{"id":38337,"date":"2022-12-22T22:34:07","date_gmt":"2022-12-22T22:34:07","guid":{"rendered":"https:\/\/showbizztoday.com\/index.php\/2022\/12\/22\/american-theatre-before-we-turn-the-page-ats-2022-reading-list\/"},"modified":"2022-12-22T22:34:07","modified_gmt":"2022-12-22T22:34:07","slug":"american-theatre-before-we-turn-the-page-ats-2022-reading-list","status":"publish","type":"post","link":"https:\/\/showbizztoday.com\/index.php\/2022\/12\/22\/american-theatre-before-we-turn-the-page-ats-2022-reading-list\/","title":{"rendered":"AMERICAN THEATRE | Before We Turn the Page: AT\u2019s 2022 Reading List"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div>\n<p><strong>Let\u2019s face it: This yr has been a tumultuous time for theatre of us. <\/strong>We\u2019ve had highs like <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/03\/10\/a-second-chance-for-coal-country\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/03\/10\/a-second-chance-for-coal-country\/\" target=\"_blank\">returning to in-person performances<\/a> and celebrating <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/09\/23\/clydes-is-most-produced-play-and-lynn-nottage-most-produced-playwright-of-2022-23-season\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/09\/23\/clydes-is-most-produced-play-and-lynn-nottage-most-produced-playwright-of-2022-23-season\/\" target=\"_blank\">well-deserved<\/a><a href=\"https:\/\/www.americantheatre.org\/2022\/09\/23\/clydes-is-most-produced-play-and-lynn-nottage-most-produced-playwright-of-2022-23-season\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/09\/23\/clydes-is-most-produced-play-and-lynn-nottage-most-produced-playwright-of-2022-23-season\/\" target=\"_blank\" rel=\"noopener\"> successes<\/a>, matched with lows like agonizing over <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/12\/09\/the-rise-and-fall-of-kpop\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/12\/09\/the-rise-and-fall-of-kpop\/\" target=\"_blank\">early manufacturing closures<\/a> and grieving the losses of a few of our beloved <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/05\/02\/what-happened-at-the-lark\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/05\/02\/what-happened-at-the-lark\/\" target=\"_blank\">establishments<\/a>. It has not been simple to navigate this uncharted path, which appears to steer us to a spot someplace between pleasure and grief. But among the many unambiguous shiny spots this yr was the emergence of so many fascinating new books and performs. And should you occur to be last-minute reward shopper, this look again on the books we lined, excerpted, or printed (by way of our affiliated play writer, <a rel=\"noreferrer noopener\" href=\"https:\/\/shop.aer.io\/tcg\" target=\"_blank\">TCG Books<\/a>) would possibly serve you nicely.<\/p>\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\">\n<div class=\"wp-block-jetpack-slideshow_container swiper-container\">\n<ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\">\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"600\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-69079\" data-id=\"69079\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?resize=400%2C600&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cTransforming Space Over Time: Set Design and Visual Storytelling With Broadway\u2019s Legendary Directors\u201d by Beowulf Boritt, Applause Books 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"574\" height=\"872\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-64164\" data-id=\"64164\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?resize=574%2C872&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?resize=674%2C1024&amp;ssl=1 674w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?resize=197%2C300&amp;ssl=1 197w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?resize=768%2C1168&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?w=840&amp;ssl=1 840w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cThe Method: How the Twentieth Century Learned to Act\u201d by Issac Butler, Bloomsbury 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"574\" height=\"840\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72506\" data-id=\"72506\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?resize=574%2C840&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?w=615&amp;ssl=1 615w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?resize=205%2C300&amp;ssl=1 205w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cTrouble in Mind\u201d by Alice Childress, Theatre Communications Group 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"350\" height=\"523\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-71574\" data-id=\"71574\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?resize=350%2C523&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?w=350&amp;ssl=1 350w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?resize=201%2C300&amp;ssl=1 201w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cThe Theatre of Les Waters: More Like the Weather\u201d edited by\u00a0Scott T. Cummings, Routledge 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"362\" height=\"542\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72065\" data-id=\"72065\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?resize=362%2C542&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?w=362&amp;ssl=1 362w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cMeeting the Moment: Socially Engaged Performance, 1965\u20132020, by Those Who Lived It\u201d\u00a0by Jan Cohen-Cruz\u00a0and\u00a0Rad Pereira, New Village Press 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"500\" height=\"750\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72498\" data-id=\"72498\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?resize=500%2C750&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cMy Own Directions: A Black Man\u2019s Journey in the American Theatre\u201d by Sheldon Epps, McFarland 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"354\" height=\"499\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-65038\" data-id=\"65038\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?resize=354%2C499&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?w=354&amp;ssl=1 354w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?resize=213%2C300&amp;ssl=1 213w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cPerformance Activism: Precursors and Contemporary Pioneers\u201d by Dan Friedman, Palgrave MacMillan 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"421\" height=\"635\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72493\" data-id=\"72493\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?resize=421%2C635&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?w=421&amp;ssl=1 421w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?resize=199%2C300&amp;ssl=1 199w\" sizes=\"auto, (max-width: 421px) 100vw, 421px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cMagic to Do: Pippin\u2019s Fantastic, Fraught Journey to Broadway and Beyond\u201d by Elysa Gardner, Applause Books 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"316\" height=\"500\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72507\" data-id=\"72507\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?resize=316%2C500&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?w=316&amp;ssl=1 316w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?resize=190%2C300&amp;ssl=1 190w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cIs God Is \/ What to Send Up When It Goes Down\u201d by Aleshea Harris, Theatre Communications Group 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"317\" height=\"500\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72508\" data-id=\"72508\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?resize=317%2C500&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?w=317&amp;ssl=1 317w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?resize=190%2C300&amp;ssl=1 190w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cHalfway Bitches Go Straight to Heaven\u201d by Stephen Adly Gurigis, Theatre Communications Group 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"315\" height=\"500\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-72509\" data-id=\"72509\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?resize=315%2C500&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?w=315&amp;ssl=1 315w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?resize=189%2C300&amp;ssl=1 189w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cGary: A Sequel to Titus Andronicus\u201d by Taylor Mac, Theatre Communications Group 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"350\" height=\"500\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-66967\" data-id=\"66967\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?resize=350%2C500&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?w=350&amp;ssl=1 350w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?resize=210%2C300&amp;ssl=1 210w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cBloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance\u201d\u00a0by Jennifer McClure, Routledge2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"616\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-71944\" data-id=\"71944\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?resize=400%2C616&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?resize=195%2C300&amp;ssl=1 195w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cJack in the Box: Or, How to Goddamn Direct\u201d by Jack O\u2019Brien, Farrar, Straus and Giroux 2022 <\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"333\" height=\"500\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-67846\" data-id=\"67846\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?resize=333%2C500&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?w=333&amp;ssl=1 333w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cShy: The Alarmingly Outspoken Memoirs of Mary Rodgers\u201d by Mary Rodgers and Jesse Green, Farrar, Straus and Giroux 2022<\/figcaption><\/figure>\n<\/li>\n<li class=\"wp-block-jetpack-slideshow_slide swiper-slide\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"315\" height=\"488\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-63574\" data-id=\"63574\" src=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?resize=315%2C488&amp;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?w=315&amp;ssl=1 315w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?resize=194%2C300&amp;ssl=1 194w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">\u201cLorraine Hansberry: The Life Behind A Raisin in the Sun\u201d by Charles J. Shields, Henry Holt &amp; Company 2022<\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<p><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"\/><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"\/><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"\/><\/div>\n<\/div>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/15\/life-during-wartime-the-backdrop-of-kenny-leons-much-ado\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/15\/life-during-wartime-the-backdrop-of-kenny-leons-much-ado\/\" target=\"_blank\">Transforming Space Over Time: Set Design and Visual Storytelling With Broadway\u2019s Legendary Directors<\/a><\/em> by Beowulf Boritt<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/transforming-space-over-time-set-design-and-visual-storytelling-with-broadway-s-legendary-directors-beowulf-boritt\/17451403?ean=9781493064847\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"69079\" src=\"https:\/\/www.americantheatre.org\/2022\/08\/15\/life-during-wartime-the-backdrop-of-kenny-leons-much-ado\/transforming-space-over-time\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?fit=400%2C600&amp;ssl=1\" data-orig-size=\"400,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"transforming-space-over-time\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cTransforming Space Over Time: Set Design and Visual Storytelling With Broadway\u2019s Legendary Directors\u201d by Beowulf Boritt, Applause Books 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?fit=400%2C600&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-69079\" width=\"262\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/transforming-space-over-time.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 262px) 100vw, 262px\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Applause Books, 2022<\/figcaption><\/figure>\n<\/div>\n<p>Tony-winning set designer Beowulf Boritt\u00a0tells the tales of six various productions, 5 on Broadway and one Off Broadway, from idea to curtain.\u00a0In 376 pages, he breaks down the thought course of behind the artistry and demystifies the collaboration between designers and administrators. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/15\/life-during-wartime-the-backdrop-of-kenny-leons-much-ado\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/15\/life-during-wartime-the-backdrop-of-kenny-leons-much-ado\/\" target=\"_blank\">This excerpt<\/a> focuses on a second of readability that got here up whereas designing a modern-day <em>Much Ado<\/em> with Kenny Leon on the Delacorte.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-lab-where-the-method-was-born\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-lab-where-the-method-was-born\/\" target=\"_blank\">The Method: How the Twentieth Century Learned to Act<\/a> <\/em>by Isaac Butler<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/the-method-how-the-twentieth-century-learned-to-act-isaac-butler\/16786503?ean=9781635574777\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"64164\" src=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-lab-where-the-method-was-born\/the-method\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?fit=840%2C1277&amp;ssl=1\" data-orig-size=\"840,1277\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"the-method\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cThe Method: How the Twentieth Century Learned to Act\u201d by Issac Butler, Bloomsbury 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?fit=197%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-method.jpg?fit=574%2C872&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-64164\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Bloomsbury, 2022<\/figcaption><\/figure>\n<\/div>\n<p>Critic and theatre director (and <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/byline\/isaac-butler\/\" target=\"_blank\"><em>AT <\/em>contributor<\/a>) Isaac Butler chronicles the cultural historical past of the Method, which revolutionized the research of appearing for generations. Butler supplies a candid take a look at the system\u2019s key gamers: Stanislavski, Stella Adler, Lee Strasberg, and the Group Theatre, amongst others, whereas unpacking the underlying want for authenticity that drove all of them. In a assessment, critic <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-given-circumstances-of-the-method\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-given-circumstances-of-the-method\/\" target=\"_blank\">Wendy Smith<\/a> calls it \u201csmart and wonderful fun to read.\u201d <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-lab-where-the-method-was-born\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/02\/03\/the-lab-where-the-method-was-born\/\" target=\"_blank\">This excerpt<\/a> affords a take a look at the place the Method bought its first foothold within the U.S., at Richard Bolevslavsky\u2019s American Laboratory Theatre.<\/p>\n<h4><a rel=\"noreferrer noopener\" href=\"https:\/\/shop.aer.io\/tcg\/p\/Trouble_in_Mind\/9781636700151-9511?collection=New_from_TCG_Books-218378\" data-type=\"URL\" data-id=\"https:\/\/shop.aer.io\/tcg\/p\/Trouble_in_Mind\/9781636700151-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\"><em>Trouble in Mind<\/em> <\/a>by Alice Childress<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/shop.aer.io\/tcg\/p\/Trouble_in_Mind\/9781636700151-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72506\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/22\/before-we-turn-the-page-ats-2022-reading-list\/81bjqelzghl-_ac_ul900_sr615900_\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?fit=615%2C900&amp;ssl=1\" data-orig-size=\"615,900\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"81bjQELZGhL._AC_UL900_SR615900_\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cTrouble in Mind\u201d by Alice Childress, Theatre Communications Group 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?fit=205%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/81bjQELZGhL._AC_UL900_SR615900_.jpg?fit=574%2C840&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72506\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Theatre Communications Group, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This groundbreaking basic\u00a0focuses on the tensions that come up throughout the rehearsal strategy of an anti-lynching play making ready for its Broadway debut. Famously, its initially scheduled Broadway opening in 1957 by no means occurred, as a result of Childress objected to the adjustments within the script that white producers insisted on, however which she felt would \u201csanitize\u201d the play for mainstream audiences. In this newly launched version from TCG, Childress\u2019s closing script is printed together with an essay by playwright\u00a0<a href=\"https:\/\/www.americantheatre.org\/2014\/05\/15\/brandenjacobsjenkins_appropriate_octoroon-2\/\" data-type=\"post\" data-id=\"3573\" target=\"_blank\" rel=\"noopener\">Branden Jacobs-Jenkins<\/a>, editor of TCG Illuminations.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/10\/03\/les-waters-theatre-spaces-and-thin-places\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/10\/03\/les-waters-theatre-spaces-and-thin-places\/\" target=\"_blank\">The Theatre of Les Waters: More Like the Weather<\/a><\/em>, edited by\u00a0Scott T. Cummings<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/the-theatre-of-les-waters-more-like-the-weather-scott-t-cummings\/17369502?ean=9780367773229\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"71574\" src=\"https:\/\/www.americantheatre.org\/2022\/10\/03\/les-waters-theatre-spaces-and-thin-places\/9780367773229_cover-indd\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?fit=350%2C523&amp;ssl=1\" data-orig-size=\"350,523\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;9780367773229_cover.indd&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"9780367773229_cover.indd\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cThe Theatre of Les Waters: More Like the Weather\u201d edited by\u00a0Scott T. Cummings, Routledge 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?fit=201%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?fit=350%2C523&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-71574\" width=\"263\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?w=350&amp;ssl=1 350w, https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/the-theatre-of-les-waters.jpg?resize=201%2C300&amp;ssl=1 201w\" sizes=\"auto, (max-width: 263px) 100vw, 263px\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Routledge, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This ebook supplies an in-depth portrait of the influential English-turned-American director, partly by way of his personal reflections on the previous\u00a025 years of artistry. It consists of unique writings and lists from Waters, in addition to quick essays by a variety of his collaborators. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/10\/03\/les-waters-theatre-spaces-and-thin-places\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/10\/03\/les-waters-theatre-spaces-and-thin-places\/\" target=\"_blank\">This excerpt<\/a> options picks by Waters about his method, in dialogue with with observations from editor Scott T. Cummings. <\/p>\n<h4><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/11\/16\/taking-it-to-the-streets\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/11\/16\/taking-it-to-the-streets\/\" target=\"_blank\"><em>Meeting the Moment: Socially Engaged Performance, 1965\u20132020, by Those Who Lived It<\/em><\/a> by Jan Cohen-Cruz\u00a0and\u00a0Rad Pereira<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/meeting-the-moment-socially-engaged-performance-1965-2020-by-those-who-lived-it-jan-cohen-cruz\/18064042?ean=9781613321546\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72065\" src=\"https:\/\/www.americantheatre.org\/2022\/11\/16\/taking-it-to-the-streets\/meetingthemoment\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?fit=362%2C542&amp;ssl=1\" data-orig-size=\"362,542\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"meetingthemoment-\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cMeeting the Moment: Socially Engaged Performance, 1965\u20132020, by Those Who Lived It\u201d\u00a0by Jan Cohen-Cruz\u00a0and\u00a0Rad Pereira, New Village Press 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/meetingthemoment-.jpg?fit=362%2C542&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72065\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">New Village Press, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This ebook options curated tales from over 75 interviews with Black, Native American, Asian diasporic, African American, Latine,\u00a0MENASA, white, LGBTQIA2+, disabled and non-disabled, (im)migrant, Jewish, and Muslim\u00a0efficiency artists over the previous 55 years. Written as a collective historical past and information for creating socially engaged theatre, the ebook explores the true potential of extra various and inclusive practices. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/11\/16\/taking-it-to-the-streets\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/11\/16\/taking-it-to-the-streets\/\" target=\"_blank\">This excerpt<\/a> elaborates on the ebook\u2019s origins and affords insights from the authors\u2019 interview course of.<\/p>\n<h4><em><strong><a href=\"https:\/\/www.americantheatre.org\/2022\/12\/20\/sheldon-epps-making-the-case-for-diversity-in-all-directions\/\" data-type=\"post\" data-id=\"72501\" target=\"_blank\" rel=\"noopener\">My Own Directions: A Black Man\u2019s Journey within the American Theatre<\/a><\/strong><\/em> by Sheldon Epps<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img data-attachment-id=\"72498\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/20\/making-my-playhouse-great\/sheldon-epps_my-own-directions\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?fit=500%2C750&amp;ssl=1\" data-orig-size=\"500,750\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"sheldon-epps_my-own-directions\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cMy Own Directions: A Black Man\u2019s Journey in the American Theatre\u201d by Sheldon Epps, McFarland 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/sheldon-epps_my-own-directions.jpg?fit=500%2C750&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72498\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><figcaption class=\"wp-element-caption\">McFarland, 2022<\/figcaption><\/figure>\n<\/div>\n<p>Sheldon Epps served as creative director of the Pasadena Playhouse for twenty years, and on this absorbing memoir of his profession earlier than, throughout, and after that momentous interval, he particulars the trail that ready him to take the reins there, the challenges that no quantity of preparation would have helped him to face, and the teachings that others within the theatre subject would possibly glean from his tumults and triumphs. In <a href=\"https:\/\/www.americantheatre.org\/2022\/12\/20\/sheldon-epps-making-the-case-for-diversity-in-all-directions\/\" data-type=\"post\" data-id=\"72501\" target=\"_blank\" rel=\"noopener\">this Q&amp;A<\/a>, Epps relates how his personal experiences apply to at this time\u2019s theatremakers, and <a href=\"https:\/\/www.americantheatre.org\/2022\/12\/20\/making-my-playhouse-great\/\" data-type=\"post\" data-id=\"71746\" target=\"_blank\" rel=\"noopener\">on this excerpt<\/a> he remembers the fortuitous intersection of his and the Playhouse\u2019s histories.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/04\/07\/can-theatre-heal-trauma-a-case-study-from-india\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/04\/07\/can-theatre-heal-trauma-a-case-study-from-india\/\" target=\"_blank\">Performance Activism: Precursors and Contemporary Pioneers<\/a><\/em> by Dan Friedman<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/performance-activism-precursors-and-contemporary-pioneers-2021-dan-friedman\/19042554?ean=9783030805937\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"65038\" src=\"https:\/\/www.americantheatre.org\/2022\/04\/07\/can-theatre-heal-trauma-a-case-study-from-india\/performance-activism\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?fit=354%2C499&amp;ssl=1\" data-orig-size=\"354,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"performance-activism\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cPerformance Activism: Precursors and Contemporary Pioneers\u201d by Dan Friedman, Palgrave MacMillan 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?fit=213%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/performance-activism.jpg?fit=354%2C499&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-65038\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Palgrave MacMillan, 2022<\/figcaption><\/figure>\n<\/div>\n<p>In the primary book-length research of efficiency activism, with examples from the works of varied theatremakers, Friedman focuses on the mechanics of creating progressive theatre for social change, wanting on the intersection of efficiency with schooling, remedy, battle decision, civic engagement, neighborhood improvement, and social justice activism. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/04\/07\/can-theatre-heal-trauma-a-case-study-from-india\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/04\/07\/can-theatre-heal-trauma-a-case-study-from-india\/\" target=\"_blank\">This excerpt<\/a> focuses on Sanjay Kumar, a pioneer of efficiency activism in India.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/12\/19\/pippin-in-the-belly-of-the-beast\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/12\/19\/pippin-in-the-belly-of-the-beast\/\" target=\"_blank\">Magic to Do: Pippin\u2019s Fantastic, Fraught Journey to Broadway and Beyond<\/a><\/em> by Elysa Gardner<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/magic-to-do-pippin-s-fantastic-fraught-journey-to-broadway-and-beyond-elysa-gardner\/18063816?ean=9781493064359\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72493\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/19\/pippin-in-the-belly-of-the-beast\/magic-to-do\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?fit=421%2C635&amp;ssl=1\" data-orig-size=\"421,635\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"magic-to-do\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cMagic to Do: Pippin\u2019s Fantastic, Fraught Journey to Broadway and Beyond\u201d by Elysa Gardner, Applause Books 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?fit=199%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/magic-to-do.jpg?fit=421%2C635&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72493\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Applause Books, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This ebook celebrates the fiftieth anniversary of <em>Pippin<\/em>\u2018s opening with an intimate take a look at the making of a Broadway phenomenon. As Elysa Gardner notes, any report of <em>Pippin<\/em>\u2018s historical past could be incomplete with out addressing the entire inventive conflicts and backstage drama that in the end fueled the rise of an progressive, culture-defining present. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/12\/19\/pippin-in-the-belly-of-the-beast\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/12\/19\/pippin-in-the-belly-of-the-beast\/\" target=\"_blank\">This excerpt<\/a> appears to be like at how the backdrop of the Vietnam War knowledgeable <em>Pippin<\/em>\u2018s improvement.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/shop.aer.io\/tcg\/p\/Is_God_Is__What_to_Send_Up_When_It_Goes_Down\/9781559369633-9511?collection=New_from_TCG_Books-218378\" data-type=\"URL\" data-id=\"https:\/\/shop.aer.io\/tcg\/p\/Is_God_Is__What_to_Send_Up_When_It_Goes_Down\/9781559369633-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\">Is God Is \/ What to Send Up When It Goes Down<\/a><\/em> by Aleshea Harris<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/shop.aer.io\/tcg\/p\/Is_God_Is__What_to_Send_Up_When_It_Goes_Down\/9781559369633-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72507\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/22\/before-we-turn-the-page-ats-2022-reading-list\/41jr8z81ksl-_ac_sy780_\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?fit=316%2C500&amp;ssl=1\" data-orig-size=\"316,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"41jR8z81KSL._AC_SY780_\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cIs God Is \/ What to Send Up When It Goes Down\u201d by Aleshea Harris, Theatre Communications Group 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?fit=190%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41jR8z81KSL._AC_SY780_.jpg?fit=316%2C500&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72507\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Theatre Communications Group, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This new version from TCG options two gorgeous performs in a single: <em>Is God Is<\/em> blends epic tragedy, spaghetti Western, hip-hop, and Afropunk into a contemporary delusion about twin sisters on a quest for revenge. <em><a href=\"https:\/\/www.americantheatre.org\/2019\/04\/05\/what-to-send-up-when-it-goes-down-a-black-gaze\/\" data-type=\"post\" data-id=\"49655\" target=\"_blank\" rel=\"noopener\">What to Send Up When It Goes Down<\/a><\/em> is a play-pageant-ritual-homegoing celebration that bears witness to the bodily and religious deaths of Black folks on account of racist violence. From Obie-winning playwright Alesha Harris, these performs are daring and highly effective from web page to stage.<\/p>\n<h4><a rel=\"noreferrer noopener\" href=\"https:\/\/shop.aer.io\/tcg\/p\/Halfway_Bitches_Go_Straight_to_Heaven_Tcg_Edition\/9781559369893-9511?collection=New_from_TCG_Books-218378\" data-type=\"URL\" data-id=\"https:\/\/shop.aer.io\/tcg\/p\/Halfway_Bitches_Go_Straight_to_Heaven_Tcg_Edition\/9781559369893-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\"><em>Halfway Bitches Go Straight to Heaven<\/em> <\/a>by Stephen Adly Guirgis<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/shop.aer.io\/tcg\/p\/Halfway_Bitches_Go_Straight_to_Heaven_Tcg_Edition\/9781559369893-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72508\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/22\/before-we-turn-the-page-ats-2022-reading-list\/41rnux6zaol-_ac_sy780_\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?fit=317%2C500&amp;ssl=1\" data-orig-size=\"317,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"41RNUx6zAoL._AC_SY780_\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cHalfway Bitches Go Straight to Heaven\u201d by Stephen Adly Gurigis, Theatre Communications Group 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?fit=190%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/41RNUx6zAoL._AC_SY780_.jpg?fit=317%2C500&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72508\" width=\"262\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><\/figure>\n<\/div>\n<p>Set in a girls\u2019s midway home in New York City, this play explores the experiences of those that society has uncared for. From the Pulitzer-winning playwright of <em>Between Riverside and Crazy\u00a0<\/em>and <em>The Motherfucker With the Hat<\/em>.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/shop.aer.io\/tcg\/p\/Gary_A_Sequel_to_Titus_Andronicus\/9781559369824-9511?collection=New_from_TCG_Books-218378\" data-type=\"URL\" data-id=\"https:\/\/shop.aer.io\/tcg\/p\/Gary_A_Sequel_to_Titus_Andronicus\/9781559369824-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\">Gary: A Sequel to Titus Andronicus<\/a><\/em> by Taylor Mac<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/shop.aer.io\/tcg\/p\/Gary_A_Sequel_to_Titus_Andronicus\/9781559369824-9511?collection=New_from_TCG_Books-218378\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"72509\" src=\"https:\/\/www.americantheatre.org\/2022\/12\/22\/before-we-turn-the-page-ats-2022-reading-list\/51lg2loi7hl-_ac_sy780_\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?fit=315%2C500&amp;ssl=1\" data-orig-size=\"315,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"51Lg2LoI7hL._AC_SY780_\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cGary: A Sequel to Titus Andronicus\u201d by Taylor Mac, Theatre Communications Group 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?fit=189%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/51Lg2LoI7hL._AC_SY780_.jpg?fit=315%2C500&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-72509\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Theatre Communications Group, 2022<\/figcaption><\/figure>\n<\/div>\n<p>It\u2019s the yr 400, the Roman Empire has simply fallen, the massacre is over, and two lowly servants should clear up the mess. This play begins the place Shakespeare\u2019s <em>Titus Andronicus<\/em> ended, with comical outcomes. It\u2019s a farcical reflection nicely suited to our unprecedented instances.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/04\/the-red-stuff-a-guide-to-letting-it-bleed-onstage\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/04\/the-red-stuff-a-guide-to-letting-it-bleed-onstage\/\" target=\"_blank\">Bloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance<\/a>\u00a0<\/em>by Jennifer McClure<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/bloody-brilliant-how-to-develop-execute-and-clean-up-blood-effects-for-live-performance-jennifer-mcclure\/17701779?ean=9780367427351\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"66967\" src=\"https:\/\/www.americantheatre.org\/2022\/08\/04\/the-red-stuff-a-guide-to-letting-it-bleed-onstage\/b09ywhdqg9-01-_sclzzzzzzz_sx500_\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?fit=350%2C500&amp;ssl=1\" data-orig-size=\"350,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bloody_Brilliant\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cBloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance\u201d\u00a0by Jennifer McClure, Routledge2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?fit=210%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/B09YWHDQG9.01._SCLZZZZZZZ_SX500_.jpg?fit=350%2C500&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-66967\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Routledge, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This ebook explores the strategies and methods concerned in creating efficient blood particular results. With suggestions for a wide range of budgets, tried-and-true faux blood recipes, and suggestions for fast clean-up, it&#8217;s a must-have to your subsequent onstage mess. In his assessment, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/04\/the-red-stuff-a-guide-to-letting-it-bleed-onstage\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/04\/the-red-stuff-a-guide-to-letting-it-bleed-onstage\/\" target=\"_blank\">longtime prop grasp Jay Duckworth<\/a> appears to be like again on his efforts to see crimson and writes that he \u201cwould have shed blood for a resource like this book.\u201d<\/p>\n<h4><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/how-jack-obrien-learned-to-direct-watching-doing-and-living-to-tell\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/how-jack-obrien-learned-to-direct-watching-doing-and-living-to-tell\/\" target=\"_blank\"><em>Jack within the Box: Or, How to Goddamn Direct<\/em> <\/a>by Jack O\u2019Brien<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/jack-in-the-box-or-how-to-goddamn-direct-jack-o-brien\/17839980?ean=9780374603823\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"71944\" src=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/how-jack-obrien-learned-to-direct-watching-doing-and-living-to-tell\/jack-in-the-box_jack-obrien\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?fit=400%2C616&amp;ssl=1\" data-orig-size=\"400,616\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"jack-in-the-box_jack-obrien\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cJack in the Box: Or, How to Goddamn Direct\u201d by Jack O\u2019Brien, Farrar, Straus and Giroux 2022 &lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?fit=195%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/jack-in-the-box_jack-obrien.jpg?fit=400%2C616&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-71944\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Farrar, Straus and Giroux, 2022<\/figcaption><\/figure>\n<\/div>\n<p>Tony-winning director Jack O\u2019Brien tells all on this new memoir reflecting on his bustling and passionate profession, which critic Michael Bloom calls <a href=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/how-jack-obrien-learned-to-direct-watching-doing-and-living-to-tell\/\" data-type=\"post\" data-id=\"67845\" target=\"_blank\" rel=\"noopener\">\u201ca testament to O\u2019Brien\u2019s eclectic career.\u201d<\/a> With an essay on his sources of inspiration, a dialogue of probably the most invaluable folks administration expertise for administrators, and a play-by-play of the playwright-director relationship, O\u2019Brien\u2019s ebook affords many classes for budding administrators. In <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/mr-abbott-meets-the-kid-the-care-and-feeding-of-the-revival\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/11\/07\/mr-abbott-meets-the-kid-the-care-and-feeding-of-the-revival\/\" target=\"_blank\">this excerpt<\/a>, O\u2019Brien recounts his fierce face-off with theatre large George Abbott.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/mary-mary-quite-contrary\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/mary-mary-quite-contrary\/\" target=\"_blank\">Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers<\/a><\/em> by Mary Rodgers and Jesse Green<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/shy-the-alarmingly-outspoken-memoirs-of-mary-rodgers-jesse-green\/18721732?ean=9780374298623\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"67846\" src=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/mary-mary-quite-contrary\/maryrodgersshy\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?fit=333%2C500&amp;ssl=1\" data-orig-size=\"333,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"maryrodgersshy\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cShy: The Alarmingly Outspoken Memoirs of Mary Rodgers\u201d by Mary Rodgers and Jesse Green, Farrar, Straus and Giroux 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/maryrodgersshy.jpg?fit=333%2C500&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-67846\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Farrar, Straus and Giroux, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This hilarious and harrowing memoir of composer Mary Rodgers supplies a portrait of a colourful and extraordinary life past the footlights. With tales of romance, dysfunctional household dynamics, and musical insanity, it\u2019s a delightfully juicy learn. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/mary-mary-quite-contrary\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/mary-mary-quite-contrary\/\" target=\"_blank\">Critic Misha Berson<\/a> calls Rodgers \u201ca first-rate raconteur,\u201d and describes her as \u201ca lusty, gutsy, complex woman who is admiring of those she loved and very candid about her own flaws.\u201d <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/a-lost-member-the-mary-rodgers-musical-that-wasnt\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/08\/10\/a-lost-member-the-mary-rodgers-musical-that-wasnt\/\" target=\"_blank\">In this excerpt<\/a>, Rogers remembers an ill-fated try at making a musical adaptation of <em><em>The Member of the Wedding<\/em><\/em> with Marshall Barer.<\/p>\n<h4><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/01\/12\/when-lorraine-met-lloyd-and-a-raisin-in-the-sun-got-raised\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/01\/12\/when-lorraine-met-lloyd-and-a-raisin-in-the-sun-got-raised\/\" target=\"_blank\">Lorraine Hansberry: The Life Behind A Raisin within the Sun<\/a><\/em> by Charles J. Shields<\/h4>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/bookshop.org\/p\/books\/lorraine-hansberry-the-life-behind-a-raisin-in-the-sun-charles-j-shields\/13817991?ean=9781250205537\" target=\"_blank\" rel=\"noopener\"><img data-attachment-id=\"63574\" src=\"https:\/\/www.americantheatre.org\/2022\/01\/12\/when-lorraine-met-lloyd-and-a-raisin-in-the-sun-got-raised\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?fit=315%2C488&amp;ssl=1\" data-orig-size=\"315,488\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"lorraine-hansberry_the-life-behind-a-raisin-in-the-sun\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cLorraine Hansberry: The Life Behind A Raisin in the Sun\u201d by Charles J. Shields, Henry Holt &amp; Company 2022&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?fit=194%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.americantheatre.org\/wp-content\/uploads\/lorraine-hansberry_the-life-behind-a-raisin-in-the-sun.jpg?fit=315%2C488&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" alt=\"\" class=\"wp-image-63574\" width=\"263\" height=\"392\" data-recalc-dims=\"1\"\/><\/a><figcaption class=\"wp-element-caption\">Henry Holt &amp; Company, 2022<\/figcaption><\/figure>\n<\/div>\n<p>This ebook examines the too-brief lifetime of the playwright chargeable for one of the vital works of the twentieth century, <em>A Raisin within the Sun<\/em>. Shields tells Hansberry\u2019s story with care and a spotlight, utilizing beforehand unpublished interviews with shut pals in politics and theatre, together with privately held correspondence to light up the life story of an excellent and formidable artist. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.americantheatre.org\/2022\/01\/12\/when-lorraine-met-lloyd-and-a-raisin-in-the-sun-got-raised\/\" data-type=\"URL\" data-id=\"https:\/\/www.americantheatre.org\/2022\/01\/12\/when-lorraine-met-lloyd-and-a-raisin-in-the-sun-got-raised\/\" target=\"_blank\">This excerpt<\/a> particulars Hansberry\u2019s expertise working with Lloyd Richards on <em>Raisin<\/em>.<\/p>\n<div class=\"awac-wrapper\">\n<div class=\"awac widget text-2\">\n<div class=\"textwidget\">\n<p><em><span style=\"color: #ff6600;\">Support American Theatre: a simply and thriving theatre ecology begins with data for all. Please be a part of us on this mission by making a donation to our writer, Theatre Communications Group. When you assist American Theatre journal and TCG, you assist a protracted legacy of high quality nonprofit arts journalism. Click<\/span>\u00a0<a href=\"https:\/\/www.tcg.org\/AboutUs\/DonateNow.aspx\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\">right here<\/a><span style=\"color: #ff6600;\">\u00a0to make your absolutely tax-deductible donation at this time!<\/span><\/em><\/p>\n<\/div><\/div>\n<\/div>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related<\/em><\/h3>\n<\/p><\/div>\n<p><script>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src=\"https:\/\/connect.facebook.net\/en_US\/sdk.js#xfbml=1&appId=249643311490&version=v2.3\"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/>[ad_2]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Let\u2019s face it: This yr has been a tumultuous time for theatre of us. 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