So I\u2019ve had many, and I believe the primary necessary was the German title is Aschmutter<\/em> and Cinderella in German is Aschenputtel<\/em> and mutter is mom. And it was a challenge based mostly on my\u2014not solely based mostly on my mom\u2019s story, however I wished to know why did my mom turn out to be such an individual as she did. And then I concerned six different\u2014some actors and just a few individuals who favored theatre and that sort of arts and we have been researching their tales as effectively collectively. So it was a motherhood challenge. But again then I didn\u2019t notice it was autobiographical, I simply wished to do this. So I believe it got here later or years later that I met this phrase, \u201cautobiography.\u201d<\/p>\n And then for me, my most necessary present with a protracted title is When Was the Last Time You Had Sex on Top of a Mountain<\/em>. And it\u2019s 100% autobiographical\u2014I\u2019m onstage as effectively, and I wrote it in fourteen completely different languages with the serving to palms of Google Translate. And it\u2019s about all the things, actually: minorities; politics in Eastern and Western Europe; difficulties with a overseas language as a result of I simply began it after I moved to Germany and began to review there. So it was about how did I really feel misplaced in a brand new nation, not solely due to the language however due to the tradition as effectively. And it\u2019s about very, very private fears as effectively. So world fears and really private sexual fears or household patterns or no matter. And it\u2019s 100% autobiographical, and it\u2019s extra I wouldn\u2019t record something. And my final premiere, it was in November in Berlin, and it was about love and relationships and relationship patterns and intimacy, and it was my story as effectively.<\/p>\n So it\u2019s additionally very self-ironic as a result of\u2026 so it was sort of enjoyable scenario as a result of I didn\u2019t be taught theatre in class like everyone else right here within the room, so I didn\u2019t know do it correctly. But on the similar time, I might do it anyhow I wished to do as a result of I had no masters and academics.<\/p>\n<\/blockquote>\n\n