{"id":37029,"date":"2022-12-20T15:24:25","date_gmt":"2022-12-20T15:24:25","guid":{"rendered":"https:\/\/showbizztoday.com\/index.php\/2022\/12\/20\/the-bessies-2022-awards-dance-informa-magazine\/"},"modified":"2022-12-20T15:24:25","modified_gmt":"2022-12-20T15:24:25","slug":"the-bessies-2022-awards-dance-informa-magazine","status":"publish","type":"post","link":"https:\/\/showbizztoday.com\/index.php\/2022\/12\/20\/the-bessies-2022-awards-dance-informa-magazine\/","title":{"rendered":"The Bessies 2022 Awards – Dance Informa Magazine"},"content":{"rendered":"

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The NY Dance and Performance Awards, the Bessies, New York City\u2019s premier dance awards honoring excellent inventive work within the subject, introduced tonight the 2022 award recipients on the 38th<\/sup> annual Bessie Awards.\u00a0Porshia A. Derival, Executive Director of H+ | TOTEM Productions, hosted this yr\u2019s occasion, which was held at Chelsea Factory. An entire listing of the 2022 awards follows under.<\/p>\n

Derival welcomed artists and supporters of the New York dance neighborhood who gathered to rejoice the nominees and awardees. Bessie Awards have been introduced to artists for excellent choreographer\/creator, performer, sound design\/music composition, visible design, excellent revival, and breakout choreographer\u2014an award that honors an artist who has made an distinctive leap of their profession this previous yr. All of the awardees and nominated artists in these classes obtained a $500 honorarium, courtesy of a grant from the Doris Duke Charitable Foundation.<\/p>\n

Tatiana Desardouin\u00a0was honored with the 2022 Juried Bessie Award, which acknowledges a choreographer who reveals a number of the most fascinating and thrilling concepts in dance in New York City as we speak, and whose work deserves to be seen extra outdoors the town. The award comes with touring help and different engagement alternatives from New York State DanceForce. The 2022 Bessies Jury of three acclaimed choreographers, LaTasha Barnes, Molissa Fenley, and Abby Zbikowski, chosen Desardouin.<\/p>\n

Emily L. Waters, a\u00a0senior program affiliate within the Arts and Culture program at The Andrew W. Mellon Foundation,\u00a0was honored with the 2022 Bessies Angel Award for her management and advocacy on behalf of dance.<\/p>\n

Two beforehand introduced awards have been additionally introduced. Choreographer and dancer\u00a0Nai-Ni Chen\u00a0was posthumously honored with the 2022 Lifetime Achievement in Dance Award.\u00a0Christine Jowers, founding editor of\u00a0The Dance Enthusiast<\/em>, obtained the 2022 Award\u00a0for Service to the Field of Dance.<\/p>\n

The ceremony featured a efficiency of Nai-Ni Chen\u2019s beautiful\u00a0Crosscurrent<\/em>, carried out by Rio Kikuchi and Esteban Santamaria. The night additionally included an exhilarating pop-up efficiency by Passion Fruit Dance Company\u2019s\u00a0Tatiana Desardouin, with Mai L\u00ea H\u00f4, Lauriane Ogay and Gyeun \u201cLobel\u201d Jeong.<\/p>\n

The Bessies additionally honored members of the dance neighborhood who handed away for the reason that final Bessies ceremony. The In Memoriam part was introduced by\u00a0Sangeeta Ghosh Yesley and Paz Tanjuaquio.<\/p>\n

Other presenters included Abdiel, Marija Abney, Michele Byrd-McPhee, PeiJu Chien-Pott, Natsha Diggs,\u00a0maura nguyen donohue,\u00a0Brinda Guha,\u00a0Anabella Lenzu,\u00a0Kyle Marshall,\u00a0Nicky Paraiso, Tiffany Rea-Fisher, george emilio sanchez, Lucy Sexton, Philip Trevi\u00f1o\u00a0and\u00a0Andr\u00e9 M. Zachery.<\/p>\n

THE 2022 NY DANCE AND PERFORMANCE AWARD RECIPIENTS AND CITATIONS:<\/strong>\u00a0<\/p>\n

LIFETIME ACHIEVEMENT IN DANCE AWARD<\/u><\/strong><\/p>\n

Nai-Ni Chen<\/strong><\/p>\n

Nai-Ni Chen was a pressure within the dance neighborhood together with her distinctive choreographic physique of labor that fuses Eastern cultural types of Chinese dance and the Western world of contemporary dance.\u00a0Her\u00a0imaginative and prescient of the immigrant\u2019s journey of crossing cultures and adapting to a brand new residence supplied countless inspirations and alternatives for inventive expressions that enrich the human expertise.<\/p>\n

SERVICE TO THE FIELD OF DANCE AWARD<\/u><\/strong><\/p>\n

Christine Jowers<\/strong><\/p>\n

Jowers is an instance of generosity, dedication, and dedication in service to the dance subject. After her profession as a dancer performing in England and the U.S., Jowers devoted herself to supporting dance artists, to writing about them with respect, reality, and love. In occasions when dance critiques and writers are nearly extinct, when publications and dance journalists are disappearing, Jowers and\u00a0The Dance Enthusiast<\/em>\u00a0worth and care about dance criticism and documenting performances. She has and continues to ignite the dance neighborhood with ardour, curiosity, and dialog.<\/p>\n

BESSIES ANGEL AWARD<\/u><\/strong><\/p>\n

Emily L. Waters<\/strong><\/p>\n

Waters is being acknowledged for her advocacy of dance in occasions when artists want it probably the most; for making certain dance is dropped at the desk as a former skilled dancer; for being a trailblazer for dance within the philanthropic setting.\u00a0<\/p>\n

OUTSTANDING CHOREOGRAPHER\/CREATOR<\/u><\/strong><\/p>\n

Leslie Cuyjet<\/strong><\/p>\n

Blur\u00a0<\/em><\/strong>at Open Call at The Shed<\/strong><\/p>\n

Intimate, weak, daring, and enigmatic, this visceral piece is a quiet merging of Cuyjet\u2019s interior worlds. With sequences of extremely orchestrated, improvised buildings which can be exacting, charged, and within the current, Cuyjet creates an enormous, residing panorama.<\/p>\n

Bill T. Jones, Janet Wong, and Bill T. Jones\/Arnie Zane Company<\/strong><\/p>\n

Deep Blue Sea\u00a0<\/em><\/strong>at Park Avenue Armory<\/strong><\/p>\n

For a visionary, large-scale work incorporating round 100 dancers and a nontraditional use of house and manufacturing components, culminating in a creation each common and deeply private.<\/p>\n

Anna Sperber<\/strong><\/p>\n

Bow Echo,\u00a0<\/em><\/strong>introduced by X\u00d8 Projects Inc and The Old American Can Factory<\/strong><\/p>\n

With eager consideration to element in choreographic buildings that relate to the surroundings, Sperber creates a visible, thrilling rooftop ritual with motion invention and supplies that break the standard expectations of an viewers.<\/p>\n

Ra\u00fal Tamez<\/strong><\/p>\n

Migrant Mother<\/em><\/strong>\u00a0for Lim\u00f3n Dance Company at The Joyce Theater<\/strong><\/p>\n

For making a tributary piece to the immense grief and emotional ache that migrant moms endure. From technically complicated choreography, utilizing house and our bodies to sculpt eye-catching destructive and optimistic house, to the blended use of modern-day sound bites with music, this can be a deeply somatic expertise.<\/p>\n

OUTSTANDING PERFORMER<\/u><\/strong><\/p>\n

Soledad Barrio<\/strong><\/p>\n

in\u00a0Soledad Barrio & Noche Flamenca<\/em>\u00a0at The Joyce Theater<\/strong><\/p>\n

For stamping the fireplace and fervour of flamenco into the guts of the observer, making everybody need to be from Spain. Barrio\u2019s blended precision, rhythm, and expressiveness don’t simply transfer with the music, however sing again to it.<\/p>\n

Kayla Farrish<\/strong><\/p>\n

in\u00a0December eighth<\/em>\u00a0by Kayla Farrish in collaboration with Belinda McGuire, the Eva Yaa Asantewaa Solo for Solo Showing at Gibney<\/strong><\/p>\n

For a tumble and waterfall of physicality and phrasing that at occasions takes one\u2019s breath away, and at occasions quickens the blood. Farrish is in full management from begin to end, and can be capable of provide vulnerability and coronary heart by her efficiency.<\/p>\n

Nikolai McKenzie Ben Rema<\/strong><\/p>\n

in\u00a0A Jamaican Battyboy in America<\/em>\u00a0by Arthur Avil\u00e9s at Hemispheric Institute at NYU and\u00a0\u00a0BAAD!<\/strong><\/p>\n

For decoding and including to a revival with precision, poise, and evident generosity of spirit. McKenzie Ben Rema turns into without delay a channel and a producing vessel with daring and mesmerizing dancing.<\/p>\n

Antonio Ramos<\/strong><\/p>\n

in\u00a0Puro Teatro\u00a0<\/em>by luciana achugar at The Chocolate Factory Theater<\/strong><\/p>\n

Ramos embraces achugar\u2019s choreographic imaginative and prescient to create a residing panorama the place our bodies are within the current, joyful, brave, weak, humorous, connecting, and intersecting with each other. Ramos\u2019s actions of improvised buildings are exacting, highly-skilled, charged, and playful.<\/p>\n

OUTSTANDING REVIVAL<\/u><\/strong><\/p>\n

Set and Reset\/Reset (2021)<\/em><\/strong><\/p>\n

Choreographed and co-directed by Abigail Yager, co-directed by Jamie Scott with help from Diane Madden, carried out by Candoco Dance Company on the Brooklyn Academy of Music\u00a0<\/strong><\/p>\n

For a dynamic, totally embodied imaginative and prescient\/revision of Trisha Brown\u2019s\u00a0Set and Reset\u00a0<\/em>(1983). Candoco dancers totally communicate Brown\u2019s vocabulary whereas additionally creating new methods to talk. With the material Brown laid out for them, the dancers create a vibrant tapestry that shimmers and strikes with fluidity and beauty. Beautiful and transferring, the dancers depart the viewers with a lot to rethink.<\/p>\n

OUTSTANDING SOUND DESIGN \/ MUSIC COMPOSITION<\/u><\/strong><\/p>\n

Marc \u00c1lvarez (association)<\/strong><\/p>\n

For\u00a0Carmen\u00a0<\/em>by Johan Inger,\u00a0<\/em>carried out by Compa\u00f1\u00eda Nacional de Danzaat The Joyce Theater<\/strong><\/p>\n

For remixing music utilizing Bizet\u2019s unique composition with a up to date twist. There is a seamless transition from classical to up to date that makes the music one.<\/p>\n

OUTSTANDING VISUAL DESIGN<\/u><\/strong><\/p>\n

New Affiliates (Set and Costume Design) \u2013 Ivi Diamantopoulou, Jaffer Kolb, and Rashaad Newsome Studio with Truman T. Brown Jr., Howie B., Kimberly Jones, and Randy Rosenthal<\/strong><\/p>\n

For\u00a0Assembly\u00a0<\/em>by Rashaad Newsome at Park Avenue Armory<\/strong><\/p>\n

For an thrilling multi-arts spectacle, a real celebration of African tradition disseminated into present society supporting dance, music, and poetry by textiles and visible artwork. An spectacular amalgamation of unsuspecting components making a unified complete.<\/p>\n

OUTSTANDING BREAKOUT CHOREOGRAPHER<\/u><\/strong><\/p>\n

Princess Lockerooo<\/strong><\/p>\n

For artistry that strikes the viewers from spectator to fellow performer fairly seamlessly, educating about dance tradition within the course of. Princess Lockeroo is a multifaceted artist who has all the time been totally devoted to her craft and doesn’t miss any particulars in making a full, immersive expertise for her viewers.<\/p>\n

2022 JURIED BESSIE AWARD<\/u><\/strong><\/p>\n

Tatiana Desardouin<\/strong><\/p>\n

Desardouin\u2019s \u201cgroove,\u201d embraces the connection of time with a person\u2019s true nature. Each second turns into totally realized and progresses ahead to disclose the dancer\u2019s genuine self. Just as her \u201cPassion Fruit Seeds\u201d present a sourceable root for people to create and maintain, she and her works are a galvanized supply of inspiration and dopeness for the Street and Club dance neighborhood and everybody she encounters.<\/p>\n

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\n\t\t\t\t\t\t\t\t\t\t\t\tAbby Zbikowski<\/a>, Abigail Yager<\/a>, Anna Sperber<\/a>, Antonio Ramos<\/a>, Bessie Awards<\/a>, Bill T. Jones\/Arnie Zane Company<\/a>, Candoco Dance Company<\/a>, Chelsea Factory<\/a>, Christine Jowers<\/a>, Diane Madden<\/a>, Doris Duke Charitable Foundation<\/a>, Emily L. Waters<\/a>, Esteban Santamaria<\/a>, Jamie Scott<\/a>, Janet Wong<\/a>, Kayla Farrish<\/a>, LaTasha Barnes<\/a>, Leslie Cuyjet<\/a>, Marc \u00c1lvarez<\/a>, Molissa Fenley<\/a>, Nai-Ni Chen<\/a>, New York State DanceForce<\/a>, Nikolai McKenzie Ben Rema<\/a>, Passion Fruit Dance Company<\/a>, Porshia A. Derival<\/a>, Princess Lockerooo<\/a>, Ra\u00fal Tamez<\/a>, Rio Kikuchi<\/a>, Soledad Barrio<\/a>, Tatiana Desardouin<\/a>, The Andrew W. Mellon Foundation<\/a>, The Bessies<\/a>, The Bessies 2022<\/a>, The Joyce Theater<\/a>, The NY Dance and Performance Awards<\/a>, The Shed<\/a>, TOTEM Productions<\/a><\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n


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