[ad_1]
\n<\/p>\n
NEW YORK CITY: <\/strong>On May 5, Silver Anderson, representing Milwaukee Repertory Theater<\/a>, gained True Colors Theatre Company<\/a>\u2019s 2025 Next Narrative National Monologue Competition <\/a>(NNMC) National Finals at Harlem\u2019s historic Apollo Theatre. Chiedza Mahuni from the Tulsa Performing Arts Center<\/a> positioned second, and Ja\u2019Kyah Jackson from Atlanta\u2019s True Colors Theatre Company completed third. The occasion was hosted by True Colors inventive director Jamil Jude and author\/performer Roger Q. Mason, and judged by Ngozi Anyanwu, Brittanny Bradford, Andre Minkins, Ricardo Vazquez, and Evette Marie White. Students participated in a workshop from Phylicia Rashad throughout their all-expense-paid journey to New York City.\u00a0<\/p>\n Anderson, who obtained the $3,000 prime prize, carried out \u201cShame\u201d by Cheryl L. West. Mahuni, who carried out \u201cYoung Mother\u201d by Dominic Taylor, obtained $2,000, whereas Jackson gained $1,000 for performing \u201cYoung Mother\u201d by Nubia Monks. Finalists have been Spirit Waddell (True Colors Theatre Company), Adrian Sanchez and Joud Alkhalifa (the Huntington<\/a>), Gabrielle Couts and Kerion Gordon (Dallas\u2019s Southern Methodist University<\/a>), Cameron Ritchie and Kamea J. Richardson (Kansas City Melting Pot Theatre<\/a>), Thatcher Jacobs (Milwaukee Repertory Theater<\/a>), Dayton Jackson and Ken-Niyah Woods (Pittsburgh\u2019s Bill Nunn Theatre Outreach Project<\/a>), Ava Simone Cabine and Judah Forrester (Portland\u2019s World Stage Theatre<\/a>), Tyanna Curry and Giselle Kendrick (Seattle Rep<\/a>), and Shawnna\u2019lee Davis (Tulsa Performing Arts Center<\/a>).<\/p>\n Launched 4 years in the past, NNMC options authentic monologues commissioned particularly for the competitors from 31 main up to date Black playwrights. NNMC is an evolution of Atlanta-based True Colors\u2019 authentic monologue competitors, which featured the monologues of August Wilson and ran from its creation in 2007 till 2021.<\/p>\n NEW YORK CITY<\/strong>: Actors\u2019 Equity Foundation introduced the recipients of its 2025 Performance Awards. They will likely be offered in New York City and honor performers within the 2024-2025 season on June 23, in a ceremony that will even embody the Foundation\u2019s humanitarian Patrick Quinn Award, the ACCA Award for Outstanding Broadway Chorus<\/a> (winners to be introduced) and the Paul Robeson Award, beforehand introduced to be awarded to Leslie Ishii<\/a>.<\/p>\n The Richard Seff Award, given to 2 veteran character actors who’re 50 years outdated or older and have been Equity members for 25 years or longer, will likely be awarded to Jessica Hecht (Eureka Day<\/em>) and Francis Jue (Yellow Face<\/em>). The Clarence Derwent Award for the 2 most promising performances of the season from early-career performers will likely be given to Nicholas Barasch (Pirates! The Penzance Musical<\/em>) and Julia Lester (All Nighter<\/em>). The Joe A. Callaway Award for the 2 finest performances in a classical play will likely be awarded to Steven Epp (Henry IV<\/em>) and Kimber Elayne Sprawl (Othello<\/em>). The Michael McCarty Recognition Award, honoring established Los Angeles-based Equity actors who’ve constructed their lives in that metropolis\u2019s theatre scene, will likely be awarded to Jennifer Leigh Warren.\u00a0<\/p>\n NEW YORK CITY: <\/strong>The Outer Critics Circle Awards introduced its 2025 award winners on May 12. The musical Maybe Happy Ending <\/em>took essentially the most wins, garnering 4: the highest honor of Outstanding New Broadway Musical, Outstanding Book and Score for Will Aronson and Hue Park, and Outstanding Direction of a Broadway Musical for Michael Arden. Death Becomes Her <\/em>obtained 12 nominations, however didn’t win any.\u00a0<\/p>\n Other prime awards included Kimberly Belflower\u2019s John Proctor Is The Villain <\/em>for Outstanding New Broadway Play (which additionally obtained recognition for Danya Taymor\u2019s course), DRAG: The Musical <\/em>for Outstanding New Off-Broadway Musical (which additionally garnered Nick Adams recognition as Outstanding Lead Performer in an Off-Broadway Musical), and Roundabout Theatre Company<\/a>\u2019s Liberation<\/em> by Bess Wohl for Outstanding New Play. George Clooney and Grant Heslov obtained the John Gassner award for brand new playwrights for Good Night, and Good Luck<\/em>. As for the revivals, Cats: The Jellicle Ball <\/em>and Andrew Scott\u2019s Vanya<\/em> took the honors.<\/p>\n Additional large winners included BOOP! The Musical, <\/em>which obtained three wins for Outstanding Lead Performer in a Broadway Musical for Jasmine Amy Rogers, choreography for Jerry Mitchell and costume design for Gregg Barnes; and Stranger Things: The First Shadow<\/em>, which led in design classes, together with Best Scenic Design for Miriam Buether, Jamie Harrison, and Chris Fisher, Sound Design for Paul Arditti and Lighting Design for Jon Clark.<\/p>\n Sarah Snook was acknowledged for Outstanding Solo Performance for her flip in The Picture of Dorian Gray<\/em> (for which David Bergman was additionally acknowledged for his video\/projections design). Laura Donnelly of The Hills of California <\/em>and Francis Jue of David Henry Hwang\u2019s Yellow Face<\/em> have been acknowledged as Outstanding Lead Performers of Broadway performs, and Adam Driver gained Outstanding Lead Performer of an Off-Broadway Play for Hold On to Me Darling <\/em>at Atlantic Theater Company<\/a>. Winning featured performers included Jak Malone for Operation Mincemeat, Andr\u00e9 De Shields for Cats: The Jellicle Ball<\/em>, and Michael Rishawn for Table 17. <\/em>Andrew Resnick and Michael Thurber\u2019s orchestrations have been acknowledged for Just in Time.\u00a0<\/em><\/p>\n ST. PAUL, MINN.: <\/strong>The Playwrights Center introduced their 2025-2027 Jerome and Many Voices Fellows<\/a> on May 6. These artists would be the second group to hitch because the phrases of those fellowships have been expanded to 2 years, and the primary to expertise the total tenure of their fellowships from the Center\u2019s new dwelling in St. Paul. For the Jerome Fellowship, returning fellow Michelle De Joya and new fellow Sharifa Kazmeen have been chosen. The Many Voices fellows will likely be playwright Vinecia Coleman, who goals to inform tales that target the Black feminine expertise; Minnesota-born playwright Bianca Nkwonta, who\u2019s excited to jot down about her personal group; and Tejana playwright, inventive collaborator, and photographer J. Isabel Salazar.<\/p>\n NEW YORK CITY: <\/strong>The Tony Awards Administration Committee introduced that, primarily based on the advice of the American Theatre Critics Association,\u00a0the Muny<\/a>\u2014the frequent identify for the Municipal Theatre Association of St. Louis\u2014would be the recipient of the\u00a02025 Regional Theatre Tony Award.\u00a0The honor, recognizing a regional theatre firm that has displayed a steady stage of inventive achievement contributing to the expansion of theatre nationally, is accompanied by a grant of $25,000, made attainable by City National Bank. For extra, learn the breaking information<\/a> right here.<\/p>\n NEW YORK CITY:<\/strong> On May 5, the 2025 Pulitzer Prizes<\/a> have been awarded. Branden Jacobs-Jenkins took dwelling the Pulitzer Prize for Drama for Purpose<\/em>, simply hours after receiving the Steinberg Prize, and on the identical day he was additionally acknowledged by the New York Drama Critics Circle. The Pulitzer finalists have been Oh, Mary! <\/em>by Cole Escola and The Ally<\/em> by Itamar Moses. For the Pulitzer Prize for Criticism, theatre critics have been acknowledged, together with finalists Sara Holdren and Vinson Cunningham, each of The New Yorker<\/em>. For extra, learn the breaking information right here<\/a>.<\/p>\n NEW YORK CITY:<\/strong> The New York Drama Critics\u2019 Circle<\/a> met to find out their 2025 award winners on May 5. Playwright Branden Jacobs-Jenkins gained Best Play for Purpose<\/em>, and Will Aronson and Hue Park\u2019s Maybe Happy Ending<\/em> was acknowledged for Best Musical. Andrew Scott was awarded for Best Individual Performance for Vanya<\/em>, and Best Ensemble Performance was given to the solid of Bess Wohl\u2019s Liberation<\/em>. Special citations got to Cole Escola for Oh, Mary<\/em>!, the revival of Cats: The Jellicle Ball<\/em>, and David Greenspan for lifetime achievement. The awards will likely be given in a ceremony on May 15.\u00a0<\/p>\n COSTA MESA, CALIF.:<\/strong> The Harold and Mimi Steinberg\/ATCA New Play Awards<\/a> recipients have been named on May 5. The award acknowledges an impressive script that premiered in knowledgeable manufacturing outdoors of New York City. Brandon Jacobs-Jenkins gained the award for the Steppenwolf Theatre<\/a> run of his new play, Purpose<\/em>. Steinberg finalists have been The Janeiad <\/em>by Anna Ziegler on the Alley Theatre<\/a>, and Little Bear Ridge<\/em> by Samuel D. Hunter on the Steppenwolf. Additionally, for his play Judgment Day<\/em>, Rob Ulin obtained the 2025 M. Elizabeth Osborne Award, which acknowledges the work of an rising playwright who has not but obtained a serious New York manufacturing or nationwide award, with a prize of $3,000.\u00a0<\/p>\n HILLSBORO, ORE.: <\/strong>In honor of National Day of Awareness for Missing and Murdered Indigenous Relatives, Native Theater Project<\/a> awarded 4 money prizes of $250 to playwrights with new performs addressing MMIR: Marci Rendon, Carolyn Dunn, Isabella Madrigal, and Honokee Dunn. NTP will even develop\u00a0I is For Invisible<\/em>\u00a0by DeLanna Studi over the approaching 12 months with\u00a0Advance Gender Equity within the Arts<\/a>\u00a0(AGE) and\u00a0Bag&Baggage Productions<\/a>\u00a0(B&B), culminating in a public presentation at Bag&Baggage\u2019s\u00a0The Vault Theater<\/a>\u00a0on subsequent 12 months\u2019s National Day of Awareness for MMIR. For extra, learn the breaking information<\/a> right here.<\/p>\n NEW YORK CITY:<\/strong> At the fortieth Lucille Lortel Awards<\/a> at NYU Skirball on May 4, the highest honors for Outstanding Play went to New York Theatre Workshop<\/a> and Tectonic Theater Project<\/a>\u2019s Here There Are Blueberries <\/em>by Moises Kaufman and Amanda Gronich, and Outstanding Musical went to Signature Theatre Company<\/a>\u2019s Three Houses<\/em> by Dave Malloy. Andrew Scott\u2019s Vanya<\/em> gained for Outstanding Solo Show, and MART Foundation<\/a> and Arlekin Players<\/a>\u2019 Our Class<\/em>, written <\/em>by Tadeusz Slobodzianek and tailored by Norman Allen, gained 4 awards, together with Outstanding Revival, Outstanding Ensemble, and Outstanding Director for Igor Golyak. Special honorees included new Playwrights\u2019 Sidewalk inductee Alice Childress, Outstanding Body of Work honoree New Federal Theatre<\/a>, and Edith Oliver Service to Off-Broadway honoree Carol Fishman.<\/p>\n NEW YORK CITY: <\/strong>On May 1, winners of the 2025 Doris Duke Artist Awards<\/a> have been introduced. Theatre artists among the many recipients this 12 months are Raja Feather Kelly<\/a> of A Strange Loop<\/em>, Aya Ogawa<\/a> of The Nosebleed<\/em>, and Kaneza Schaal of Flight Into Egypt: Black Artists and Ancient Egypt, 1876-Now<\/em>. Trajal Harrell, Kassa Overall, and Brandee Younger have been additionally acknowledged. Each winner will obtain $525,000 over seven years, and an incentive of as much as $25,000 to avoid wasting for retirement. The awards are the most important U.S. prize devoted to performing artists on this planet of theatre, jazz, and dance.\u00a0<\/p>\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
\n