{"id":117534,"date":"2024-01-04T05:12:28","date_gmt":"2024-01-04T05:12:28","guid":{"rendered":"https:\/\/showbizztoday.com\/index.php\/2024\/01\/04\/scene-by-james-2023-a-theatrical-year-in-review-part-2-the-shows\/"},"modified":"2024-01-04T05:12:29","modified_gmt":"2024-01-04T05:12:29","slug":"scene-by-james-2023-a-theatrical-year-in-review-part-2-the-shows","status":"publish","type":"post","link":"https:\/\/showbizztoday.com\/index.php\/2024\/01\/04\/scene-by-james-2023-a-theatrical-year-in-review-part-2-the-shows\/","title":{"rendered":"SCENE BY JAMES: 2023 \u2013 A Theatrical Year in Review [Part 2: The Shows]"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div>\n<figure class=\"entry-thumbnail\">\n<img decoding=\"async\" src=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/07\/basmati-bitch-two-678x381.jpeg\" alt=\"\" title=\"\"\/><figcaption class=\"wp-caption-text\">Basmati Bitch. Photography by Abhi Chinniah<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" src=\"http:\/\/api.tweetmeme.com\/button.js?url=http%3A%2F%2Fwww.theatrescenes.co.nz%2Fscene-by-james-2023-a-theatrical-year-in-review-part-2-the-shows%2F&amp;style=normal\" height=\"61\" width=\"50\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>This 12 months\u2019s commentary is cut up into two elements. <strong><a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2023-a-theatrical-year-in-review-part-1-the-issues\/\" data-type=\"post\" data-id=\"10697\" target=\"_blank\" rel=\"noopener\">CLICK HERE for 2023 \u2013 A Theatrical Year in Review [Part 1 \u2013 The Issues].<\/a><\/strong><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<p>Theatre Scenes\u2019 current annual Year in Reviews have focussed on massive sector points, broadening our focus past the theatre carried out on our phases. But it&#8217;s all the time a reduction to show the eye again to the reveals, and revisit what our crew of reviewers fabricated from them.\u00a0<\/p>\n<p>So, let\u2019s get again to enterprise.<\/p>\n<p>Well, not fairly but. Silo Theatre made the large name that \u201c<a href=\"https:\/\/silotheatre.co.nz\/article\/2023-cancelled-2023-artistic-message\" target=\"_blank\" rel=\"noopener\">2023 = cancelled<\/a>\u201d, that means we missed out on Silo\u2019s ordinary agenda-setting productions this 12 months. The firm as a substitute developed work internally, sneaking in a stay stay cinema manufacturing of <a href=\"http:\/\/www.theatrescenes.co.nz\/review-night-of-the-living-dead-silo\/\" target=\"_blank\" rel=\"noopener\"><em>Night of the Living Dead<\/em><\/a> as their one and solely public present of the 12 months. Erin O\u2019Flaherty discovered it to be \u201ca fun and innovative concept that unites the mediums of cinema and theatre; it playfully exists in both and neither. It is full of delicious contradictions \u2013 like the zombies themselves, caught between life and death.\u201d<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/11\/Screen-Shot-2023-11-07-at-5.09.05-PM.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"867\" height=\"513\" src=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/11\/Screen-Shot-2023-11-07-at-5.09.05-PM.png\" alt=\"\" class=\"wp-image-10642\" srcset=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/11\/Screen-Shot-2023-11-07-at-5.09.05-PM.png 867w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/11\/Screen-Shot-2023-11-07-at-5.09.05-PM-300x178.png 300w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/11\/Screen-Shot-2023-11-07-at-5.09.05-PM-768x454.png 768w\" sizes=\"auto, (max-width: 867px) 100vw, 867px\"\/><\/a><figcaption class=\"wp-element-caption\">Night of the Living Dead. Photography by Andi Crown<\/figcaption><\/figure>\n<p>Another manufacturing enjoying between these artforms was <a href=\"http:\/\/www.theatrescenes.co.nz\/review-the-picture-of-dorian-gray-auckland-arts-festival\/\" target=\"_blank\" rel=\"noopener\"><em>The Picture of Dorian Gray<\/em><\/a>, direct from Sydney Theatre Company and introduced by Auckland Arts Festival. While the manufacturing had many within the arts group buzzing, our reviewer Tim George wasn\u2019t so offered: <\/p>\n<blockquote class=\"wp-block-quote\">\n<p>I felt like there was not sufficient left for the viewers\u2019s personal creativeness. There is a lot use of screens, and photographs of characters performing in different environments, that it begins to really feel overwrought, and begins to impede the influence of [Eryn Jean] Norvill\u2019s efficiency.<\/p>\n<\/blockquote>\n<p><strong>Auckland Pride<\/strong><br \/>Theatres Scenes joined <a href=\"https:\/\/pantograph-punch.com\/\" target=\"_blank\" rel=\"noopener\">The Pantograph Punch<\/a>, <a href=\"https:\/\/badapple.gay\/\" target=\"_blank\" rel=\"noopener\">Bad Apple Gay<\/a>, and <a href=\"https:\/\/www.ratworldmag.com\/\" target=\"_blank\" rel=\"noopener\">Rat World<\/a> for the Auckland Pride Review Project, aiming to offer extra essential discourse round queer theatre and efficiency work. Our reviewers lined a rainbow of reveals hosted by Auckland Pride: <a href=\"http:\/\/www.theatrescenes.co.nz\/review-show-ponies-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Show Ponie<\/em>s<\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-naked-dangerous-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Naked &amp; Dangerous<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-concerning-the-ufo-sighting-outside-mt-roskill-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Concerning the UFO Sighting Outside Mt Roskill, Auckland<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-festival-of-live-art-f-o-l-a-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Festival of Live Art, F.O.L.A<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-the-best-is-yet-to-come-a-queer-magic-show-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>The Best is Yet to Come: A Queer Magic Show<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-jez-jace-lads-on-tour-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Jez &amp; Jace: Lads on Tour<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-man-lessons-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Man Lessons<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-access-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>Access<\/em><\/a> and <a href=\"http:\/\/www.theatrescenes.co.nz\/review-shes-crowning-rebirth-auckland-pride\/\" target=\"_blank\" rel=\"noopener\"><em>She\u2019s Crowning: Rebirth<\/em><\/a>.<\/p>\n<p><strong>Auckland Theatre Company<\/strong><br \/><em>King Lear<\/em> was the centrepiece of Auckland Theatre Company\u2019s programme, ATC\u2019s first Shakespeare manufacturing over a decade. Many had lengthy anticipated the prospect of Michael Hurst being able to play the ageing King. Unfortunately, flawed staging decisions contributed to the manufacturing lacking the total energy of the play. Following earlier Covid cancellations, each <a href=\"https:\/\/thespinoff.co.nz\/books\/11-05-2023\/the-whole-stage-talks-a-review-of-witis-wahine\" target=\"_blank\" rel=\"noopener\"><em>Witi\u2019s W\u0101hine<\/em><\/a> by Nancy Brunning and <a href=\"http:\/\/www.theatrescenes.co.nz\/review-things-that-matter-auckland-theatre-company\/\" target=\"_blank\" rel=\"noopener\"><em>Things that Matter<\/em><\/a> by Gary Henderson lastly made it to the ATC stage. <em>Things that Matter<\/em>\u2019s \u201csobering account of the alarming state of our healthcare system\u201d taking up new urgency in an election 12 months.\u00a0<\/p>\n<p>Ankita Singh\u2019s debut play, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-basmati-bitch-q-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>Basmati Bitch<\/em><\/a>, was probably the most thrilling nights I had on the theatre this 12 months. Erin O\u2019Flahery described it as \u201ca visually spectacular, fast-paced firecracker of a show. Think <em>Blade Runner<\/em> meets <em>Scott Pilgrim<\/em>\u2026 It is rare that we get to see locally-produced work of this ambition and aesthetic flare on our stages\u2026\u00a0 I laughed and I yelled, and my heart soared. Blazingly modern and joyously thrilling, you will be sorry to miss it.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p><div class=\"youtube-embed\" data-video_id=\"NcQZhr6rzVo\"><iframe loading=\"lazy\" title=\"Basmati Bitch | Trailer\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/NcQZhr6rzVo?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/figure>\n<p><strong>Wellington Ballroom<\/strong><br \/>Another standout for me this 12 months was <a href=\"https:\/\/www.theatreview.org.nz\/production\/arawhata\/#journey-to-queer-empowerment-through-performance\" target=\"_blank\" rel=\"noopener\"><em>Arawhata<\/em><\/a>, by Wellington Ballroom, which performed in Wellington, Auckland and Hawkes Bay. Following within the footsteps of queer forebears, it was a smashingly assured debut centering the tales of takat\u0101pui and trans indigenous individuals of color.\u00a0<\/p>\n<p><strong>Hamilton<\/strong><br \/>Lin-Manuel Miranda\u2019s <em>Hamilton<\/em> arrived at Spark Arena, the first-ever Arena model of the blockbuster musical. Unfortunately sound and sight-line points considerably marred the expertise, with a reliance on the large screens bookending the stage. You may need been higher off staying residence and watching the Disney Plus model, if not for the standout New Zealand performers within the Australasian solid, <a href=\"https:\/\/www.1news.co.nz\/2023\/05\/30\/kiwi-actors-praised-for-magic-performances-in-hamilton-debut\/\" target=\"_blank\" rel=\"noopener\">Akina Edmonds and Matu Ngaropo<\/a>. Ngaropo\u2019s incorporation of M\u0101oritanga into his efficiency of George Washington (together with hongi and haka) stopped the present on closing evening, the viewers erupting with proud applause.\u00a0<\/p>\n<p><strong>Theatre for Legal Change<\/strong><br \/>Two completely different New Zealand productions of <em>Prima Facie<\/em> by Australian playwright Suzie Miller performed in Auckland and Wellington on the identical time this 12 months. A transparent-eyed cross-examination of the failings in how the authorized system offers with sexual assault circumstances, <em>Prima Facie<\/em> is a play that has been altering authorized follow: <a href=\"https:\/\/www.thepost.co.nz\/culture\/350025640\/handle-care-arts-can-be-explosive\" target=\"_blank\" rel=\"noopener\">Northern Ireland Judges are required to observe the play earlier than taking the bench<\/a>. Law professionals attending the Wellington season (starring Mel Dodge) and post-show Q&amp;A may declare two persevering with skilled improvement factors. As the manufacturing\u2019 director Lyndee-Jane Rutherford famous within the programme, \u201cartists\u2026 who often struggle to make a living wage, will be educating our lawmakers and those who uphold the law.\u201d<\/p>\n<p>Sharu Delilkan and Tim Booth reviewed the <a href=\"http:\/\/www.theatrescenes.co.nz\/review-prima-facie-herald-theatre\/\" target=\"_blank\" rel=\"noopener\">Auckland season <\/a>season (starring Acushla-Tara Kupe):\u00a0<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>Miller\u2019s intense and insightful script is an actor\u2019s dream and Kupe devours each phrase and delivers them with nice aplomb. She grabs the viewers\u2019s consideration from the primary second and doesn\u2019t let go, whereas some well-timed comedic moments present a a lot wanted reprieve from the weighty subject material\u2026.After the present you permit with the sensation that it&#8217;s us, the viewers, which were cross-examined within the witness field. We left feeling exhausted however educated and enriched. <em>Prima Facie<\/em> is uncooked, with harrowing moments the place \u201cNo means no\u201d seems to be \u2018open to interpretation\u2019 or at occasions simply merely dismissed, and asks whether or not the legislation because it stands can truly present justice in its present guise.\u00a0<\/p>\n<\/blockquote>\n<p><strong>New Work<\/strong><br \/>There was an abundance of latest work from quite a few our established theatre corporations: <a href=\"http:\/\/www.theatrescenes.co.nz\/review-moe-miti-red-leap-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>Moe Miti<\/em><\/a> by Katrina George from Red Leap Theatre,<em> <\/em><a href=\"http:\/\/www.theatrescenes.co.nz\/review-dirty-work-indian-ink-theatre-company\/\" target=\"_blank\" rel=\"noopener\"><em>Dirty Work<\/em><\/a> by Justin Lewis and Jacob Rajan from Indian Ink Theatre Company, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-i-want-to-be-happy\/\" target=\"_blank\" rel=\"noopener\"><em>I Want to Be Happy<\/em><\/a> by Carl Bland from Nightsong, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-heart-go-boom-massive-theatre-company\/\" target=\"_blank\" rel=\"noopener\"><em>Heart Go\u2026Boom!<\/em><\/a> from Massive, and <a href=\"https:\/\/www.ratworldmag.com\/read\/theatre-review-not-woman-enough\" target=\"_blank\" rel=\"noopener\"><em>Not Woman Enough<\/em><\/a> by Hweiling Ow and <a href=\"http:\/\/www.theatrescenes.co.nz\/review-how-to-throw-a-chinese-funeral\/\" target=\"_blank\" rel=\"noopener\"><em>How to Throw a Chinese Funeral<\/em><\/a> by Jill Kwan from Proudly Asian Theatre. The latter play had Sharu Delilkan and Tim Booth rejoicing \u201cAlamak!\u201d:\u00a0<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>It\u2019s such a deal with to listen to genuine <a href=\"https:\/\/360info.org\/malaysian-english-is-not-mangled-its-unifying\/\" target=\"_blank\" rel=\"noopener\">Manglish<\/a> at The Basement Theatre. For the uninitiated, Manglish is the \u2018rojak\u2019 (fruit salad) mixture of English-Malay-Cantonese-Hokkien-Hindi-Tamil phrases that usually pepper on a regular basis Malaysian conversations.\u00a0 And How to Throw a Chinese Funeral\u2019s dialogue epitomises this Malaysian vernacular all the way down to its core.\u00a0 The play captures a well-recognized slice of Malaysian life that includes excessive caricatures of the disapproving martyr-like father or mother and auntie who&#8217;re juxtaposed towards their Western-wannabe offspring.<\/p>\n<\/blockquote>\n<p>Eleanor Bishop and Karin McCracken invited us to verify into <a href=\"http:\/\/www.theatrescenes.co.nz\/review-heartbreak-hotel-q-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>Heartbreak Hotel<\/em><\/a>. Hannah Jamieson suggested us to \u201cprepare to laugh, cry, and be thoroughly entertained at the Heartbreak Hotel; its music-comedy concoction is the perfect remedy for a broken heart.\u201d<\/p>\n<p>Nathan Joe had a brand new play \u2013 type of. First developed in 2013, Joe\u2019s <em>Groundhog Day<\/em> impressed play <a href=\"http:\/\/www.theatrescenes.co.nz\/review-losing-face-matchbox-2023\/\" target=\"_blank\" rel=\"noopener\"><em>Losing Face<\/em><\/a> lastly made its debut, following Joe\u2019s triumphant <em>Scenes From a Yellow Peril<\/em> final 12 months. Irene Corbett wrote: \u201c<em>Losing Face<\/em> grapples with the everything bagel that is the human heart and succeeds. It is very Christmassy, very gay, and very much about family \u2013 equal parts joyous, frightening, loving, and exposing. <em>Losing Face<\/em> is a great New Zealand play.\u201d<\/p>\n<p>Punctum Productions adopted up <em>Losing Face<\/em> with <a href=\"http:\/\/www.theatrescenes.co.nz\/review-chick-habit-basement-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>Chick Habit<\/em><\/a><em> <\/em>by Nuanzhi Zheng at Basement Theatre. Jess Karamjeet discovered <em>Chick Habit <\/em>was \u201can uplifting show about queer, Asian women in a punk band \u2013 and that alone in our current climate is pretty revolutionary. What more could T\u0101maki Makaurau ask for right now?\u201d<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit-.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"689\" src=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit--1024x689.jpg\" alt=\"\" class=\"wp-image-10632\" srcset=\"http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit--1024x689.jpg 1024w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit--300x202.jpg 300w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit--768x516.jpg 768w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit--1536x1033.jpg 1536w, http:\/\/www.theatrescenes.co.nz\/wp-content\/uploads\/2023\/10\/CHick-habit-.jpg 1780w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/a><figcaption class=\"wp-element-caption\">Chick Habit. Photography by David St George<\/figcaption><\/figure>\n<p>Other reveals at Basement Theatre included Penny Ashton\u2019s Shakespeare parody <a href=\"http:\/\/www.theatrescenes.co.nz\/review-the-tempestuous-basement-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>The Tempestuous<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-i-want-to-be-happy\/\" target=\"_blank\" rel=\"noopener\"><em>Henchman<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-club-waack-prowl-productions\/\" target=\"_blank\" rel=\"noopener\"><em>Club Waack<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-chairs-basement\/\" target=\"_blank\" rel=\"noopener\"><em>Chairs!<\/em><\/a> and this 12 months\u2019s Christmas present, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-jingle-bellethon-telethon-basement-christmas-show\/\" target=\"_blank\" rel=\"noopener\"><em>Jingle Bellethon Telethon<\/em><\/a>.\u00a0<\/p>\n<p>One of essentially the most enterprising debuts of latest work got here from Barden Party\u2019s <a href=\"http:\/\/www.theatrescenes.co.nz\/review-butterfly-smokescreen-the-barden-party-and-jetpack-theatre\/\" target=\"_blank\" rel=\"noopener\"><em>Butterfly Smokescreen<\/em><\/a>. I reported from Auckland\u2019s Viaduct Harbour:\u00a0<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>The world\u2019s solely immersive theatre expertise aboard a superyacht? That\u2019s the daring declare made within the advertisements for <em>Butterfly Smokescreen<\/em>, and I don\u2019t have any motive to doubt it. The notion of creatives getting the chance to make an immersive, murder-mystery theatre present happening on an precise multi-million-dollar yacht in Aotearoa looks like a pipe dream, and but, for the previous two months, viewers members dressed to the nines in Twenties trend have been turning as much as Auckland\u2019s viaduct harbour for a really memorable efficiency expertise\u2026 But this was no joke for the patron, who was prepared to stump up some money. They secured the Sea Breeze III, which normally charters for $100K per week. Barely one month later, they have been opening the present.<\/p>\n<\/blockquote>\n<p>The greatest shock? \u201cThe terrifyingly rapid turn-around from pitch to production has resulted in a remarkably cohesive experience.\u201d<\/p>\n<p><strong>New Spaces<\/strong><br \/>Some nice information: Mt Roskill\u2019s Number Three Theatre, led by younger Pasfika theatremakers, secured a everlasting theatre on Dominion Road. \u201cIt means somebody\u2019s a step closer to their dream, having this resource here\u201d Lijah Mavaega advised <a href=\"https:\/\/www.1news.co.nz\/2023\/06\/25\/theatre-has-a-new-home-in-new-zealands-most-diverse-community\/\" target=\"_blank\" rel=\"noopener\">1News<\/a>, \u201cIt could be someone just needs a space to dance, or have room to sing their lungs out, or get an idea out and put in on a piece of paper to share it.\u201d<\/p>\n<p>\u00a0\u201cNelson\u2019s brand-new home of storytelling\u201d, The Professional Theatre Company launched this 12 months, opening with the Shakespearean impressed <a href=\"https:\/\/www.theatreview.org.nz\/production\/mr-mrs-macbeth-of-dodson-valley-rd\/#cracking-new-kiwi-take-on-the-bard-has-audience-in-stitches\" target=\"_blank\" rel=\"noopener\"><em>Mr &amp; Mrs Macbeth of Dodson Valley Road<\/em><\/a> by Gregory Copper\u00a0<\/p>\n<p>Te Pou Theatre <a href=\"https:\/\/www.tepoutheatre.nz\/whare-venue\/\" target=\"_blank\" rel=\"noopener\">opened its new whare<\/a> at Corban Arts Estate in January. Our reviewers loved Te Pou\u2019s reveals <a href=\"http:\/\/www.theatrescenes.co.nz\/review-nga-reta-te-pou\/\" target=\"_blank\" rel=\"noopener\"><em>Ng\u0101 Reta<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-limited-time-only-te-pou\/\" target=\"_blank\" rel=\"noopener\"><em>Limited Time Only<\/em><\/a>, <a href=\"http:\/\/www.theatrescenes.co.nz\/review-concerning-the-ufo-sighting-outside-mt-roskill-auckland-te-pou\/\" target=\"_blank\" rel=\"noopener\"><em>Concerning the UFO Sighting Outside Mt Roskill, Auckland<\/em><\/a>. Te Pou was a becoming host for the return season of <a href=\"http:\/\/www.theatrescenes.co.nz\/korero-the-haka-party-incident-te-pou\/\" target=\"_blank\" rel=\"noopener\"><em>The Haka Party Incident<\/em><\/a> by Katie Wolfe (which debuted with Auckland Theatre Company in 2021, a standout manufacturing that 12 months) because it ready to embark on its first nationwide tour.<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>Anuja Mitra, who reviewed the 2021 manufacturing, and Morgan Dalton-Mill (Ng\u0101ti Wh\u0101tua ki Kaipara) <a href=\"http:\/\/www.theatrescenes.co.nz\/korero-the-haka-party-incident-te-pou\/\" target=\"_blank\" rel=\"noopener\">had a k\u014drero<\/a> about what it meant to expertise the work at Te Pou\u2019s Tokomanawa theatre:<\/p>\n<p>A: When I first noticed the present, it was on the sprawling stage of the ASB Waterfront Theatre. You talked about that the theatre at Te Pou has the size of a wharenui. There was a common ambiance of welcoming everybody into that house, permitting them to decide on and settle into their seats earlier than the play started about 10 minutes after the scheduled begin time. How did the stage, and bodily house extra broadly, influence your expertise of the present?\u00a0<\/p>\n<p>M: The Tokomanawa theatre has a excessive ceiling, with two ceiling panels that meet the place the pou tokomanawa in a wharenui can be, and an enormous quantity of naked flooring house. So moving into the house instantly made me really feel as if I used to be in a wharenui like these I\u2019ve been to and stayed in. I assumed this was acceptable as a result of the wharenui is the place necessary kaupapa is mentioned, such because the kaupapa on the centre of this play.\u00a0\u00a0<\/p>\n<\/blockquote>\n<p>They additionally mentioned the play\u2019s purposeful and highly effective use of kapa haka:<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>A: We can\u2019t discuss in regards to the present with out speaking in regards to the kapa haka! The kaiako kapa haka\/kaitito haka was N\u012bkau Balme, who composed one of many haka carried out. There was some nice comedy flowing from the engineering college students\u2019 butchering of the haka, however the one on my thoughts is certainly the ultimate haka composed by N\u012bkau, He Taua. It was highly effective, too, to see some viewers members carry out a haka in response.<\/p>\n<p>M: That haka was a standout. Seeing it crammed me with awe and delight. I\u2019m no knowledgeable in kapa haka or te ao M\u0101ori broadly, however I assumed He Taua was a beautiful instance of a haka with kaha, ihi and wehi. It was at full quantity and the singing was out of this world. I loved watching the taiaha used appropriately throughout this haka in comparison with the opposite parody haka by the engineering college students. I used to be additionally thrilled to see N\u012b lead elements of this haka. It was a transferring strategy to end a transferring play \u2014 I used to be in tears for thus many causes afterwards.<\/p>\n<\/blockquote>\n<p>Embarking on a nationwide tour following a tricky string of Covid cancellations over a number of years, <em>The Haka Party Incident <\/em>demonstrated once more this 12 months the ability of artwork to shine a light-weight on onerous conversations, a beacon selling understanding and connection between M\u0101ori and tauiwi throughout a very corrosive election marketing campaign. At the Wellington Theatre Awards in December, <em>The Haka Party Incident<\/em> was awarded Production of the Year.<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<p>Finally, an enormous thanks to Irene Corbett, who stepped up this 12 months as Auckland editor, organising, modifying and posting opinions. Irene has helped maintain Theatre Scenes going for one more 12 months (do you know we\u2019ve been at this since 2010?!). A particular welcome to new reviewers Hannah Jamieson and Jackshen Lee, and thanks to everybody who contributed to Theatre Scenes this 12 months. We made it!<\/p>\n<p><strong>SEE ALSO:<\/strong><\/p>\n<p>Theatre Scenes Theatrical Year in Reviews: <a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2022-a-theatrical-year-in-review-pandemic-edition-year-three\/\" target=\"_blank\" rel=\"noopener\">2022<\/a>; <a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2021-a-theatrical-year-in-review-pandemic-edition-year-two\/\" target=\"_blank\" rel=\"noopener\">2021<\/a>; <a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2020-a-theatrical-year-in-review-pandemic-edition\/\" target=\"_blank\" rel=\"noopener\">2020<\/a>;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2019-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2019<\/a> ;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2018-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2018<\/a> ;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2017-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2017<\/a>\u00a0;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2016-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2016<\/a> ;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/scene-by-james-2015-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2015<\/a>\u00a0; <a href=\"http:\/\/www.theatrescenes.co.nz\/looking-back-2014-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2014<\/a>\u00a0;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/looking-back-2013-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2013<\/a>\u00a0;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/looking-back-2012-%e2%80%93-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2012<\/a>\u00a0;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/looking-back-2011-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2011<\/a>\u00a0;\u00a0<a href=\"http:\/\/www.theatrescenes.co.nz\/looking-back-2010-a-theatrical-year-in-review\/\" target=\"_blank\" rel=\"noopener\">2010<\/a><\/p>\n<\/p><\/div>\n<p>[ad_2]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Basmati Bitch. Photography by Abhi Chinniah This 12 months\u2019s commentary is cut up into two elements. CLICK HERE for 2023 \u2013 A Theatrical Year in Review [Part 1 \u2013 The Issues]. Theatre Scenes\u2019 current annual Year in Reviews have focussed on massive sector points, broadening our focus past the theatre carried out on our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":117536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":{"0":"post-117534","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-theatre"},"_links":{"self":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts\/117534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/comments?post=117534"}],"version-history":[{"count":0,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/posts\/117534\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/media\/117536"}],"wp:attachment":[{"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/media?parent=117534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/categories?post=117534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/showbizztoday.com\/index.php\/wp-json\/wp\/v2\/tags?post=117534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}