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If this report is your introduction to the world of Durand Jones<\/a>, you\u2019ve picked a very electrifying one. The Louisiana-born musician is without doubt one of the twenty first century\u2019s boldest soul personalities, his time on the forefront of Durand Jones & The Indications<\/a> coinciding with \u2013 and propelling \u2013 a renaissance interval for the sound, half a century on from the scene\u2019s heydays. The Indiana-formed band have launched three data, most notably cult favorite \u2018American Love Call\u2019,<\/a> which NME<\/i> known as \u201ca great American soul record\u201d upon launch in 2019.<\/p>\n But \u2018Wait Til I Get Over\u2019, a solo enterprise underneath his personal identify, could be his most interesting hour but. It was first teased to NME<\/i><\/a> in 2021 as an album that chimes with the scent of \u201cmagnolias on a hot summer\u2019s day\u201d, a scent that he says that it reminds him of his hometown: \u201cit has that sweetness, as well as that mustiness \u2013 there\u2019s something beautiful there\u201d. By house, Jones is referring to Hillaryville, Louisiana, a group based by freed slaves following the tip of the Civil War following reparations. It\u2019s a fiercely working-class city, one which has skilled plight \u2013 the \u201880s crack epidemic \u2013 and instilled hard-worn values into its inhabitants like Jones.<\/p>\n