NEW AND NOTABLE BOOKS NOVEMBER 2024 – Leonard Maltin’s Movie Crazy

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NEW AND NOTABLE BOOKS NOVEMBER 2024 – Leonard Maltin’s Movie Crazy


ZEPPO: THE RELUCTANT MARX BROTHER by Robert S. Bader (Applause)

This is a revelatory ebook, achieved by means of painstaking analysis (see: Four of the Three Musketeers: The Marx Brothers on Stage by the identical writer) and the participation of Zeppo Marx’s two sons and different relations and associates who had been near him. Getting near Zeppo was no straightforward activity, as we shortly be taught. The youngest of the celebrated Marx Brothers, he was shoehorned into their vaudeville act in opposition to his will, placed on wage as an alternative of incomes a share of their ever-rising wage and given thankless roles of their first 5 films. After deciding to go away the act in 1934 he decided not solely to make good however to outdo his siblings in each method—particularly when it got here to cash. A daring and reckless gambler, he made and misplaced numerous 1000’s of {dollars}, however as a businessman and inventor he collected thousands and thousands. Bader has unearthed beforehand undocumented data and reached many stunning conclusions. Zeppo’s dealings contain everybody from studio chiefs to infamous underworld figures. Some of that is seamy, to say the least. He additionally confirms what we’ve learn elsewhere, that off-stage Zeppo was arguably the funniest Marx Brother of all of them. This fascinating ebook isn’t a lot a show-business saga as a personality research of 1 distinctive (and infrequently misunderstood) particular person. I assure you’ll by no means take a look at him the identical method once more.

SHEMP! THE BIOGRAPHY OF THE THREE STOOGES’ SHEMP HOWARD, THE FACE OF FILM COMEDY  by Burt Kearns; foreword by Drew Friedman (Applause)

This biography has no less than one high quality that units it other than many books I learn each month: good writing. Kearns, who gave us the long-awaited bio of actor Lawrence Tierney, turns now to the long-neglected “third Stooge.” In so doing he overturns a lot of the accepted historical past of the Three Stooges’ lives and careers, particularly as recounted by Moe Howard in his autobiography and augmented by interviews given late in life by Moe and Larry Fine. I’m not the one writer who should revise what I’ve written concerning the Stooges and their frenemy Ted Healy. There is barely an anecdote from the previous that Kearns hasn’t skewered, with substantive backup from newspaper articles from the Twenties onward. Whether maliciously or not, Moe Howard tried to attenuate his older brother’s contribution to the act—earlier than and after becoming a member of the staff. A extremely readable piece of movie scholarship, Shemp! is a welcome addition to any comedy devotee’s library.

DIRECTING AT DISNEY: THE ORIGINAL DIRECTORS OF WALT’S ANIMATED FILMS by Don Peri and Pete Docter; foreword by George Lucas (Disney Editions)

The authors have been engaged on this hefty quantity for greater than a decade, and it exhibits. I by no means dreamt I might be taught a lot a couple of studio I assumed I knew in and out. By specializing in the forgotten males of Disney’s golden age they haven’t solely delivered to mild the internal workings of that studio however shone a highlight on males whose contributions to nice animated movies have by no means been totally appreciated. Figures who had been simply names within the credit—Ben Sharpsteen, David Hand, Burt Gillett, Hamilton Luske, Wilfred Jackson, to call a couple of—are made actual and tangible by means of Peri and Docter’s exhaustive analysis and first-hand interviews. In the truest sense of the phrase, they’re animated and delivered to life on the printed web page. By scrupulously sifting by means of gossip and rumors to get to the character of every particular person Peri and Docter have carried out a terrific service to Disneyphiles all the time. I devoured this ebook and may’t reward it extremely sufficient.       

HOLLYWOOD SIGNS: THE GOLDEN AGE OF GLITTERING GRAPHICS AND GLOWING NEON by Kathy Kinkert; foreword by Chris Nichols (Angel City Press)

This irresistible and superbly designed ebook is a deal with for anybody who needs she or he might step right into a time machine and expertise Hollywood because it was within the Nineteen Thirties, 40s, and 50s, full of colourful eating places, nightclubs, theaters and novelty shops—lots of them bearing eye-catching neon indicators. Audacious design parts had been introduced into play to draw clients, and due to Kinkert’s informational captions I now perceive the place many institutions had been positioned and the way they mirrored the neighboring companies. (I by no means realized that the fabled Hitching Post movie show, which confirmed nothing however Westerns, stood proper throughout the road from the palatial Pantages Theatre.)

HANNA-BARBERA, THE RECORDED HISTORY: FROM MODERN STONE AGE TO MEDDLING KIDS (University Press of Mississippi) by Greg Ehrbar; preface by Leonard Maltin; foreword by Tim Matheson

Having written a foreword to this ebook I gained’t fake to be unprejudiced about its high quality. As the co-author of Mouse Tracks, the exhaustive saga of Walt Disney Records, Greg Ehrbar brings his information and enthusiasm to charting this animation studio’s historical past, with an emphasis on music and recordings impressed by its many TV collection. It is a broader matter than I imagined, forgetting the impression that H-B had on popular culture in its first few many years. This will function a useful reference information and a cheerful reminder of albums and singles springboarded by Bill Hanna and Joe Barbera.

POVERTY ROW ROYALTY by Thomas Reeder (Split Reel)

One wouldn’t anticipate the saga of PRC, the bottom-of-the-barrel Hollywood manufacturing firm, to warrant or deserve the in depth therapy it receives on this hefty paperback ebook. But other than skimming by means of limitless B-movie synopses I realized so much concerning the enterprise of staying in enterprise, which the brothers behind this firm managed to do for many years. Sigmund Neufeld served as producer and government, whereas his brother Sam directed a lot of their output, adopting the final title of Newfield. The cooperation the writer obtained from the Neufeld household was invaluable, I’m certain, in offering context for this expansive chronicle. If you’ve ever sat by means of Edgar G. Ulmer’s Detour you recognize {that a} meager funds has nothing to do with the standard of storytelling in a B image. PRC made Westerns for lower than $20,000; you don’t should seek the advice of an inflation chart to acknowledge that even within the Nineteen Forties that was dust low cost. I didn’t understand that the Neufelds additionally produced a number of early TV collection that I bear in mind watching as a child, like Captain Gallant of the Foreign Legion, Ramar of the Jungle, and Tugboat Annie.

DISNEY IN-BETWEEN: THE LOST YEARS 1966-1986 by Stephen Anderson; foreword by Jerry Rees (The Old Mill Press)

If you’re a Disneyphile you’ll need to learn this well-researched ebook, written by a person who put in a justifiable share of time working on the Burbank studio. Anderson was story supervisor on The Emperor’s New Groove and Brother Bear, and directed Meet the Robinsons and Winnie the Pooh. He has stuffed a niche by chronicling the Ron Miller years, a time when the corporate’s founder was gone however most of his workers continued making movies and tv exhibits asking themselves, “What would Walt do?” We now know that it was solely after shaking that feeling that the studio might expertise a rebirth, as seen in Don Hahn’s wonderful documentary Waking Sleeping Beauty. There is a lot data to impart that the narrative is considerably abrupt at occasions, however like different Disney followers I’m grateful that Anderson spoke to so many members and eyewitnesses on the report.

WALT DISNEY &  EL GRUPO IN LATIN AMERICA  by Theodore Thomas, J.B. Kaufman, and Didier Ghez (Hyperion Historical Alliance)

This is the third scholarly ebook to emerge from the Hyperion Historical Alliance, a bunch comprised of devoted Disney students and researchers. With entry to personal letters, drawings and images—lots of which have by no means been utilized earlier than—the three authors have compiled an impressively thorough survey of Walt Disney’s travels to Central and South America within the Nineteen Forties. One can chart the actions of Walt and the coterie of artists, writers and “idea men” he introduced alongside on this expedition, which gave start to Saludos Amigos, The Three Caballeros and different initiatives. If the satan is within the particulars, then it is a devilishly informative quantity, handsomely designed and printed.

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